Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hendrik, Sara Elisa / Schulze, and Stangalino. This edition: Edition of selected works, Urtext edition. Cloth bound. Francesco Cavalli. Opere. Venice 1655. Edition of Selected Works , Score. Baerenreiter Verlag #BA08915- 01. Published by Baerenreiter Verlag

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag

(2.2.2.2/2.2.3.0,timp,per c,hp,str)

SKU: TM.12307SET

Composed by Franz Lehar. Set Type: D. Set of parts. Lucks Music Library #A8025. Published by Lucks Music Library (TM.12307SET).

Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed.

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Week, Lent, Triduum/Three Days, Tenebrae, 21st Century. Vocal/choral score. Published by MorningStar Music Publishers

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05036-01

Cantatas BWV 19, 50 (fragment), 130 with appendix, 149. Composed by Johann Sebastian Bach. Edited by Marianne Helms. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/30. Complete edition, Score, anthology. BWV 19, 50, 130. Baerenreiter Verlag #BA05036_01. Published by Baerenreiter Verlag (BA.BA05036-01).

ISBN 9790006462131. 33 x 26.5 cm inches. Language: German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05020-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Werner Neumann. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/36. Complete edition, Score, anthology. Baerenreiter Verlag #BA05020_01. Published by Baerenreiter Verlag (BA.BA05020-01).

ISBN 9790006461813. 33 x 26 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Choir, Orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05023-01

Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/35. Complete edition, Score, anthology. Baerenreiter Verlag #BA05023_01. Published by Baerenreiter Verlag (BA.BA05023-01).

ISBN 9790006461875. 33 x 26 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Choir, Orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05084-01

Cantatas on the Purification of the Virgin Mary. Composed by Johann Sebastian Bach. Edited by Matthias Wendt and Uwe Wolf. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/28/1. Complete edition, Score, anthology. BWV 82, 83, 125, 200. Baerenreiter Verlag #BA05084_01. Published by Baerenreiter Verlag (BA.BA05084-01).

ISBN 9790006464005. 33.1 x 25.8 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(2.2.2.2/4.0.0.0,str)

SKU: TM.02191SET

Composed by Peter Illich Tschaikowsky. Set Type: D. Set of parts. Published by Lucks Music Library (TM.02191SET).

(2.2.2.2/4.0.0.0,str)

SKU: TM.02191SC

Composed by Peter Illich Tschaikowsky. Score. Published by Lucks Music Library (TM.02191SC).

By Michael Burkhardt and Elaine Reitan. Arranged by Michael Burkhardt. For unison treble voices, optional SATB choir, soloist, Caller, piano accompaniment, percussion. General. Moderately Easy. Published by MorningStar Music Publishers

Cantata/Oratorio 0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor

SKU: AP.36-A249302

Arranged by Johann Sebastian Bach and ed./arr. by Moritz Hauptmann/ German libretto by Martin Luther. Orchestra. Kalmus Choral Library. Score and Part(s). LudwigMasters Publications #36-A249302. Published by LudwigMasters Publications (AP.36-A249302).

UPC: 659359553233. English.

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mulhausen. It is the first of his cantatas to construct its textual and melodic material on a chorale. His first cantata for Easter Sunday, it was later revised in Leipzig in 1724 and 1725 with additional instrumental parts in order to harness the rich musical resources available to the composer. The original version has not survived. This edition by Moritz Hauptmann was created in 1851 as part of the Bach-Gesellschaft Ausgabe (Bach Society Edition). Instrumentation: 0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05062-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Ryuichi Higuchi. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/34. Complete edition, Score, anthology. Baerenreiter Verlag #BA05062_01. Published by Baerenreiter Verlag (BA.BA05062-01).

ISBN 9790006463022. 33 x 26.3 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Cantata/Oratorio 0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor

SKU: AP.36-A249391

Arranged by Johann Sebastian Bach and ed./arr. by Gustav Schreck/ John Ebenezer West/ German libretto by Martin Luther. English translation by Paul England. Choral Octavo. Kalmus Choral Library. Score. LudwigMasters Publications #36-A249391. Published by LudwigMasters Publications (AP.36-A249391).

ISBN 9781932419481. UPC: 659359518904. English.

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mulhausen. It is the first of his cantatas to construct its textual and melodic material on a chorale. His first cantata for Easter Sunday, it was later revised in Leipzig in 1724 and 1725 with additional instrumental parts in order to harness the rich musical resources available to the composer. The original version has not survived. The piano reduction for this vocal score was completed by Gustav Schreck, and the edition was edited by John Ebenezer West.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

(2.2.2.2/4.0.0.0,str,Bari solo)

SKU: TM.03791SET

Composed by Peter Illich Tschaikowsky. Set Type: D. Set of parts. Lucks Music Library #A3798. Published by Lucks Music Library (TM.03791SET).

No. 12--He Comes! He! Onegin! Onegin's aria from Act I.

(2.2.2.2/4.0.0.0,str,Bari solo)

SKU: TM.03791SC

Composed by Peter Illich Tschaikowsky. Score. Lucks Music Library #A3798. Published by Lucks Music Library (TM.03791SC).

No. 12--He Comes! He! Onegin! Onegin's aria from Act I.

(2ob,tpt,cem,str,AT soli,SATB chorus)

SKU: TM.10053SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A4497. Published by Lucks Music Library (TM.10053SET).

Chorus sold as separate Soprano, Alto, Tenor, or Bass parts. Please specify the quantity for each voice when ordering.