By Marc-Antoine Charpentier (1645-1704). For Flute I & Violin I (SATB vocal soli...(+)
By Marc-Antoine
Charpentier (1645-1704).
For Flute I & Violin I
(SATB vocal soli, SATB
choir, instruments).
Choral, Christmas. Flute
I & Violin I Part.
Scripture: Psalm 97:2,
5-9. 4 pages. Published
by E.C. Schirmer
Publishing
I cry to thee, Lord Jesus Christ Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1...(+)
(Cantata for the 4th
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Tobias Rimek. For SATB
vocal soli, SATB choir, 2
oboes, oboe da caccia,
bassoon solo, violin
solo, strings, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition. Cantatas,
Whitsun. Vocal score.
Text language:
German/English. Composed
1732. BWV 177. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
(1+1.2.2.2/4.2.4.0,timp,1 perc,hp,str) SKU: TM.14012SET Composed by Giuse...(+)
(1+1.2.2.2/4.2.4.0,timp,1
perc,hp,str)
SKU:
TM.14012SET
Composed
by Giuseppe Verdi. Set
Type: D. Set of parts.
Lucks Music Library
#A8944. Published by
Lucks Music Library
(TM.14012SET).
Includes
Recit.: Qui posa il
fianco - trio (Qual
volutta…trascorrere
) - Alpette anelo; end of
Act III Finale (score
pages 111-178), Aria No.
13; Selda, Oronie,
Eremita; solo in violin I
part.
(1+1.2.2.2/4.2.4.0,timp,1 perc,hp,str) SKU: TM.14012SC Composed by Giusep...(+)
(1+1.2.2.2/4.2.4.0,timp,1
perc,hp,str)
SKU:
TM.14012SC
Composed
by Giuseppe Verdi. Score.
Lucks Music Library
#A8944. Published by
Lucks Music Library
(TM.14012SC).
Includes
Recit.: Qui posa il
fianco - trio (Qual
volutta…trascorrere
) - Alpette anelo; end of
Act III Finale (score
pages 111-178), Aria No.
13; Selda, Oronie,
Eremita; solo in violin I
part.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 1. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/11. Published by
Carus Verlag
(CA.3116211).
ISBN
9790007208905. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 2. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/12. Published by
Carus Verlag
(CA.3116212).
ISBN
9790007208912. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
O where shall I now go Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Rei...(+)
(19th Sunday after
Trinity). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, 2 oboes, tromba da
tirarsi, 2 violins,
viola, basso continuo.
G-Moll (G minor). German
title: Wo soll Parts:
violin solo + violin 1
Cantatas
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 2.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/12. Published by
Carus Verlag
(CA.3912712).
ISBN
9790007215798. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Violin 1. Composed 1724.
BWV 38. 4 pages. Duration
21 minutes. Carus Verlag
#CV 31.038/11. Published
by Carus Verlag
(CA.3103811).
ISBN
9790007042790. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Violin 2. Composed 1724.
BWV 38. 2 pages. Duration
21 minutes. Carus Verlag
#CV 31.038/12. Published
by Carus Verlag
(CA.3103812).
ISBN
9790007042806. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 1.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/11. Published by
Carus Verlag
(CA.3912711).
ISBN
9790007215781. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Composed by F. W.
Meacham. Set Type: M. Set
of parts. Lucks Music
Library #A6028. Published
by Lucks Music Library
(TM.06222SET).
Parts in modern
keys/clefs. Violin I is a
split part (a & b).
Violin I part includes
ONLY Violin 1 A. When
ordering extra Violin I B
parts, please order them
as Violin 3.
Composed by F. W.
Meacham. Score. Lucks
Music Library #A6028.
Published by Lucks Music
Library (TM.06222SC).
Parts in modern
keys/clefs. Violin I is a
split part (a & b).
Violin I part includes
ONLY Violin 1 A. When
ordering extra Violin I B
parts, please order them
as Violin 3.
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Violin 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/11. Published by
Carus Verlag
(CA.9120111).
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1732. BWV 177. 4 pages.
Duration 13 minutes.
Carus Verlag #CV
31.177/12. Published by
Carus Verlag
(CA.3117712).
ISBN
9790007209827. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and part available
separately - see item
CA.3117700.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1732. BWV 177. 8 pages.
Duration 13 minutes.
Carus Verlag #CV
31.177/11. Published by
Carus Verlag
(CA.3117711).
ISBN
9790007209810. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and part available
separately - see item
CA.3117700.
16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Liebster
Gott, wenn. Sacred vocal
music, Cantatas, Special
days, Mourning, death.
Single Part, Violin 2.
Composed 1724. BWV 8. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.008/12. Published by
Carus Verlag
(CA.3100812).
ISBN
9790007041977. Key: E
major. Language:
German/English. Text:
Neumann, Caspar. Text:
Caspar
Neumann.
Psalm
cantata. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Ich danke
dem Herrn. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks, Psalms. Single
Part, Violin 2. TVWV
7:14. 8 pages. Duration
25 minutes. Carus Verlag
#CV 39.107/12. Published
by Carus Verlag
(CA.3910712).
ISBN
9790007055370. Key: F
major. Language:
German/English.
An
impressive festive
cantata with a solo
trumpet part and three
powerful choruses; a work
in which Telemann proves
himself a brilliant and
imaginative architect of
musical grand form. Score
and part available
separately - see item
CA.3910700.
16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Liebster
Gott, wenn. Sacred vocal
music, Cantatas, Special
days, Mourning, death.
Single Part, Violin 1.
Composed 1724. BWV 8. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.008/11. Published by
Carus Verlag
(CA.3100811).
ISBN
9790007041960. Key: E
major. Language:
German/English. Text:
Neumann, Caspar. Text:
Caspar
Neumann.
Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Siehe, ich will
viel Fischer. Sacred
vocal music, Cantatas.
Single Part, Violin 1.
Composed 1726. BWV 88. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.088/11. Published by
Carus Verlag
(CA.3108811).
ISBN
9790007046125. Key: D
major / b minor.
Language:
German/English.
Sco
re available separately -
see item CA.3108800.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meinen Jesum lass ich
nicht. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1725.
BWV 124. 4 pages.
Duration 17 minutes.
Carus Verlag #CV
31.124/12. Published by
Carus Verlag
(CA.3112412).
ISBN
9790007207540. Key: E
major. Language:
German/English. Text:
Keymann, Christian. Text:
Christian
Keymann.
Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Siehe, ich will
viel Fischer. Sacred
vocal music, Cantatas.
Single Part, Violin 2.
Composed 1726. BWV 88. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.088/12. Published by
Carus Verlag
(CA.3108812).
ISBN
9790007046132. Key: D
major / b minor.
Language:
German/English.
Sco
re available separately -
see item CA.3108800.