SATB vocal soli, SATB choir, flute, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3109905

Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was Gott Tut, Das Ist Wohlgetan I. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 99. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.099/05. Published by Carus Verlag (CA.3109905).

ISBN 9790007047092. Key: G major. Language: German/English. Text: Rodigast, Samuel. Text: Samuel Rodigast.

Score available separately - see item CA.3109900.

SATB vocal soli, SATB choir, flute, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3109913

Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was Gott Tut, Das Ist Wohlgetan I. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 99. 4 pages. Duration 21 minutes. Carus Verlag #CV 31.099/13. Published by Carus Verlag (CA.3109913).

ISBN 9790007047146. Key: G major. Language: German/English. Text: Rodigast, Samuel. Text: Samuel Rodigast.

Score available separately - see item CA.3109900.

(1+1.2.2.2/4.2+2.3.1,timp ,str,B sol)

SKU: TM.03174SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A4010. Published by Lucks Music Library (TM.03174SC).

Begins at the start of Act II No. 4. Contains recit: O Patria, cara patria. Does not contain: Nell'ombre e nel silenzio or O Patria (chs). See #14613 for complete scene with chorus and Nell'ombre e nel silenzio.

(1+1.2.2.2/4.2+2.3.1,timp ,str,B sol)

SKU: TM.03174SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #A4010. Published by Lucks Music Library (TM.03174SET).

Begins at the start of Act II No. 4. Contains recit: O Patria, cara patria. Does not contain: Nell'ombre e nel silenzio or O Patria (chs). See #14613 for complete scene with chorus and Nell'ombre e nel silenzio.

(0.2.0.0/2.0.0.0,cem,str)

SKU: TM.06399SET

Composed by Pierre Maldere. Set Type: D. Set of parts. Lucks Music Library #A5436. Published by Lucks Music Library (TM.06399SET).

No score. Cello/Bass; contains figures for cembalo.

(2+1.3.3.3/4.3.3.1,timp,s tr)

SKU: TM.14216SC

Composed by Richard Wagner. Score. Lucks Music Library #A6299. Published by Lucks Music Library (TM.14216SC).

Continues after #03879. Contains score pages 77-88 (end of Act).

(2D1.2+1.2.2/4.3.3.1,timp ,perc,hp,str,SATB chorus)

SKU: TM.04643SC

Composed by Francesco Cilea. Score. Lucks Music Library #A4592. Published by Lucks Music Library (TM.04643SC).

Trio. No. 3 Scena Romanza e Terzetto (Finale to Act I). Contains Tacea la notte! Immersa (different aria than catalog # 03071: Tacea la notte placide).

(2+1.2.2.2/4.2.3.0,timp,p erc,str,chorus)

SKU: TM.04642SET

Composed by Gioachino Rossini. Set Type: A. Set of parts. Lucks Music Library #A4605. Published by Lucks Music Library (TM.04642SET).

Trio. No. 3 Scena Romanza e Terzetto (Finale to Act I). Contains Tacea la notte! Immersa (different aria than catalog # 03071: Tacea la notte placide).

(2+1.2.2.2/4.2.3.0,timp,p erc,str,chorus)

SKU: TM.04642SC

Composed by Gioachino Rossini. Score. Lucks Music Library #A4605. Published by Lucks Music Library (TM.04642SC).

Trio. No. 3 Scena Romanza e Terzetto (Finale to Act I). Contains Tacea la notte! Immersa (different aria than catalog # 03071: Tacea la notte placide).

(2+1.3.3.3/4.3.3.1,timp,s tr)

SKU: TM.14216SET

Composed by Richard Wagner. Set Type: D. Set of parts. Lucks Music Library #A6299. Published by Lucks Music Library (TM.14216SET).

Continues after #03879. Contains score pages 77-88 (end of Act).

(2.2.2.2/4.0+2.3.1,timp,p erc,hp,str,T sol)

SKU: TM.02619SET

Composed by Jules Massenet. Set Type: D. Set of parts. Lucks Music Library #A8474. Published by Lucks Music Library (TM.02619SET).

Vocal Score I = English/Italian; Vocal Score II = English/French; Chorus = English/French. No. 6 (in vs).

(2.2.2.2/4.0+2.3.1,timp,p erc,hp,str,T sol)

SKU: TM.02619SC

Composed by Jules Massenet. Score. Lucks Music Library #A8474. Published by Lucks Music Library (TM.02619SC).

Vocal Score I = English/Italian; Vocal Score II = English/French; Chorus = English/French. No. 6 (in vs).

(2.2.2.4/4.0.0.0,str,T solo)

SKU: TM.02125SET

Composed by Victor-Antoine Edouard Lalo. Set Type: D. Set of parts. Lucks Music Library #A2878. Published by Lucks Music Library (TM.02125SET).

Key of A. 4 Bassoon parts, with I and III doubling; II and IV doubling.

Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SSAATTBB, 2 Ob, 2 bassoon, 2 Hn, 3Trp, timpani, 3V, Va, Bassi, Org)

SKU: BA.BA04089

Oratorio in three parts. Composed by George Frideric Handel. Edited by Merlin Channon. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 23. Complete edition, Score. HWV 62. Duration 2 hours, 20 minutes. Baerenreiter Verlag #BA04089_00. Published by Baerenreiter Verlag (BA.BA04089).

ISBN 9790006550081. 33 x 26 cm inches. Text Language: English. Text: Newburgh Hamilton.

The “Occasional Oratorio” was composed as a reaction to a political event which shook the whole of England : the Jacobite rebellion of 1745-46 against the Hanoverian monarchy was crushed under the leadership of the Duke of Cumberland. Handel, who was working on the oratorio “ Judas Maccabaeus” at the time, composed the oratorio quickly and reused some movements from earlier works. With the choice of a libretto by Newburgh Hamilton he demonstrated his support for the monarchy. The work was first performed on 14 February 1746 at the Covent Garden Theatre in London .

For the first time this seldomly performed oratorio which nevertheless contains wonderful music is available in an Urtext edition based on the “ Halle Handel Edition” . All available sources have been consulted. Further movements which Handel added for later performances are included in the appendix.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III muta in Piccolo-Flote), 2 Ob+EnglHn, 3clar(clar III muta in Bass-clar), 3bsn(bassoonott III muta in Kontra-bassoonott), 4Hn, 4Trp, 3tbn, Tb, 3timp, Tri, Tr-Kl, Be-Hang, Tam, Glsp, Gl, Cel, 2 harp, Org, Str)

SKU: BA.BA06863

September 1927 Version. Composed by Leos Janacek. Edited by Jirí Zahrádka. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek. Series B, Volume 5-II. September 1927 Version. Complete edition, Score. 179 pages. Duration 41 minutes, 13 seconds. Baerenreiter Verlag #BA06863_00. Published by Baerenreiter Verlag (BA.BA06863).

ISBN 9790260105317. 34.2 x 27 cm inches. Text Language: Church Slavic.

“The Glagolitic Mass”, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.

This new critical edition presents two different versions of the work in two separate volumes (B/5-I, BA 6862 und B/5-II, BA 6863): the “September 1927” version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek’s death by Universal Edition Wien in 1930. Known as the “final authorised version“, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janacek’s regular copyist Václav Sedlacek.

The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The “September 1927” version can be seen more as a supplement and appears without text commentary.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org))

SKU: BA.BA04014

Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014).

ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell.

“Jeph tha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding