(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Sol...(+)
(Chiemsee-Messe). By
Michael Haydn
(1737-1806). Edited by
Armin Kircher. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. This edition:
paperbound. MH 546. Score
available separately -
see item CA.5454600.
Latin Masses. Piano/Vocal
score. Language: Latin.
Composed 1793. 80 pages.
Duration 40 min.
Published by Carus Verlag
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violin 2. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Violin 2. TVWV 1:1452. 8
pages. Duration 22
minutes. Carus Verlag #CV
39.115/12. Published by
Carus Verlag
(CA.3911512).
ISBN
9790007215613. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.
Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arrang...(+)
Deutsches Magnificat. By
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. For Soli SATB,
SATB Choir, 2 Oboes, 2
Recorders f1, 2 Violins,
Viola, Basso continuo.
TVWV 9:18. Magnificat;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Score. Language:
German/English. 72 pages.
Duration 25 min.
Published by Carus Verlag
(German import).
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90).
ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin.
This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
Missa in honorem Sanctae Ursulae Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Set de Parties séparées] Carus Verlag
Chiemsee-Messe. Composed by Michael Haydn (1737-1806). Edited by Armin Ki...(+)
Chiemsee-Messe.
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Stae
Ursulae/Chiemsee MH 546.
Latin Masses. Complete
orchestral parts.
Composed 1793. MH 546.
Duration 40 minutes.
Published by Carus Verlag
(CA.5454619).
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Cello/Double
Bass. TVWV 1:1452. 8
pages. Duration 22
minutes. Carus Verlag #CV
39.115/14. Published by
Carus Verlag
(CA.3911514).
ISBN
9790007215637. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Viola. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Viola. TVWV 1:1452. 8
pages. Duration 22
minutes. Carus Verlag #CV
39.115/13. Published by
Carus Verlag
(CA.3911513).
ISBN
9790007215620. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Organ. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Organ. Composed 1744.
TVWV 1:1452. Duration 22
minutes. Carus Verlag #CV
39.115/49. Published by
Carus Verlag
(CA.3911549).
ISBN
9790007215644. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Uns ist ein
Kind geboren. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. TVWV
1:1452. Duration 22
minutes. Carus Verlag #CV
39.115/19. Published by
Carus Verlag
(CA.3911519).
ISBN
9790007139346. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and parts
available separately -
see item CA.3911500.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Uns ist ein
Kind geboren. Sacred
vocal music, Cantatas,
Christmas. Full score.
TVWV 1:1452. 36 pages.
Duration 22 minutes.
Carus Verlag #CV
39.115/00. Published by
Carus Verlag
(CA.3911500).
ISBN
9790007059828. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present.
Cantatas BWV 38, BWV
49, BWV 98, BWV 109, BWV
162, BWV 180, BWV
188. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: Complete
edition. Linen. New Bach
Edition (NBA) I/25.
Complete edition,
Critical commentary,
anthology. BWV 49, BWV
38, BWV 162, BWV 188, BWV
180, BWV 109, BWV 98. 249
pages. Baerenreiter
Verlag #BA05089_41.
Published by Baerenreiter
Verlag (BA.BA05089-41).
ISBN 9790006494583.
24.7 x 17.7 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Sacred vocal music,
Cantatas, Christmas.
Choral Score. TVWV
1:1452. 4 pages. Duration
22 minutes. Carus Verlag
#CV 39.115/05. Published
by Carus Verlag
(CA.3911505).
ISBN
9790007128784. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score available
separately - see item
CA.3911500.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. 2x 39.115/21
flute 1, 2x 39.115/22
flute 2, 1x 39.115/23
oboe 1, 1x 39.115/24 oboe
2. Stuttgart Urtext
Edition: Telemann-Archiv.
Harmony parts. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. TVWV
1:1452. 16 pages.
Duration 22 minutes.
Carus Verlag #CV
39.115/09. Published by
Carus Verlag
(CA.3911509).
