| The Marriage of Figaro K. 492 Soli, choeur mixte et accompagnement Barenreiter
Opera buffa in 4 acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited...(+)
Opera buffa in 4 acts.
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Ludwig Finscher. Arranged
by
Eugen Epplee. This
edition:
urtext edition. Hardback.
Barenreiter Urtext. Vocal
score vokal. KV 492.
Baerenreiter Verlag
#BA04565-
93. Published by
Baerenreiter
Verlag
$87.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Psalm Monodies Soli, choeur mixte et accompagnement Zimbel Press
Soloist(s), Choir, and/or Congregation SKU: SU.80101330 For Soloist(s)...(+)
Soloist(s), Choir, and/or
Congregation SKU:
SU.80101330 For
Soloist(s), Choir, and/or
Congregation.
Composed by Carson
Cooman. Vocal/Choral,
Sacred Choral.
Interactive audience.
Choral Octavo. Zimbel
Press #80101330.
Published by Zimbel Press
(SU.80101330).
Soloist(s),
Choir, and/or
Congregation Composed:
2012 Published by: Zimbel
PressThese three brief
pieces were inspired by
the Shakers, whose many
thousands of songs were
sung unaccompanied. For
the first hundred years
of their society, Shaker
songs were always
monophonic. Though the
music of these monodies
is not in a Shaker style,
they are meant to be sung
by soloists, choirs,
and/or congregations
without accompaniment.
Minimum order quantity: 8
copies. Perusal copies
are available by
contacting
carson@carsoncooman.com
b> (include the
organization name with
your request). To order
quantities fewer than
8. $1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cantata No. 27, Wer wiess, wie nahe... Soli, choeur mixte et accompagnement Lucks Music Library
(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus) SKU: TM.01751S...(+)
(0.2+da
caccia.0.0/1.0.0.0,cem,or
g,str,SATB soli,SATB
chorus) SKU:
TM.01751SET Composed
by Johann Sebastian Bach.
Set Type: A. Set of
parts. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SET).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cantata No. 27, Wer wiess, wie nahe... Soli, choeur mixte et accompagnement Lucks Music Library
(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus) SKU: TM.01751S...(+)
(0.2+da
caccia.0.0/1.0.0.0,cem,or
g,str,SATB soli,SATB
chorus) SKU:
TM.01751SC Composed
by Johann Sebastian Bach.
Score. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SC).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp. $15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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