By Giancarlo Aquilanti. For SATB soli, SATB choir, brass, timpani, percussion. Accomplished church, college, community, professional choruses. Moderately difficult. Piano/Vocal Score. 77 pages. Duration c. 22:00. Published by E.C. Schirmer Publishing

Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III muta in Piccolo-Flote), 2 Ob+EnglHn, 3clar(clar III muta in Bass-clar), 3bsn(bassoonott III muta in Kontra-bassoonott), 4Hn, 4Trp, 3tbn, Tb, 3timp, Tri, Tr-Kl, Be-Hang, Tam, Glsp, Gl, Cel, 2 harp, Org, Str)

SKU: BA.BA06863

September 1927 Version. Composed by Leos Janacek. Edited by Jirí Zahrádka. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek. Series B, Volume 5-II. September 1927 Version. Complete edition, Score. 179 pages. Duration 41 minutes, 13 seconds. Baerenreiter Verlag #BA06863_00. Published by Baerenreiter Verlag (BA.BA06863).

ISBN 9790260105317. 34.2 x 27 cm inches. Text Language: Church Slavic.

“The Glagolitic Mass”, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.

This new critical edition presents two different versions of the work in two separate volumes (B/5-I, BA 6862 und B/5-II, BA 6863): the “September 1927” version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek’s death by Universal Edition Wien in 1930. Known as the “final authorised version“, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janacek’s regular copyist Václav Sedlacek.

The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The “September 1927” version can be seen more as a supplement and appears without text commentary.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700312

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/12. Published by Carus Verlag (CA.9700312).

ISBN 9790007238766. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700313

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/13. Published by Carus Verlag (CA.9700313).

ISBN 9790007238773. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700349

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1736/1800/1843. 28 pages. Duration 35 minutes. Carus Verlag #CV 97.003/49. Published by Carus Verlag (CA.9700349).

ISBN 9790007238797. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700305

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/05. Published by Carus Verlag (CA.9700305).

ISBN 9790007131777. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700314

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/14. Published by Carus Verlag (CA.9700314).

ISBN 9790007238780. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700300

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. This edition: Paperbound. German title: Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Composed 1736/1800/1843. 128 pages. Duration 35 minutes. Carus Verlag #CV 97.003/00. Published by Carus Verlag (CA.9700300).

ISBN 9790007113124. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700311

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/11. Published by Carus Verlag (CA.9700311).

ISBN 9790007238759. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700319

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1736/1800/1843. Duration 35 minutes. Carus Verlag #CV 97.003/19. Published by Carus Verlag (CA.9700319).

ISBN 9790007133757. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and parts available separately - see item CA.9700300.

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SATTB, Flauti1(Fl-picc, recorder1, Fl), Flauti2 (Fl-picc, recorder2 , Fl), 2 Ob, 2 Hn, Trp, 2 V, Va, Bassi(Vc, double bass, bassoon)Continuo(Erzlaute , harpisc., Org))

SKU: BA.BA10700

Serenade in three parts. Composed by George Frideric Handel. Edited by Artie Heinrich. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) I, 9.2. 2nd version. Complete edition, Score. HWV 49. Duration 1 hour, 20 minutes. Baerenreiter Verlag #BA10700_00. Published by Baerenreiter Verlag (BA.BA10700).

ISBN 9790006550135. 33 x 26 cm inches. Text Language: English, Italian. Preface: Heinrich, Artie. Text: Gay, John / Hughes, John / Pope, Alexander / Giuvo, Nicola.

Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s “Metamorphoses† a total of three times: in the cantata “Aci, Galatea e Polifemo” HWV 72 (1708), the masque “Acis and Galatea” HWV 49a (1718) and finally the pasticcio-like serenata “Acis and Galatea” HWV 49b (1732) of which the original version is now made available in its complete form for the first time.

A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel’s Italian singers were criticised for their poor command of English, – so in the end, many numbers were sung in Italian.

The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(1.1.2.1/2.2.1.0,timp,str ,vn solo)

SKU: TM.07654SET

Composed by Clarence Cameron White. Arranged by Roberts. Set Type: D. Set of parts. Published by Lucks Music Library (TM.07654SET).

Nobody Knows the Trouble I've Seen, I'm Troubled in Mind Many Thousand Gone, Sometimes I Feel Like a Motherless Child. P/C in set.

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Week, Lent, Triduum/Three Days, Tenebrae, 21st Century. Vocal/choral score. Published by MorningStar Music Publishers

Soloists, Choir, Orchestra (singing voice, choir, Orchestra)

SKU: BA.BA10506-01

Commedia in due atti (comedy in two acts). Composed by Gioachino Rossini. Edited by Patricia B. Brauner. This edition: Edition of selected works, Urtext edition. Linen. Works of Gioachino Rossini, Volume 2. Edition of selected works, Score. Baerenreiter Verlag #BA10506_01. Published by Baerenreiter Verlag (BA.BA10506-01).

ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.

Barenreiter 's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted.

A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume.

A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009.

Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again.

Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'.

Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi.

Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass

SKU: CA.2300813

Composed by Jose Nunes Garcia. Viola 1. Sacred vocal music, Requiem. Single Part, Viola 1. 12 pages. Duration 35 minutes. Carus Verlag #CV 23.008/13. Published by Carus Verlag (CA.2300813).

ISBN 9790007037772. Language: Latin.

Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present ,,Missa dos Defunktos was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart's Requiem, which Garcia performed two years later (1819) for the first time in Brasil. Score and part available separately - see item CA.2300800.

SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass

SKU: CA.2300809

Composed by Jose Nunes Garcia. 1x 23.008/21 flute 1, 1x 23.008/22 flute 2, 1x 23.008/23 clarinet 1, 1x 23.008/24 clarinet 2, 1x 23.008/25 bassoon 1, 1x 23.008/26 bassoon 2, 1x 23.008/31 horn 1, 1x 23.008/32 horn 2, 1x 23.008/41 timpani. Harmony parts. Sacred vocal music, Requiem. Set of Orchestra Parts. 80 pages. Duration 35 minutes. Carus Verlag #CV 23.008/09. Published by Carus Verlag (CA.2300809).

ISBN 9790007037741. Language: Latin.

Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present ,,Missa dos Defunktos was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart's Requiem, which Garcia performed two years later (1819) for the first time in Brasil. Score and parts available separately - see item CA.2300800.

SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass

SKU: CA.2300814

Composed by Jose Nunes Garcia. Viola 2. Sacred vocal music, Requiem. Single Part, Viola 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 23.008/14. Published by Carus Verlag (CA.2300814).

ISBN 9790007037789. Language: Latin.

Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present ,,Missa dos Defunktos was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart's Requiem, which Garcia performed two years later (1819) for the first time in Brasil. Score and part available separately - see item CA.2300800.

SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass

SKU: CA.2300815

Composed by Jose Nunes Garcia. Violoncello/double bass. Sacred vocal music, Requiem. Single Part, Cello/Double Bass. 12 pages. Duration 35 minutes. Carus Verlag #CV 23.008/15. Published by Carus Verlag (CA.2300815).

ISBN 9790007037796. Language: Latin.

Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present ,,Missa dos Defunktos was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart's Requiem, which Garcia performed two years later (1819) for the first time in Brasil. Score and part available separately - see item CA.2300800.

Composed by Jose Mauricio Nunes Garcia. For SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass. Score available separately - see item CA.2300800. Requiem. Complete orchestral parts. Language: Latin. Composed 1813. Duration 35 minutes. Published by Carus Verlag