ISBN
9790007215590. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and parts
available separately -
see item CA.3911500.
ISBN
9790006558223. 27 x 19 cm
inches. Text Language:
French. Preface: Kocevar,
Ã?rik. Text: Charles
Colle.
The heroic
pastoral Daphnis et Egle
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version--which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas--but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/10. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05004_01.
Published by Baerenreiter
Verlag (BA.BA05004-01).
ISBN 9790006461387. 33
x 26.5 cm inches.
Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Kantate zum 2. Pfingsttag). By Georg Philipp Telemann (1681-1767). Edited by Kl...(+)
(Kantate zum 2.
Pfingsttag). By Georg
Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli SATB, SATB Choir,
Recorder f1, 2 Oboes, 2
Violins, Viola, Basso
continuo. This edition:
paperbound. TVWV 1:165.
Score available
separately - see item
CA.3913000. Cantatas; Use
during the church year:
Pentecost; Stuttgart
Urtext Editions.
Piano/Vocal score.
Language: German/English.
24 pages. Duration 20
min. Published by Carus
Verlag
Chiemsee-Messe.
Composed by Michael
Haydn. Edited by Armin
Kircher. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Stae
Ursulae. Sacred vocal
music, Masses, Latin.
Single Part, Violin 2.
Composed 1793. MH 546. 28
pages. Duration 40
minutes. Carus Verlag #CV
54.546/12. Published by
Carus Verlag
(CA.5454612).
ISBN
9790007226213. Language:
Latin.
Among
Haydn's over thirty
settings of the Latin
Ordinary, the Missa in
honorem Sanctae Ursula
occupies an outstanding
position, which,
according to the
autograph, was completed
on 5 August 1793. This
Mass has been referred to
as the most Mozartian of
all his masses. With its
song-like melodic
character, the unity of
the motivic material and
the harmonius balance
between festive and
reflective sections this
Mass is one of Haydn's
most successful and
inspired works. This
work, which in addition
to the usual Salzburg
church trio includes two
trumpets and timpani,
belongs to the category
of Missa solemnis. The
popular nickname
Chiemsee-Messe is bound
up with the history of
the origins of the work.
Haydn wrote the Mass for
the musically gifted nun,
Sebastiana Oswald, who
belonged to the
Benedictine cloister of
Frauenchiemsee. This work
soon found widespread
acceptance beyond the
originally intended
sphere of its origins, as
is indicated by the
numerous copies found in
Austrian convents. Score
and part available
separately - see item
CA.5454600.
Chiemsee-Messe.
Composed by Michael
Haydn. Edited by Armin
Kircher. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Stae
Ursulae. Sacred vocal
music, Masses, Latin.
Single Part, Violin 1.
Composed 1793. MH 546. 28
pages. Duration 40
minutes. Carus Verlag #CV
54.546/11. Published by
Carus Verlag
(CA.5454611).
ISBN
9790007226206. Language:
Latin.
Among
Haydn's over thirty
settings of the Latin
Ordinary, the Missa in
honorem Sanctae Ursula
occupies an outstanding
position, which,
according to the
autograph, was completed
on 5 August 1793. This
Mass has been referred to
as the most Mozartian of
all his masses. With its
song-like melodic
character, the unity of
the motivic material and
the harmonius balance
between festive and
reflective sections this
Mass is one of Haydn's
most successful and
inspired works. This
work, which in addition
to the usual Salzburg
church trio includes two
trumpets and timpani,
belongs to the category
of Missa solemnis. The
popular nickname
Chiemsee-Messe is bound
up with the history of
the origins of the work.
Haydn wrote the Mass for
the musically gifted nun,
Sebastiana Oswald, who
belonged to the
Benedictine cloister of
Frauenchiemsee. This work
soon found widespread
acceptance beyond the
originally intended
sphere of its origins, as
is indicated by the
numerous copies found in
Austrian convents. Score
and part available
separately - see item
CA.5454600.
(Weihnachtsoratorium). By Gottfried August Homilius. Edited by Uwe Wolf. For SAT...(+)
(Weihnachtsoratorium). By
Gottfried August
Homilius. Edited by Uwe
Wolf. For SATB soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 3 horns, 3
trumpets, timpani, 2
violins, viola,
cello/contrabass. This
edition: paperbound. HoWV
I.4. Full score available
separately - see item
CA.3710500. Oratorios;
Use during church year:
Christmas. Piano/Vocal
score. Language: German.
48 pages. Duration 45 min
Chiemsee-Messe.
Composed by Michael
Haydn. Edited by Armin
Kircher. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Stae
Ursulae. Sacred vocal
music, Masses, Latin.
Single Part, Cello/Double
Bass. Composed 1793. MH
546. 16 pages. Duration
40 minutes. Carus Verlag
#CV 54.546/13. Published
by Carus Verlag
(CA.5454613).
ISBN
9790007226220. Language:
Latin.
Among
Haydn's over thirty
settings of the Latin
Ordinary, the Missa in
honorem Sanctae Ursula
occupies an outstanding
position, which,
according to the
autograph, was completed
on 5 August 1793. This
Mass has been referred to
as the most Mozartian of
all his masses. With its
song-like melodic
character, the unity of
the motivic material and
the harmonius balance
between festive and
reflective sections this
Mass is one of Haydn's
most successful and
inspired works. This
work, which in addition
to the usual Salzburg
church trio includes two
trumpets and timpani,
belongs to the category
of Missa solemnis. The
popular nickname
Chiemsee-Messe is bound
up with the history of
the origins of the work.
Haydn wrote the Mass for
the musically gifted nun,
Sebastiana Oswald, who
belonged to the
Benedictine cloister of
Frauenchiemsee. This work
soon found widespread
acceptance beyond the
originally intended
sphere of its origins, as
is indicated by the
numerous copies found in
Austrian convents. Score
and part available
separately - see item
CA.5454600.
Chiemsee-Messe.
Composed by Michael
Haydn. Edited by Armin
Kircher. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Stae
Ursulae. Sacred vocal
music, Masses, Latin.
Single Part, Organ.
Composed 1793. MH 546. 32
pages. Duration 40
minutes. Carus Verlag #CV
54.546/49. Published by
Carus Verlag
(CA.5454649).
ISBN
9790007074623. Language:
Latin.
Among
Haydn's over thirty
settings of the Latin
Ordinary, the Missa in
honorem Sanctae Ursula
occupies an outstanding
position, which,
according to the
autograph, was completed
on 5 August 1793. This
Mass has been referred to
as the most Mozartian of
all his masses. With its
song-like melodic
character, the unity of
the motivic material and
the harmonius balance
between festive and
reflective sections this
Mass is one of Haydn's
most successful and
inspired works. This
work, which in addition
to the usual Salzburg
church trio includes two
trumpets and timpani,
belongs to the category
of Missa solemnis. The
popular nickname
Chiemsee-Messe is bound
up with the history of
the origins of the work.
Haydn wrote the Mass for
the musically gifted nun,
Sebastiana Oswald, who
belonged to the
Benedictine cloister of
Frauenchiemsee. This work
soon found widespread
acceptance beyond the
originally intended
sphere of its origins, as
is indicated by the
numerous copies found in
Austrian convents. Score
and part available
separately - see item
CA.5454600.
(Kantate zum 17. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 17. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir,
[Cornet], Flute, 2 Oboes,
Strings, Organ. This
edition: paperbound. BWV
114. Score available
separately - see item
CA.3111400. Cantatas; Use
during the church year:
Trinity; Stuttgart Urtext
Editions. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1724. 40 pages.
Duration 26 min.
Published by Carus Verlag
Christmas cantata.
Composed by Friedrich
Wilhelm Zachow. German
title: Uns ist ein Kind
geboren. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Violin 2. 4 pages. Carus
Verlag #CV 10.247/12.
Published by Carus Verlag
(CA.1024712).