St. John Passion (Johannes-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Der
Fromme stirbt.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Complete
edition. 1x 37.103/21
flute 1, 1x 37.103/22
flute 2, 1x 37.103/23
oboe 1, 1x 37.103/24 oboe
2, 2x 37.103/25 bassoon,
1x 37.103/31 horn 1, 1x
37.103/32 horn 2.
Gottfried August Homilius
- Selected Works.
Johannespassion Ga 3.
Innovative practice aids,
Sacred vocal music,
Passions. Set of
Orchestra Parts. HoWV
I.4. 136 pages. Duration
119 minutes. Carus Verlag
#CV 37.103/09. Published
by Carus Verlag
(CA.3710309).
ISBN
9790007214234. Language:
German.
The
oratorio Passions by
Homilius were among the
last compositions of
their kind in the 18th
century. In an oratorio
Passion the chorus is
restricted mainly to
singing the chorales and
the interjections of the
crowd; only the
conclusion of a Passion
provides an opportunity
for an extensive choral
movement. In the St. John
Passion the final chorus
emphasizes the supreme
importance of the
Crucifixion as the climax
of St. John's Gospel. The
free elements of the
composition take the
forms customary at the
time: da capo arias are
predominant. Score and
parts available
separately - see item
CA.3710300.
Composed
by Michael Haydn. Edited
by Armin Kircher.
Arranged by Paul Horn.
This edition: urtext. 2x
54.254/21 oboe 1, 2x
54.254/22 oboe 2, 2x
54.254/23 bassoon, 1x
54.254/31 trombone 1, 1x
54.254/32 trombone 2, 1x
54.254/33 trombone 3.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Hieronymi Mh
254. Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1777. MH 254. 140 pages.
Duration 40 minutes.
Carus Verlag #CV
54.254/09. Published by
Carus Verlag
(CA.5425409).
ISBN
9790007226053. Language:
Latin.
Just by
reason of its scoring the
Missa Sancti Hieronymi
occupies a special place
not only among the
settings of the Mass by
Haydn, but also in the
repertoire of church
music at the Royal Court
of Salzburg. Other than
the Hieronymus Mass and
the Proprium motet Timete
Dominum MH 256, which is
connected with it, there
are no additional
surviving works in the
Salzburg repertoire with
this type of
instrumentation. The
unusual instrumentation,
the contrapuntal style in
the fugal sections, as
well as the melodic
invention and harmonic
elaboration show that
this Mass is a
masterpiece. Score and
parts available
separately - see item
CA.5425400.
The Last Judgment (Die letzten Dinge) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Op. 61.
244 pages. Duration 80
minutes. Carus Verlag #CV
23.003/09. Published by
Carus Verlag
(CA.2300309).
ISBN
9790007198589. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and parts
available separately -
see item CA.2300300.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext. 1x
31.151/21 flute, 1x
31.151/22 oboe d'amore.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. Composed
1725. BWV 151. 8 pages.
Duration 19 minutes.
Carus Verlag #CV
31.151/09. Published by
Carus Verlag
(CA.3115109).
ISBN
9790007208615. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score and parts
available separately -
see item CA.3115100.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 1. Sacred vocal
music, Cantatas. Single
Part, Violin 1. Composed
1724. BWV 130. 4 pages.
Duration 14 minutes.
Carus Verlag #CV
31.130/11. Published by
Carus Verlag
(CA.3113011).
ISBN
9790007207830. Text
language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score and part available
separately - see item
CA.3113000.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. 1x 31.106/21
recorder 1, 1x 31.106/22
recorder 2. Stuttgart
Urtext Edition: Bach
vocal. German title:
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Set of
Orchestra Parts. Composed
1707/1708. BWV 106. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.106/09. Published by
Carus Verlag
(CA.3110609).
ISBN
9790007207014. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and parts
available separately -
see item CA.3110600.
Kantaten I-III. By Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by P...(+)
Kantaten I-III. By Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Flutes, 2 Oboes (Oboe
d'Amore), 2 English Horn,
Bassoon, 2 Violins,
Viola, Basso continuo.
BWV 248. Full score
available separately -
see item CA.3124800.
Oratorios; Stuttgart
Urtext editions; Use
during church year:
Christmas. Piano/Vocal
score. Language:
German/English. Composed
1734 (?). 88 pages.
Duration 90 min.
Published by Carus Verlag
(German import).
Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: pape...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
John Rutter. This
edition: paperback.
Oratorios. Classic Choral
Works. Set of non-string
parts (1 of each
including timpani). 32
pages. Duration 35'.
Published by Oxford
University Press
(OU.9780193360976).
Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Cello/Double
Bass. Composed 1749.
BR-CPEB E 4 (Wq 215). 32
pages. Duration 42
minutes. Carus Verlag #CV
33.215/14. Published by
Carus Verlag
(CA.3321514).
ISBN
9790007051709. Language:
Latin.
C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Choral
Score. BWV 195. 20 pages.
Duration 16 minutes.
Carus Verlag #CV
31.195/05. Published by
Carus Verlag
(CA.3119505).
ISBN
9790007181383. Text
language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation. Score
available separately -
see item CA.3119500.
Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Viola.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Viola.
Composed 1749. BR-CPEB E
4 (Wq 215). 32 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/13. Published by
Carus Verlag
(CA.3321513).
ISBN
9790007051693. Language:
Latin.
C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500.
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.094/21 flute, 1x
31.094/22 oboe d'amore 1,
1x 31.094/23 oboe d'amore
2. German title: Was frag
ich nach der Welt 3.
Sacred vocal music,
Cantatas, Mourning,
death. Set of Orchestra
Parts. Composed 1724. BWV
94. 24 pages. Duration 23
minutes. Carus Verlag #CV
31.094/09. Published by
Carus Verlag
(CA.3109409).
ISBN
9790007046651. Key: D
major. Language:
German/English. Text:
Kindermann, Balthasar.
Text: Balthasar
Kindermann.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Sacred vocal
music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral Score. D
383. 24 pages. Duration
37 minutes. Carus Verlag
#CV 70.065/05. Published
by Carus Verlag
(CA.7006505).
ISBN
9790007242916. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score available
separately - see item
CA.7006500.
Composed
by George Frideric
Handel. 1x 10.212/21 oboe
1, 1x 10.212/22 oboe 2.
German title:
Trauer-Hymne Der Du Vom
Tod Erstanden. Sacred
vocal music, Hymns, Lent
and Passiontide,
Mourning, death. Set of
Orchestra Parts. HWV. 32
pages. Carus Verlag #CV
10.212/09. Published by
Carus Verlag
(CA.1021209).
ISBN
9790007022303. Language:
German/English.
Sco
re available separately -
see item CA.1021200.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Violin 2.
TVWV 1:1316. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
39.128/12. Published by
Carus Verlag
(CA.3912812).
ISBN
9790007055899. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Composed
by Johann Valentin
Rathgeber. Edited by
Wilfried Dotzauer.
Arranged by Wilfried
Dotzauer. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. Composed
1721. Op. 1, No. 3. 4
pages. Duration 12
minutes. Carus Verlag #CV
40.633/12. Published by
Carus Verlag
(CA.4063312).
ISBN
9790007074937. Key: A
major. Language:
Latin.
The
technical demands made on
the vocal soloists (and
also on the
instrumentalists) are no
greater in the soli than
in the tutti sections.
Therefore there ist no
need for highly
accomplished solo
singers; members of the
choir can take the solo
parts. This Mass can also
be performed accompanied
only by an organ. Score
and part available
separately - see item
CA.4063300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 2. Composed
1724. BWV 139. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/12. Published by
Carus Verlag
(CA.3113912).
ISBN
9790007208257. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Violin 2. Composed 1727.
BWV 198. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/12. Published by
Carus Verlag
(CA.3119812).
ISBN
9790007210601. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Viola. TVWV
1:1316. 4 pages. Duration
15 minutes. Carus Verlag
#CV 39.128/13. Published
by Carus Verlag
(CA.3912813).
ISBN
9790007055905. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Violin 1.
TVWV 1:1316. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
39.128/11. Published by
Carus Verlag
(CA.3912811).
ISBN
9790007055882. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412).
ISBN
9790007209032. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/61. Published by
Carus Verlag
(CA.3106961).
ISBN
9790007206697. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/62. Published by
Carus Verlag
(CA.3106962).
ISBN
9790007206703. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.