Kantate zum 16. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Grischkat, Hans. For Soli SATB, SATB Choir, [Cornetto], 2 Oboes/1 Oboe d'Amore, Strings, Organ obl. BWV 27. Full score available separately - see item CA.3102700. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death. Set of instrumental parts (except strings). Language: German/English. Composed 1726. 16 pages. Duration 19 min. Published by Carus Verlag (German import).

Kantate zum 16. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Grischkat, Hans. For Soli SATB, SATB Choir, [Cornetto], 2 Oboes/1 Oboe d'Amore, Strings, Organ obl. BWV 27. Full score available separately - see item CA.3102700. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death. Part: Violin 1. Language: German/English. Composed 1726. 8 pages. Duration 19 min. Published by Carus Verlag (German import).

Kantate zum 16. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Grischkat, Hans. For Soli SATB, SATB Choir, [Cornetto], 2 Oboes/1 Oboe d'Amore, Strings, Organ obl. BWV 27. Full score available separately - see item CA.3102700. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death. Part: Viola. Language: German/English. Composed 1726. 8 pages. Duration 19 min. Published by Carus Verlag (German import).

Kantate zum 16. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Grischkat, Hans. For Soli SATB, SATB Choir, [Cornetto], 2 Oboes/1 Oboe d'Amore, Strings, Organ obl. BWV 27. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death. Score. Language: German/English. Composed 1726. 44 pages. Duration 19 min. Published by Carus Verlag (German import).

Kantate zum 16. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Grischkat, Hans. For Soli SATB, SATB Choir, [Cornetto], 2 Oboes/1 Oboe d'Amore, Strings, Organ obl. BWV 27. Full score available separately - see item CA.3102700. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death. Part: Violin 2. Language: German/English. Composed 1726. 8 pages. Duration 19 min. Published by Carus Verlag (German import).

Kantate zum 16. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Grischkat, Hans. For Soli SATB, SATB Choir, [Cornetto], 2 Oboes/1 Oboe d'Amore, Strings, Organ obl. BWV 27. Full score available separately - see item CA.3102700. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death. Part: Basso continuo. Language: German/English. Composed 1726. 8 pages. Duration 19 min. Published by Carus Verlag (German import).

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507505

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1736/1751. HWV 75. 40 pages. Duration 85 minutes. Carus Verlag #CV 55.075/05. Published by Carus Verlag (CA.5507505).

ISBN 9790007171230. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507519

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/19. Published by Carus Verlag (CA.5507519).

ISBN 9790007171438. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507509

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.075/21 2 flutes, 1x 55.075/22 oboe 1, 1x 55.075/23 oboe 2, 3x 55.075/24 3 bassoons, 2x 55.075/31 2 horns, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/09. Published by Carus Verlag (CA.5507509).

ISBN 9790007226794. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoon, 2 horns, 2 trumpets, timpani, 2 (3) violin, 2 violas, cello, basso continuo

SKU: CA.5507500

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Full score. Composed 1736/1751. HWV 75. 184 pages. Duration 85 minutes. Carus Verlag #CV 55.075/00. Published by Carus Verlag (CA.5507500).

ISBN 9790007167769. Language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements.

SATB vocal soli, SATB choir, oboe I/oboe d'caccia, oboe II, [horn], 2 violins, viola, basso continuo, organ obligato

SKU: CA.3102719

Cantata for the Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wer weiss, wie nahe mir mein Ende. Sacred vocal music, Cantatas, Mourning, death. Set of Orchestra Parts. Composed 1726. BWV 27. Duration 19 minutes. Carus Verlag #CV 31.027/19. Published by Carus Verlag (CA.3102719).

ISBN 9790007136055. Key: C dorian. Language: German/English. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.

Score and parts available separately - see item CA.3102700.

SATB vocal soli, SATB choir, oboe I/oboe d'caccia, oboe II, [horn], 2 violins, viola, basso continuo, organ obligato

SKU: CA.3102705

Cantata for the Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wer weiss, wie nahe mir mein Ende. Sacred vocal music, Cantatas, Mourning, death. Choral Score. Composed 1726. BWV 27. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.027/05. Published by Carus Verlag (CA.3102705).

ISBN 9790007042318. Key: C dorian. Language: German/English. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.

Score available separately - see item CA.3102700.

(Cantata for the Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For SATB vocal soli, SATB choir, oboe I/oboe d'caccia, oboe II, [horn], 2 violins, viola, basso continuo, organ obligato. This edition: Paperbound. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Wer weiss, wie nahe mir mein Ende. Cantatas, Mourning, death. Vocal score. Language: German/English. Composed 1726. BWV 27. 24 pages. Duration 19 minutes. Published by Carus Verlag

(Passionskantate). By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Mathias Siedel. For Soli SB, SATB Choir, 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Basso continuo. This edition: paperbound. KV 42 (35a). Full score available separately - see item CA.5104200. Cantatas; Use during church year: Holy Week. Piano/Vocal score. Language: German. Composed 1767. 36 pages. Duration 12 min. Published by Carus Verlag

Vocal Score. Composed by Ludwig van Beethoven (1770-1827). Edited by Michael Pilkington. New Novello Choral Edition. Classical. Book Only. 62 pages. Novello and Co Ltd. #MUSNOV072490. Published by Novello and Co Ltd.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119512

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 2. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/12. Published by Carus Verlag (CA.3119512).

ISBN 9790007210397. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119511

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 1. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/11. Published by Carus Verlag (CA.3119511).

ISBN 9790007210380. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119505

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Choral Score. BWV 195. 20 pages. Duration 16 minutes. Carus Verlag #CV 31.195/05. Published by Carus Verlag (CA.3119505).

ISBN 9790007181383. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119513

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Viola. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/13. Published by Carus Verlag (CA.3119513).

ISBN 9790007210403. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119514

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, basso continuo. BWV 195. 12 pages. Duration 16 minutes. Carus Verlag #CV 31.195/14. Published by Carus Verlag (CA.3119514).

ISBN 9790007210410. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119500

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Full score. BWV 195. 96 pages. Duration 16 minutes. Carus Verlag #CV 31.195/00. Published by Carus Verlag (CA.3119500).

ISBN 9790007171674. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113205

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege, bereitet die Bahn. Sacred vocal music, Cantatas, Advent. Choral Score. Composed 1715. BWV 132. 2 pages. Duration 22 minutes. Carus Verlag #CV 31.132/05. Published by Carus Verlag (CA.3113205).

ISBN 9790007103163. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score available separately - see item CA.3113200.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113213

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege. Sacred vocal music, Cantatas, Advent. Single Part, Viola. Composed 1715. BWV 132. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.132/13. Published by Carus Verlag (CA.3113213).

ISBN 9790007207946. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113214

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege. Sacred vocal music, Cantatas, Advent. Single Part, Cello/Double Bass. Composed 1715. BWV 132. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.132/14. Published by Carus Verlag (CA.3113214).

ISBN 9790007207953. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113200

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege, bereitet die Bahn. Sacred vocal music, Cantatas, Advent. Full score. Composed 1715. BWV 132. 28 pages. Duration 22 minutes. Carus Verlag #CV 31.132/00. Published by Carus Verlag (CA.3113200).

ISBN 9790007090999. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113219

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege, bereitet die Bahn. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1715. BWV 132. Duration 22 minutes. Carus Verlag #CV 31.132/19. Published by Carus Verlag (CA.3113219).

ISBN 9790007136741. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and parts available separately - see item CA.3113200.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113211

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege. Sacred vocal music, Cantatas, Advent. Single Part, Violin 1. Composed 1715. BWV 132. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.132/11. Published by Carus Verlag (CA.3113211).

ISBN 9790007207922. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113212

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege. Sacred vocal music, Cantatas, Advent. Single Part, Violin 2. Composed 1715. BWV 132. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.132/12. Published by Carus Verlag (CA.3113212).

ISBN 9790007207939. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.

Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag