By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bas...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Soprano, Alto,
Tenor, Bass Soli, SSATB
Chorus, Piano. Baroque,
Sacred, Choral. Sheet
Music. 204 pages.
Published by Novello and
Co Ltd.
Dixit et Magnificat Soli, choeur mixte et accompagnement [Vocal Score] - Facile Carus Verlag
By Wolfgang Amadeus Mozart (1756-1791). Edited by Schulze, Willi. Arranged by Pa...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Schulze, Willi.
Arranged by Paul Horn.
For Soli STB, SATB Choir,
2 Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo, [3 Trombones].
This edition: paperbound.
KV 193. Full score
available separately -
see item CA.4005200.
Magnificat, Psalms,
Latin; Stuttgart Urtext
editions; Occasions:
Praise and thanks, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Psalms,
Daily hours; Use during
church year: Epiphany.
Level 2. Piano/Vocal
score. Language: Latin.
Composed 1774. 24 pages.
Duration 10 min
Oratorio de Noel Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] - Facile Carus Verlag
By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, ...(+)
By Camille Saint-Saens
(1835-1921). Edited by
Thomas Kohlhase. For Soli
SMsATB, SATB Choir, 2
Violins, Viola, Cello,
Contrabass, Organ, Harp.
This edition: Paperbound.
French Sacred Music.
Score available
separately - see item
CA.4045500. Oratorios,
Christmas, French Sacred
Music. Level 3. Study
score. Language: Latin.
Opus 12. 64 pages.
Duration 40 min.
Published by Carus Verlag
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Violin 3. Sacred
vocal music, Cantatas.
Single Part, Violin 3.
BWV 197. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.197/63. Published by
Carus Verlag
(CA.3119763).
ISBN
9790007210540. Text
language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and part
available separately -
see item CA.3119700.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 1.
Composed 1707/1708. BWV
106. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.106/11. Published by
Carus Verlag
(CA.3110611).
ISBN
9790007207021. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 2.
Composed 1707/1708. BWV
106. 12 pages. Duration
23 minutes. Carus Verlag
#CV 31.106/12. Published
by Carus Verlag
(CA.3110612).
ISBN
9790007207038. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. 1x 31.106/21
recorder 1, 1x 31.106/22
recorder 2. Stuttgart
Urtext Edition: Bach
vocal. German title:
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Set of
Orchestra Parts. Composed
1707/1708. BWV 106. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.106/09. Published by
Carus Verlag
(CA.3110609).
ISBN
9790007207014. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and parts
available separately -
see item CA.3110600.
Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica.
Composed
by Francesco Cavalli
(1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected
works,
Urtext edition. Cloth
bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag
#BA08915-
01. Published by
Baerenreiter
Verlag
Cantatas BWV 38, BWV
49, BWV 98, BWV 109, BWV
162, BWV 180, BWV
188. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: Complete
edition. Linen. New Bach
Edition (NBA) I/25.
Complete edition,
Critical commentary,
anthology. BWV 49, BWV
38, BWV 162, BWV 188, BWV
180, BWV 109, BWV 98. 249
pages. Baerenreiter
Verlag #BA05089_41.
Published by Baerenreiter
Verlag (BA.BA05089-41).
ISBN 9790006494583.
24.7 x 17.7 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Separate
instruments. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 138.
Duration 20 minutes.
Carus Verlag #CV
31.138/19. Published by
Carus Verlag
(CA.3113819).
ISBN
9790007208219. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and parts
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. 1x
31.138/21 oboe d'amore 1,
1x 31.138/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Trinity. Set of Orchestra
Parts. Composed 1723. BWV
138. Duration 20 minutes.
Carus Verlag #CV
31.138/09. Published by
Carus Verlag
(CA.3113809).
ISBN
9790007208165. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and parts
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/12. Published by
Carus Verlag
(CA.3113812).
ISBN
9790007208189. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
138. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.138/13. Published by
Carus Verlag
(CA.3113813).
ISBN
9790007208196. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata for the 15th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1723. BWV 138. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/07. Published by
Carus Verlag
(CA.3113807).
ISBN
9790007242282. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/05. Published by
Carus Verlag
(CA.3113805).
ISBN
9790007183356. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/11. Published by
Carus Verlag
(CA.3113811).
ISBN
9790007208172. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Organ. Composed 1723. BWV
138. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.138/49. Published
by Carus Verlag
(CA.3113849).
ISBN
9790007208226. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1723. BWV 138. 36 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/03. Published by
Carus Verlag
(CA.3113803).
ISBN
9790007183349. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 138. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/14. Published by
Carus Verlag
(CA.3113814).
ISBN
9790007208202. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantatas BWV 138, 99,
51. Composed by
Johann Sebastian Bach.
Edited by Matthias Wendt.
This edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/22. Complete
edition, Score,
anthology. BWV 138, 99,
51. Baerenreiter Verlag
#BA05069_01. Published by
Baerenreiter Verlag
(BA.BA05069-01).
ISBN
9790006463398. 33.1 x 26
cm inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Robert L. Marshall. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/19. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05060_01.
Published by Baerenreiter
Verlag (BA.BA05060-01).
ISBN 9790006462964.
33.8 x 26.7 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
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Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/61. Published by
Carus Verlag
(CA.3106961).
ISBN
9790007206697. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. BWV BWV 69a. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.069/64. Published by
Carus Verlag
(CA.3106964).
ISBN
9790007206727. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/62. Published by
Carus Verlag
(CA.3106962).
ISBN
9790007206703. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. BWV BWV 69a. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.069/63. Published by
Carus Verlag
(CA.3106963).
ISBN
9790007206710. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Azione sacra in two parts. Composed by Wolfgang Amadeus Mozart (1756-1791...(+)
Azione sacra in two
parts. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Luigi Ferdinando
Tagliavini. This edition:
complete edition, urtext
edition. Linen. New
Mozart Edition. Series I,
Section 4/2.
Kirchenmusik, Klassik
(Sacred, Classical).
Score. KV 118 (74c).
Duration 2 hours, 10
minutes. Published by
Baerenreiter Verlag
(BA.BA4521-01).