| Tamerlano HWV 18 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voi...(+)
Solo voices, orchestra
(Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, 2 recorder-A, 2 Fl,
2 Ob, 2 clarinet, Str,
Continuo) SKU:
BA.BA04052 Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052). ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym. Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$485.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song for St Cecilia´s Day, HWV 76 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Ba...(+)
Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Flute, Oboes (2),
Trumpets (2), Timpani,
Violins (2), Viola, Basso
continuo) SKU:
BA.BA10722 Ode to
St Cecilia. Composed
by George Frideric
Handel. Edited by Stephan
Blaut. This edition:
urtext edition.
Paperback. Score. HWV 76.
Baerenreiter Verlag
#BA10722_00. Published by
Baerenreiter Verlag
(BA.BA10722). ISBN
9790006567713. 31 x 24.3
cm inches. Text Language:
English. Following
upon
“Alexander’s
Feast†(1736), in
1739 Handel produced a
second setting of the
“Ode to St
Ceciliaâ€
(“Song for St
Cecilia’s
Dayâ€). At its
première it was
combined with
“Alexander’s
Feastâ€. Rather than
a dramatic plot
presentable in the
theatre, the Ode, in its
seven sections, offers a
general hymn of praise to
music and its impact.
Accordingly, it largely
consists of emotion-laden
arias and festive
orchestration.
Thi
s edition, based on the
Urtext from the
“Halle Handel
Editionâ€, offers
the version heard at the
first performance
– the version
preferred in
today’s concert
life. The foreword
(Ger/Eng) provides many
detailed notes on
performance practice with
regard to
orchestration.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$60.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| H.M.S. PINAFORE: Things Are Seldom What They Seem (Contralto, Baritone Duet) Soli, choeur mixte et accompagnement Lucks Music Library
(2.1.2.1/2.0.0.0,perc,str ,contraBar soli) SKU: TM.04275SET Composed by S...(+)
(2.1.2.1/2.0.0.0,perc,str
,contraBar soli) SKU:
TM.04275SET Composed
by Sir Arthur Seymour
Sullivan. Set Type: D.
Set of parts. Lucks Music
Library #A4861. Published
by Lucks Music Library
(TM.04275SET).
Sung by Capt.
Corcoran and Buttercup.
Act II. $30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| H.M.S. PINAFORE: Things Are Seldom What They Seem (Contralto, Baritone Duet) Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2.1.2.1/2.0.0.0,perc,str ,contraBar soli) SKU: TM.04275SC Composed by Si...(+)
(2.1.2.1/2.0.0.0,perc,str
,contraBar soli) SKU:
TM.04275SC Composed
by Sir Arthur Seymour
Sullivan. Score. Lucks
Music Library #A4861.
Published by Lucks Music
Library (TM.04275SC).
Sung by Capt.
Corcoran and Buttercup.
Act II. $10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Passion nach Barthold Heinrich Brockes, HWV 48 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo (2), Tenor solo...(+)
Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo
(2), Tenor solo (2), Bass
solo (2), Mixed choir
(SATB), Orchestra)
SKU: BA.BA11311
Composed by George
Frideric Handel. Edited
by Felix Schroeder. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. HWV 48.
Baerenreiter Verlag
#BA11311_00. Published by
Baerenreiter Verlag
(BA.BA11311). ISBN
9790006574650. 31 x 24.3
cm inches. Language:
German. Preface:
Schütz, Gudula. Text:
Barthold Heinrich
Brockes. Handel
composed his only
oratorio in German
between 1716 and 1717
basing it on the then
popular Passion text by
Barthold Heinrich Brockes
entitled “Der
für die Sünde der
Welt gemarterte und
sterbende Jesusâ€
(“The Story of
Jesus, Suffering and
Dying for the Sins of the
Worldâ€).
Handel’s affinity
to opera is evident in
the musical realisation
of the emphatic text as
he creates a synthesis
between traditional
Protestant church music
and the depiction of
human passion in the
manner of opera
seria.
This
edition is based on the
corresponding volume of
the “Halle Handel
Edition†(BA 4021).
The full score, parts and
vocal score have been
newly engraved. The piano
reduction has been
simplified and brought up
to today’s
standards, thus making it
much more manageable to
play.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$109.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116414 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414). ISBN
9790007209056. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116412 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412). ISBN
9790007209032. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116413 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413). ISBN
9790007209049. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116411 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411). ISBN
9790007209025. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C (Missa in C) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, ti...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, 2 horns, 2
clarinos/trumpets,
timpani, 2 violins, basso
continuo, [3 trombones] -
Grade 3 SKU:
CA.4061818
Coronation Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C
(Kronungsmesse).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1779. KV 317. 8
pages. Duration 25
minutes. Carus Verlag #CV
40.618/18. Published by
Carus Verlag
(CA.4061818). ISBN
9790007219666. Key: C
major. Language:
Latin. Mozart's
Missa in C K. 317,
erroneously dubbed the
Coronation Mass, is among
the most popular and most
often performed works in
this genre. The autograph
of the Mass, which in
many respects is very
enlightening, was
regarded as having been
lost following the end of
World War II, but was
discovered at the end of
the 1970s, it is
preserved among the
musical treasures
contained in the
Biblioteka Jagiellonska
in Krakow. Ulrich
Leisinger, the editor,
prepared the edition
based upon what is,
without a doubt, the only
authentic source,
although additionally in
the Critical Report he
has also consulted an
early copy of the Mass
(by Fugerl), since such
later copies often help
to clarify questions
concerning historical
performance practice.
