SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483819

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. MH 838. Duration 55 minutes. Carus Verlag #CV 54.838/19. Published by Carus Verlag (CA.5483819).

ISBN 9790007133696. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and parts available separately - see item CA.5483800.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483809

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.838/21 oboe 1, 1x 54.838/22 oboe 2, 1x 54.838/23 bassoon 1, 1x 54.838/24 bassoon 2, 1x 54.838/31 horn 1, 1x 54.838/32 horn 2, 1x 54.838/33 trumpet 1, 1x 54.838/34 trumpet 2, 1x 54.838/35 trombone 1, 1x 54.838/36 trombone 2, 1x 54.838/37 trombone 3, . Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. MH 838. 192 pages. Duration 55 minutes. Carus Verlag #CV 54.838/09. Published by Carus Verlag (CA.5483809).

ISBN 9790007226336. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and parts available separately - see item CA.5483800.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483800

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Full score. MH 838. Duration 55 minutes. Carus Verlag #CV 54.838/00. Published by Carus Verlag (CA.5483800).

ISBN 9790007091125. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483849

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Single Part, Organ. MH 838. 40 pages. Duration 55 minutes. Carus Verlag #CV 54.838/49. Published by Carus Verlag (CA.5483849).

ISBN 9790007090876. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and part available separately - see item CA.5483800.

SATB vocal soli, SATB choir, 2 oboes, english horn, bassoon, 2 violins, viola, basso continuo

SKU: CA.3118661

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Advent. Single Part, Violin 1. Composed 1723. BWV 186. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.186/61. Published by Carus Verlag (CA.3118661).

ISBN 9790007209902. Key: G minor / c dorian. Text language: German/English.

The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and part available separately - see item CA.3118600.

SATB vocal soli, SATB choir, 2 oboes, english horn, bassoon, 2 violins, viola, basso continuo

SKU: CA.3118664

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Advent. Single Part, basso continuo. Composed 1723. BWV 186. 20 pages. Duration 40 minutes. Carus Verlag #CV 31.186/64. Published by Carus Verlag (CA.3118664).

ISBN 9790007209933. Key: G minor / c dorian. Text language: German/English.

The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and part available separately - see item CA.3118600.

SATB vocal soli, SATB choir, 2 oboes, english horn, bassoon, 2 violins, viola, basso continuo

SKU: CA.3118662

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Advent. Single Part, Violin 2. Composed 1723. BWV 186. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.186/62. Published by Carus Verlag (CA.3118662).

ISBN 9790007209919. Key: G minor / c dorian. Text language: German/English.

The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and part available separately - see item CA.3118600.

SATB vocal soli, SATB choir, 2 oboes, english horn, bassoon, 2 violins, viola, basso continuo

SKU: CA.3118663

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Advent. Single Part, Viola. Composed 1723. BWV 186. 8 pages. Duration 40 minutes. Carus Verlag #CV 31.186/63. Published by Carus Verlag (CA.3118663).

ISBN 9790007209926. Key: G minor / c dorian. Text language: German/English.

The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and part available separately - see item CA.3118600.

Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4

SKU: CA.4066050

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Franz Schubert. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. D 950. 216 pages. Duration 50 minutes. Carus Verlag #4066050. Published by Carus Verlag (CA.4066050).

ISBN 9790007294533. Key: E flat major. Latin.

Schubertâ?? s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Voca l scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.4061205

Composed by Franz Joseph Haydn. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Harmoniemesse In B Xxii:14. Sacred vocal music, Masses, Latin. Choral Score. Hob. XXII:14. 24 pages. Duration 45 minutes. Carus Verlag #CV 40.612/05. Published by Carus Verlag (CA.4061205).

ISBN 9790007129125. Key: B flat major. Language: Latin.

The Harmoniemesse is the last of the High Masses which Haydn composed between 1796 and 1802 for the name day of the Princess Esterhazy, and at the same time it was the last composition which Haydn ever completed. It was given its name because of the important role which the wind instruments play in the Mass. In a number of passages the present critical edition differs from previous editions and, consequently, it follows other readings of the sources. Hence it is also to be regarded as a contribution towards a new evaluation of the work. Score available separately - see item CA.4061200.

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ - Grade 3

SKU: CA.4060719

Pauken-Messe. Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Paukenmesse In C Xxii:9. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1796. Hob. XXII:9. Duration 40 minutes. Carus Verlag #CV 40.607/19. Published by Carus Verlag (CA.4060719).

ISBN 9790007133245. Key: C major. Language: Latin.

The Missa in tempore belli by Joseph Haydn is an interesting work in several respecst. Firstly this setting of the Mass provides pointers to the situation of Austrian church music as it had been affected by imperial decrees. Secondly the political situation, with the imminent invasion of Austria by Napoleon's troops, had reached a crisis point which is reflected in the description of this composition as a Mass in time of war. Last but not least, this work is the first of the group of six settings of the Latin Mass which, together with the oratorios The Creation and The Seasons, form the body of Haydn's last period vocal works, and which unquestionably belong among his supreme creative achievements. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4060700.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ - Grade 3

SKU: CA.4060749

Pauken-Messe. Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Paukenmesse In C Xxii:9. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1796. Hob. XXII:9. 32 pages. Duration 40 minutes. Carus Verlag #CV 40.607/49. Published by Carus Verlag (CA.4060749).

ISBN 9790007073220. Key: C major. Language: Latin.

The Missa in tempore belli by Joseph Haydn is an interesting work in several respecst. Firstly this setting of the Mass provides pointers to the situation of Austrian church music as it had been affected by imperial decrees. Secondly the political situation, with the imminent invasion of Austria by Napoleon's troops, had reached a crisis point which is reflected in the description of this composition as a Mass in time of war. Last but not least, this work is the first of the group of six settings of the Latin Mass which, together with the oratorios The Creation and The Seasons, form the body of Haydn's last period vocal works, and which unquestionably belong among his supreme creative achievements. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4060700.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ - Grade 3

SKU: CA.4060709

Pauken-Messe. Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. This edition: urtext. 1x 40.607/21 flute, 1x 40.607/22 oboe 1, 1x 40.607/23 oboe 2, 1x 40.607/24 clarinet 1, 1x 40.607/25 clarinet 2, 1x 40.607/26 bassoon 1, 1x 40.607/27 bassoon 2, 1x 40.607/31 horn 1, 1x 40.607/32 horn 2, 1x 40.607/33 clarino 1, 1x 40.607/34 clarino 2, 1x 40. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Paukenmesse In C Xxii:9. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1796. Hob. XXII:9. 98 pages. Duration 40 minutes. Carus Verlag #CV 40.607/09. Published by Carus Verlag (CA.4060709).

ISBN 9790007073176. Key: C major. Language: Latin.

The Missa in tempore belli by Joseph Haydn is an interesting work in several respecst. Firstly this setting of the Mass provides pointers to the situation of Austrian church music as it had been affected by imperial decrees. Secondly the political situation, with the imminent invasion of Austria by Napoleon's troops, had reached a crisis point which is reflected in the description of this composition as a Mass in time of war. Last but not least, this work is the first of the group of six settings of the Latin Mass which, together with the oratorios The Creation and The Seasons, form the body of Haydn's last period vocal works, and which unquestionably belong among his supreme creative achievements. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4060700.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ - Grade 3

SKU: CA.4060705

Pauken-Messe. Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Paukenmesse In C Xxii:9. Innovative practice aids, Sacred vocal music, Masses, Latin. Choral Score. Composed 1796. Hob. XXII:9. 24 pages. Duration 40 minutes. Carus Verlag #CV 40.607/05. Published by Carus Verlag (CA.4060705).

ISBN 9790007073169. Key: C major. Language: Latin.

The Missa in tempore belli by Joseph Haydn is an interesting work in several respecst. Firstly this setting of the Mass provides pointers to the situation of Austrian church music as it had been affected by imperial decrees. Secondly the political situation, with the imminent invasion of Austria by Napoleon's troops, had reached a crisis point which is reflected in the description of this composition as a Mass in time of war. Last but not least, this work is the first of the group of six settings of the Latin Mass which, together with the oratorios The Creation and The Seasons, form the body of Haydn's last period vocal works, and which unquestionably belong among his supreme creative achievements. This work is now available in carus music, the choir app! Score available separately - see item CA.4060700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104405

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Choral Score. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/05. Published by Carus Verlag (CA.3104405).

ISBN 9790007129194. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104403

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Vocal score. Composed circa 1724? BWV 44. 20 pages. Duration 22 minutes. Carus Verlag #CV 31.044/03. Published by Carus Verlag (CA.3104403).

ISBN 9790007092016. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104449

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas. Single Part, Organ. Composed circa 1724? BWV 44. Duration 22 minutes. Carus Verlag #CV 31.044/49. Published by Carus Verlag (CA.3104449).

ISBN 9790007206000. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104414

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed circa 1724? BWV 44. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.044/14. Published by Carus Verlag (CA.3104414).

ISBN 9790007205997. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104400

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas. Full score. Composed circa 1724? BWV 44. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.044/00. Published by Carus Verlag (CA.3104400).

ISBN 9790007091903. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104409

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. 1x 31.044/21 oboe 1, 1x 31.044/22 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1724? BWV 44. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.044/09. Published by Carus Verlag (CA.3104409).

ISBN 9790007205959. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and parts available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104413

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas. Single Part, Viola. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/13. Published by Carus Verlag (CA.3104413).

ISBN 9790007205980. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104419

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1724? BWV 44. Duration 22 minutes. Carus Verlag #CV 31.044/19. Published by Carus Verlag (CA.3104419).

ISBN 9790007136130. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and parts available separately - see item CA.3104400.

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104407

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Study score. Composed circa 1724? BWV 44. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.044/07. Published by Carus Verlag (CA.3104407).

ISBN 9790007092948. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104411

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/11. Published by Carus Verlag (CA.3104411).

ISBN 9790007205966. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104412

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/12. Published by Carus Verlag (CA.3104412).

ISBN 9790007205973. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116619

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1724. BWV 166. Duration 17 minutes. Carus Verlag #CV 31.166/19. Published by Carus Verlag (CA.3116619).

ISBN 9790007144487. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and parts available separately - see item CA.3116600.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116613

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Viola. Composed 1724. BWV 166. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.166/13. Published by Carus Verlag (CA.3116613).

ISBN 9790007209162. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and part available separately - see item CA.3116600.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116614

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Double Bass. Composed 1724. BWV 166. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.166/14. Published by Carus Verlag (CA.3116614).

ISBN 9790007209179. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and part available separately - see item CA.3116600.

SATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3116612

Carntat for the fourth Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Ute Poetzsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Wo Gehest Du Hin? Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 2. Composed 1724. BWV 166. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.166/12. Published by Carus Verlag (CA.3116612).

ISBN 9790007209155. Text language: German/English.

The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and part available separately - see item CA.3116600.