Solo voices, choir, orchestra (Soprano Voice Solo, Mezzo Voice Solo, 4Tenor Voice Solo, BarSolo, 3Bass Voice Solo, Mixed choir: SSTTBB, 2 Fl, 2 Ob, 2 clarinet, 4 bassoon, 4Hn, 4Trp, 2 Pist, 3trombone, Op, 3timpani, percussion, 4harp, Str, Buhnenmusik: 2 guitar, 2 Trp, percussion)

SKU: BA.BA05441

Opéra comique. Principal versions Paris 1, Paris 2 and Weimar. Part volumes a-d. Composed by Hector Berlioz. Edited by Hugh MacDonald. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 1a-d. Oper (Opera). Complete edition, Score. Hol 76. Duration 2 hours, 45 minutes. Baerenreiter Verlag #BA05441_00. Published by Baerenreiter Verlag (BA.BA05441).

ISBN 9790006494996. 33.2 x 26 cm inches. Text Language: French. Text: Wailly, Léon de.

Benvenuto Cellini, premiered in 1838, is inspired by the life of the legendary Florentine goldsmith and Renaissance figure. The premiere was a disatster yet even by Berliozâ??s high standards it contains music of exceptional inventiveness and beauty.

The work is challenging not least due to the three versions which exist:

I The original version (Paris 1) as Berlioz composed it
II The version premiered in Paris (Paris 2) after rehearsal and copied into an archival full score
III The Weimar version based on the revival in 1852 following changes suggested by Liszt

Our edition offers a solution to the problem of publishing operas which have been heavily revised by their composers, so that any of its many versions may be adopted on stage today.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705305

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Sacred vocal music, Masses, Latin. Choral Score. Duration 35 minutes. Carus Verlag #CV 27.053/05. Published by Carus Verlag (CA.2705305).

ISBN 9790007113520. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705314

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Viola 2. Sacred vocal music, Masses, Latin. Single Part, Viola 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.053/14. Published by Carus Verlag (CA.2705314).

ISBN 9790007199593. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705319

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. German title: Schopfungsmesse. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 27.053/19. Published by Carus Verlag (CA.2705319).

ISBN 9790007133887. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705349

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. 24 pages. Duration 35 minutes. Carus Verlag #CV 27.053/49. Published by Carus Verlag (CA.2705349).

ISBN 9790007199616. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705309

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. 1x 27.053/21 flute 1, 1x 27.053/22 flute 2, 1x 27.053/31 horn 1, 1x 27.053/32 horn 2, 1x 27.053/33 trumpet 1, 1x 27.053/34 trumpet 2, 1x 27.053/41 timpani. Sacred music from Salzburg. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 60 pages. Duration 35 minutes. Carus Verlag #CV 27.053/09. Published by Carus Verlag (CA.2705309).

ISBN 9790007199555. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705313

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.053/13. Published by Carus Verlag (CA.2705313).

ISBN 9790007199586. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705315

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.053/15. Published by Carus Verlag (CA.2705315).

ISBN 9790007199609. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705311

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/11. Published by Carus Verlag (CA.2705311).

ISBN 9790007199562. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705312

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/12. Published by Carus Verlag (CA.2705312).

ISBN 9790007199579. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.