This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.4061800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C (Missa in C) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, ti...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, 2 horns, 2
clarinos/trumpets,
timpani, 2 violins, basso
continuo, [3 trombones] -
Grade 3 SKU:
CA.4061817
Coronation Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C
(Kronungsmesse).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. Composed
1779. KV 317. 16 pages.
Duration 25 minutes.
Carus Verlag #CV
40.618/17. Published by
Carus Verlag
(CA.4061817). ISBN
9790007219659. Key: C
major. Language:
Latin. Mozart's
Missa in C K. 317,
erroneously dubbed the
Coronation Mass, is among
the most popular and most
often performed works in
this genre. The autograph
of the Mass, which in
many respects is very
enlightening, was
regarded as having been
lost following the end of
World War II, but was
discovered at the end of
the 1970s, it is
preserved among the
musical treasures
contained in the
Biblioteka Jagiellonska
in Krakow. Ulrich
Leisinger, the editor,
prepared the edition
based upon what is,
without a doubt, the only
authentic source,
although additionally in
the Critical Report he
has also consulted an
early copy of the Mass
(by Fugerl), since such
later copies often help
to clarify questions
concerning historical
performance practice.
This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.4061800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Barber of Seville Soli, choeur mixte et accompagnement Barenreiter
Soloists, Choir, Orchestra (singing voice, choir, Orchestra) SKU: BA.BA10506-...(+)
Soloists, Choir,
Orchestra (singing voice,
choir, Orchestra) SKU:
BA.BA10506-01
Commedia in due atti
(comedy in two acts).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner. This
edition: Edition of
selected works, Urtext
edition. Linen. Works of
Gioachino Rossini, Volume
2. Edition of selected
works, Score.
Baerenreiter Verlag
#BA10506_01. Published by
Baerenreiter Verlag
(BA.BA10506-01). ISBN
9790006552009. 33 x 26 cm
inches. Text Language:
Italian. Text: Sterbini,
Cesare. Barenreiter
's publication of a new
volume of theWorks of
Gioachino Rossini, in
collaboration with the
Center for Italian Opera
Studies at the University
of Chicago, makes
available an edition of
the operaIl barbiere di
Sivigliawhich meets
modern demands. The
editors have recently
identified numerous
carelessly edited places
in the last critical
edition by referring to
additional sources. The
greatest changes relate
to the overture; for the
new edition, no fewer
than twenty different
autograph manuscripts
have been consulted.
A detailed appendix
containing alternative
vocal parts, advice on
ornamentation and
compositions by Rossini
significant in the
performance history of
the opera complete the
volume. A
420-page Critical
Commentary is published
separately. With this, a
critical edition is now
available to
interpreters, enabling
them to perform Rossini's
,,Barber of Sevillewith
the greatest possible
confidence in the
accuracy of the musical
material. The performance
material is available on
hire, and a vocal score
will be published at the
end of 2009.
Through 1829 Rossini was
an extraordinarily
prolific composer of
operas, comic, serious,
and semiserious, in
Italian and French, as
well as of a great deal
of vocal and instrumental
music. He composed sacred
music, vocal treatises,
cantatas. Then, for many
different reasons, he
wrote very little music
for more than twentyfive
years, if we except some
songs and the ' Stabat
Mater' . Only after he
left Italy definitively
for Paris in 1855 did he
find his voice again.
Between 1857 and
1868 a fresh group of
masterpieces issued from
his pen, the so-called '
Peches de vieillesse'
(Sins of Old Age),
including chamber music,
songs, and the 'Petite
Messe Solennelle'.
Philip Gossett,
General Editor of Works
of Gioachino Rossini, is
the Robert W. Reneker
Distinguished Service
Professor at The
University of Chicago and
a professordi chiara
famaat the University of
RomeLa Sapienza. He is
also general editor of
The Works of Giuseppe
Verdi.
Barenreiter in
cooperation with the
Center for Italian Opera
Studies at The University
of Chicago will publish
ten volumes in the series
Works of Gioachino
Rossini, in critical
editions, during the
period 2007-2011. These
are all volumes that were
not issued in theEdizione
critica delle opere di
Gioachino Rossini.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$1088.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass in C Soli, choeur mixte et accompagnement - Facile Carus Verlag
(Coronation Mass). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ul...(+)
(Coronation Mass).
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Ulrich Leisinger. For
SATB vocal soli, SATB
choir, 2 oboes, 2 horns,
2 clarinos/trumpets,
timpani, 2 violins, basso
continuo, [3 trombones].
C-Dur (C major).
Stuttgart Urtext Edition.
German title: Missa in C
(Kronungsmesse). Latin
Masses. Level 3. Complete
orchestral parts.
Language: Latin. Composed
1779. KV 317. Duration 25
minutes. Published by
Carus Verlag
$141.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |