Composed by George
Frideric Handel. Carus
Choir Coach. Messiah.Ccc
(3 Cds). Sacred vocal
music, Oratorios. Compact
Disc. Composed 1742. HWV
56. Duration 150 minutes.
Carus Verlag #CV
55.056/94. Published by
Carus Verlag
(CA.5505694).
Text
language: English. Text:
Jennens,
Charles.
George
Frideric Handel is
considered England's
first and foremost
composer of oratorios.
Above all, the Messiah is
regarded as the epitome
of sacred music and in
German-speaking countries
it is also one of the
most often performed
works in the genre. The
version of the Messiah
which is most often
performed today is a
combination of various
versions. Consequently,
the present critical
edition by Ton Koopman
contains all the
surviving alternative
versions of the solo
movements. A concordance
makes it possible to
assign these movements to
those various
performances of the work
conducted by Handel
between the Dublin
premiere in 1742 and the
London concerts which
took place up to 1759. In
accordance with the
wishes voiced by many
choral conductors and
singers, the vocal score
is available in separate
English and German
versions. Score available
separately - see item
CA.5505600.
An
Oratorio Based on the old
Testament Text.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition; Carus sheet
music series: Vocal
scores XL. German title:
Elias. Innovative
practice aids, Oratorios.
Set of Orchestra Parts.
Composed 1845-1846. MWV A
25, Op. 70. Duration 130
minutes. Carus Verlag #CV
40.130/19. Published by
Carus Verlag
(CA.4013019).
ISBN
9790007097165. Language:
German/English.
Eli
jah is regarded as a
milestone in
Mendelssohn's
compositional output and
as a high point in the
oratorio literature of
the 19th century.
Mendelssohn composed his
second great oratorio
just a year before his
premature death. This
excitingly dramatic work
also expresses a fervent
belief in God, a belief
which in the 19th century
was no longer
self-evident. Mendelssohn
transposed the visible
world of the Old
Testament into numerous
musical expressive
possibilities in which
Old Testament texts,
including psalm texts and
commentaries from the
words of the Prophets,
were shaped into biblical
dramas. For a subject
like Elijah ... the drama
must reign supreme ...
the characters must be
introduced speaking and
acting like living people
... a quite vivid world
of the sort we find in
every chapter of the Old
Testament. Mendelssohn to
his librettist. Score and
parts available
separately - see item
CA.4013000.
An
Oratorio Based on the old
Testament Text.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition; Carus sheet
music series: Vocal
scores XL. German/
english. Innovative
practice aids, Oratorios.
Choral Score. Composed
1845-1846. MWV A 25, Op.
70. Duration 130 minutes.
Carus Verlag #CV
40.130/05. Published by
Carus Verlag
(CA.4013005).
ISBN
9790007217754. Text
language:
German/English.
Eli
jah is regarded as a
milestone in
Mendelssohn's
compositional output and
as a high point in the
oratorio literature of
the 19th century.
Mendelssohn composed his
second great oratorio
just a year before his
premature death. This
excitingly dramatic work
also expresses a fervent
belief in God, a belief
which in the 19th century
was no longer
self-evident. Mendelssohn
transposed the visible
world of the Old
Testament into numerous
musical expressive
possibilities in which
Old Testament texts,
including psalm texts and
commentaries from the
words of the Prophets,
were shaped into biblical
dramas. For a subject
like Elijah ... the drama
must reign supreme ...
the characters must be
introduced speaking and
acting like living people
... a quite vivid world
of the sort we find in
every chapter of the Old
Testament. Mendelssohn to
his librettist. Score
available separately -
see item CA.4013000.
An
Oratorio Based on the old
Testament Text.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition; Carus sheet
music series: Vocal
scores XL. German title:
Elias. Innovative
practice aids, Oratorios.
Lyrics. Composed
1845-1846. MWV A 25, Op.
70. 6 pages. Duration 130
minutes. Carus Verlag #CV
40.130/08. Published by
Carus Verlag
(CA.4013008).
ISBN
9790007217761. Language:
German/English.
Eli
jah is regarded as a
milestone in
Mendelssohn's
compositional output and
as a high point in the
oratorio literature of
the 19th century.
Mendelssohn composed his
second great oratorio
just a year before his
premature death. This
excitingly dramatic work
also expresses a fervent
belief in God, a belief
which in the 19th century
was no longer
self-evident. Mendelssohn
transposed the visible
world of the Old
Testament into numerous
musical expressive
possibilities in which
Old Testament texts,
including psalm texts and
commentaries from the
words of the Prophets,
were shaped into biblical
dramas. For a subject
like Elijah ... the drama
must reign supreme ...
the characters must be
introduced speaking and
acting like living people
... a quite vivid world
of the sort we find in
every chapter of the Old
Testament. Mendelssohn to
his librettist. Score
available separately -
see item CA.4013000.
Stabat Mater (Srnka, Kachlik) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Reduction] Barenreiter
Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edite...(+)
Piano reduction by
Antonin Dvorak. Composed
by Antonin Dvorak
(1841-1904). Edited by
Jan Kachlik / Miroslav
Srnka. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Version in 10
movements. Classical.
Vocal score. With
Language: Latin, Text
Language:
Czech/English/German.
Opus 58. Duration 1 hour,
27 minutes. Editio
Baerenreiter Praha
#H07920. Published by
Editio Baerenreiter Praha
Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy ...(+)
Arrangement for chamber
orchestra (Linckelmann).
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Arranged by Joachim
Linckelmann. Gattungen
vokal:
Sacred vocal music. Full
Score. MWV A 25, Op. 70.
Duration 130 minutes.
Published by Carus Verlag
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609).
ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Choral Score.
Composed 1723. BWV 76. 12
pages. Duration 35
minutes. Carus Verlag #CV
31.076/05. Published by
Carus Verlag
(CA.3107605).
ISBN
9790007044916. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. This edition:
Paperbound. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Study score.
Composed 1723. BWV 76. 72
pages. Duration 35
minutes. Carus Verlag #CV
31.076/07. Published by
Carus Verlag
(CA.3107607).
ISBN
9790007044923. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600.
