Te Deum and Jubilate Deo in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] - Intermédiaire/avancé Oxford University Press
By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB...(+)
By Henry Purcell
(1659-1695). Arranged by
Robert King. For SSATB
soloists, SSATB choir, 2
trumpets, strings and
continuo (2 trumpets,
violin 1, violin 2,
viola, cello, double
bass, organ, theorbo
(optional)). Mixed
Voices. Classic Choral
Works. Standard Choral
Works. Vocal score. 40
pages. Duration 20'.
Published by Oxford
University Press
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Composed
by Johann Sebastian Bach.
Score. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SC).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp.
Composed
by Johann Sebastian Bach.
Set Type: A. Set of
parts. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SET).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Nun komm,
der Heiden Heiland.
German title: Nun Komm,
Der Heiden Heiland I Rev.
Sacred vocal music,
Cantatas, Advent. Set of
Orchestra Parts. Composed
1714. BWV 61. Duration 23
minutes. Carus Verlag #CV
31.061/19. Published by
Carus Verlag
(CA.3106119).
ISBN
9790007136222. Key: A
minor / g major.
Language: German/English.
Text: Neumeister,
Erdmann. Text: Erdmann
Neumeister.
The
opening chorus uses the
first verse of the old
plainsong hymn Veni
redemptor gentium, which
in the paraphrase by
Martin Luther has become
the most important Advent
hymn of the Protestant
Church. Bach introduces
the traditional plainsong
melody in the form of a
French overture, here
symbolizing the entry of
the King of Heaven, thus
creating an unusual and
splendid opening piece
for the beginning of the
church year. Score and
parts available
separately - see item
CA.3106100.
Dixit Dominus Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli S...(+)
By George Frideric Handel
(1685-1759). Edited by
Wolfgang Gersthofer. For
Soli SSATB, Choir SSATB,
2 Violin, 2 Viola, Cello,
Basso Continuo. This
edition: Paperbound.
German title: Dixit
Dominus (Psalm 109).
Psalms, Latin. Full
score. Language: Latin.
Composed 1707. HWV 232.
96 pages. Duration 45
minutes. Published by
Carus Verlag
Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf). By Johann Sebastian Bach. Arra...(+)
Kantate zum 4. Advent
(Rekonstruktion: Uwe
Wolf). By Johann
Sebastian Bach. Arranged
by Uwe Wolf. For Soli
SATB, SATB Choir,
Trumpet, Oboe d'Amore,
Bassoon, 2 Violins
(Violin solo), Viola,
Cello/Contrabass, Organ.
BWV 147a. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Advent.
Score. Language:
German/English. Composed
1716. 32 pages. Duration
18 min. Published by
Carus Verlag (German
import).
(Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf)). By Johann Sebastian Bach (16...(+)
(Kantate zum 4. Advent
(Rekonstruktion: Uwe
Wolf)). By Johann
Sebastian Bach
(1685-1750). Arranged by
Uwe Wolf. For Soli SATB,
SATB Choir, Trumpet, Oboe
d'Amore, Bassoon, 2
Violins (Violin solo),
Viola, Cello/Contrabass,
Organ. This edition:
paperbound. BWV 147a.
Full score available
separately - see item
CA.3114700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Advent.
Level 4. Piano/Vocal
score. Language:
German/English. Composed
1716. 24 pages. Duration
18 min
Easter
Sunday. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.004/31
cornett, 1x 31.004/32
trumpet 1, 1x 31.004/33
trumpet 1, 1x 31.004/34
trombone 1, 1x 31.004/35
trombone 2, 1x 31.004/36
trombone 3. Hymns by
Martin Luther: Christ lag
in Todes Banden. German
title: Christ lag in
Todes Banden 6. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Set of Orchestra Parts.
Composed circa 1707/08
(before 1714). BWV 4. 24
pages. Duration 22
minutes. Carus Verlag #CV
31.004/09. Published by
Carus Verlag
(CA.3100409).
ISBN
9790007041526. Key: E
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
The
cantata Christ lag in
Todesbanden is among
Bach's earliest preserved
vocal compositions. The
text is based Martin
Luther's Easter chorale
of the same name. Score
and parts available
separately - see item
CA.3100400.
Easter Sunday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: Paperbound.
Hymns by Martin Luther:
Christ lag in Todes
Banden. German title:
Christ lag in Todes
Banden. Sacred vocal
music, Cantatas, Easter
and Eastertide. Study
score. Composed circa
1707/08 (before 1714).
BWV 4. Duration 22
minutes. Carus Verlag #CV
31.004/07. Published by
Carus Verlag
(CA.3100407).
ISBN
9790007041519. Key: E
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
The
cantata Christ lag in
Todesbanden is among
Bach's earliest preserved
vocal compositions. The
text is based Martin
Luther's Easter chorale
of the same name. Score
available separately -
see item CA.3100400.
Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar...(+)
Weihnachtskantate. By
Felix Mendelssohn. Edited
by Lehmann, Karen. For
Soli SBar, SSATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets,
Timpani, 2 Violins, 2
Violas, 2 Cellos,
Contrabass. Full score
available separately -
see item CA.4018900.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Christmas. Study score.
Language: German/English.
Composed 1831. 72 pages.
Duration 16 min.
Published by Carus Verlag
(German import).
(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...(+)
(nach Worten der Heiligen
Schrift). By Johannes
Brahms (1833-1897).
Arranged by Johannes
Brahms. For Soli SB, SATB
Choir, Piccolo, 2 Flute,
2 Oboe, 2 Clarinet, 2
Bassoon, 4 Horn, 2
Trumpet, 3 Trombone,
Tuba, 3 Timpani, Harp, 2
Violin, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound. Full
score available
separately - see item
CA.2705500. Requiem;
Occasions: Mourning,
Death; Use during church
year: End of the church
year. Piano/Vocal score.
Language: German. 45. 96
pages. Duration 70 min
(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...(+)
(nach Worten der Heiligen
Schrift). By Johannes
Brahms (1833-1897).
Arranged by Johannes
Brahms. For Soli SB, SATB
Choir, Piccolo, 2 Flute,
2 Oboe, 2 Clarinet, 2
Bassoon, 4 Horn, 2
Trumpet, 3 Trombone,
Tuba, 3 Timpani, Harp, 2
Violin, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound.
Requiem; Occasions:
Mourning, Death; Use
during church year: End
of the church year.
Score. Language: German.
45. 256 pages. Duration
70 min
St. Mark Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(Version
Hellmann/Glockner).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andreas Glockner.
Arranged by Diethard
Hellmann. For SAT vocal
soli, SATB choir, 2
flutes, 2 oboes/2 oboe
d'amore, 2 violins,
viola, 2 viola da gamba,
basso continuo, [2
lutes]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Markuspassion
Glockner. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. Composed
1723/1964/2001. BWV 247.
Duration 75 minutes.
Published by Carus Verlag
Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag
(Kantate zum ersten Ostertag). By Johann Sebastian Bach (1685-1750). Edited by M...(+)
(Kantate zum ersten
Ostertag). By Johann
Sebastian Bach
(1685-1750). Edited by
Marker, Michael. For Soli
STB, Choir SSATB, Oboe, 3
Trumpet, Timpani, 2
Violin, 2 Viola, Basso
Continuo, [2 Oboe,
Taille, Bassoon]. This
edition: paperbound. BWV
31. Full score available
separately - see item
CA.3103100. Cantatas; Use
during church year:
Easter and Eastertide.
Piano/Vocal score.
Language: German/English.
Composed 1715. 32 pages.
Duration 24 min