(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Praise and thanks. Full score. Language: English/German. Composed 1743. HWV 283. 144 pages. Duration 40 min. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Vocal score. Language: English/German. Composed 1742. HWV 56. 184 pages. Duration 150 minutes. Published by Carus Verlag

By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB soli, S(S0ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Messiah kart GA-Format. Oratorios. Full score. Language: English/German. Composed 1742. HWV 56. 328 pages. Duration 150 minutes. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Complete orchestral parts. Language: English/German. Composed 1742. HWV 56. Duration 150 minutes. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1742. HWV 56. 256 pages. Duration 150 minutes. Carus Verlag #CV 55.056/02. Published by Carus Verlag (CA.5505602).

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids

By George Frideric Handel. For SMATB Soli, SATB Choir, Piano Accompaniment. Baroque, Choral. Sheet Music. 244 pages. Published by Novello and Co Ltd.

(Te Deum For The Victory Of Dettingen) Composed by George Frideric Handel (1685-1759), edited by Carl Eberhardt. HWV 283. For ATB solos, SSATB choir and piano accompaniment. Format: vocal score. With choral notation, piano reduction and introductory text. Baroque. Text language German/English. 99 pages. 7.5x10.5 inches. Published by C.F. Peters.

Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Oratorios. Vocal score. Composed 1739. HWV 53. 216 pages. Published by Carus Verlag (CA.5505303).

By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 48 pages. Published by Novello and Co Ltd.

Oratorio in six scenes. Composed by George Frideric Handel (1685-1759). Edited by Howard Serwer. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 8. First version. Score. Composed 1720. HWV 50a. Baerenreiter Verlag #BA04047-01. Published by Baerenreiter Verlag

By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli SSATB, Choir SSATB, 2 Violin, 2 Viola, Cello, Basso Continuo. This edition: Paperbound. German title: Dixit Dominus (Psalm 109). Psalms, Latin. Full score. Language: Latin. Composed 1707. HWV 232. 96 pages. Duration 45 minutes. Published by Carus Verlag

By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal Score. Published by Oxford University Press.

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edited by Traub, Andreas. For STB soli, SATB choir, 2 oboes, taille, 2 bassoon, 2 violins, viola and basso continuo. This edition: paperbound. HWV 48. Full score available separately - see item CA.5504800. Oratorios, Passions; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: German. 152 pages. Duration 150 min

SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5505694

Composed by George Frideric Handel. Carus Choir Coach. Messiah.Ccc (3 Cds). Sacred vocal music, Oratorios. Compact Disc. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/94. Published by Carus Verlag (CA.5505694).

Text language: English. Text: Jennens, Charles.

George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score available separately - see item CA.5505600.

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org))

SKU: BA.BA04014

Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014).

ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell.

“Jeph tha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Solo voices, choir, orchestra (8Soprano Voice Solo, Alto Voice Solo, 4Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, Bassi(Vc, double bass, bassoon, Lt-B, harpisc., Org))

SKU: BA.BA04099

Oratorio in three acts. Composed by George Frideric Handel. Edited by Hans Dieter Clausen. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Voume 18, Nos. 1 2. Complete edition, Score. Composed 1743. HWV 57. Duration 3 hours. Baerenreiter Verlag #BA04099_00. Published by Baerenreiter Verlag (BA.BA04099).

ISBN 9790006550111. 33 x 25.7 cm inches. Text Language: English. Preface: Hans Dieter Clausen. Text: Newburgh Hamilton.

Handel composed Samson directly after completing the Messiah.
After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composerâ??s most successful oratorios alongside Esther and Judas Maccabaeus. This probably had as much to do with the popular Old Testament story of the libretto as with Handelâ??s masterly shaping of the arias and choruses.

By including some movements in the appendix, this edition makes it possible for the first time to perform the work in its original 1741 version.
The edition is based on the complete edition volume of the Halle Handel Edition (BA 4099), offering the complete music text of the oratorio for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SSAATTBB, 2 Ob, 2 bassoon, 2 Hn, 3Trp, timpani, 3V, Va, Bassi, Org)

SKU: BA.BA04089

Oratorio in three parts. Composed by George Frideric Handel. Edited by Merlin Channon. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 23. Complete edition, Score. HWV 62. Duration 2 hours, 20 minutes. Baerenreiter Verlag #BA04089_00. Published by Baerenreiter Verlag (BA.BA04089).

ISBN 9790006550081. 33 x 26 cm inches. Text Language: English. Text: Newburgh Hamilton.

The “Occasional Oratorio” was composed as a reaction to a political event which shook the whole of England : the Jacobite rebellion of 1745-46 against the Hanoverian monarchy was crushed under the leadership of the Duke of Cumberland. Handel, who was working on the oratorio “ Judas Maccabaeus” at the time, composed the oratorio quickly and reused some movements from earlier works. With the choice of a libretto by Newburgh Hamilton he demonstrated his support for the monarchy. The work was first performed on 14 February 1746 at the Covent Garden Theatre in London .

For the first time this seldomly performed oratorio which nevertheless contains wonderful music is available in an Urtext edition based on the “ Halle Handel Edition” . All available sources have been consulted. Further movements which Handel added for later performances are included in the appendix.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.))

SKU: BA.BA04096

Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096_00. Published by Baerenreiter Verlag (BA.BA04096).

ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece.

The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding