Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus P...(+)
Oratorio for Soloists for
2 mixed Choirs and
Orchestra. Vocal Score
and Chorus Parts
English/German, comebined
Organ Part instead of
Organ Chorus I and Organ
Chorus II available. By
Johann Sebastian Bach.
Edited by D!Rr,
Alfred;Schneider, Max.
For Soprano solo, Alto
solo, Tenor solo (2),
Bass solo (2), Mixed
Choir (2)-SATB, Orchestra
1: Alto recorder (f,g)
(2), Flute (2), Oboe (2)/
Oboe d'amore (a)/
Oboe-dacc/ English horn,
Bassoon, Viola da gamba,
Strings, Organ, Orchestra
2: Flute (2), Oboe (2)/
Oboe d'amore (a),
Bassoon, Viola da gamba,
Strings, Organ/
Harpsichord. Neue
Bach-Ausgabe. Serie II,
Band 5. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 244.
Published by
Baerenreiter-Ausgaben
(German import). (BA5038
01)
Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750)....(+)
Cantata for Easter
Sunday. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Der Himmel Lacht, Die
Erde Jubilieret. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Full score. Composed
1715. BWV 31. 68 pages.
Duration 24 minutes.
Carus Verlag #CV
31.031/00. Published by
Carus Verlag
(CA.3103100).
(Cantata for Reformation Day). Composed by Johann Sebastian Bach (1685-1750). Ed...(+)
(Cantata for Reformation
Day). Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
oboes/2 oboe d'amore,
oboe d'caccia, [3
trumpets, timpani], 2
violins, viola, basso
continuo. D-Dur (D
major). German title: Ein
feste Burg. Cantatas,
Special days, Reformation
day. Level 3. Cello part.
Language: German/English.
BWV 80. 20 pages.
Duration 30 minutes.
Published by Carus Verlag
(Cantata for Reformation Day). Composed by Johann Sebastian Bach (1685-1750). Ed...(+)
(Cantata for Reformation
Day). Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
oboes/2 oboe d'amore,
oboe d'caccia, [3
trumpets, timpani], 2
violins, viola, basso
continuo. D-Dur (D
major). German title: Ein
feste Burg ist unser Gott
(rev.2004). Cantatas,
Special days, Reformation
day. Level 3. Choral
score. Language:
German/English. BWV 80.
Duration 30 minutes.
Published by Carus Verlag
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For ATB
vocal soli, SATB choir, 2
recorders f1, 2 oboe
d'amore, 2 violins,
viola, basso continuo.
This edition: Paperbound.
E-Moll (E minor). German
title: Jesus schlaft, was
soll ich hoffen.
Cantatas, Epiphany. Level
3. Vocal score. Language:
German/English. Composed
1724. BWV 81. 32 pages.
Duration 19 minutes.
Published by Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by P...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Leisinger, Ulrich.
Arranged by Paul Horn.
For Soli SSATB, SSATB
Choir, 3 Trumpets,
Timpani, 2 Flutes, 2
Oboes, 2 Violins, Viola,
Basso continuo. This
edition: paperbound. BWV
243. Full score available
separately - see item
CA.3124300. Magnificat;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Piano/Vocal score.
Language: Latin. 52 pages
The newly born child Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (168...(+)
(Cantata for the Sunday
after Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Christiane Hausmann.
Arranged by Paul Horn.
For SATB vocal soli, 3
recorders, 2 oboes,
english horn, 2 violins,
viola, basso continuo.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Das
neugeborne Kindelein.
Cantatas, Christmas.
Vocal score. Language:
German/English. Composed
1724. BWV 122. 20 pages.
Duration 16 minutes.
Published by Carus Verlag
(1.1.1.1/0.1.0.0,timp,str ) SKU: TM.05090SET Composed by Johann Sebastian...(+)
(1.1.1.1/0.1.0.0,timp,str
)
SKU: TM.05090SET
Composed by Johann
Sebastian Bach. Arranged
by Williams. Set Type: D.
Set of parts. Lucks Music
Library #A7372. Published
by Lucks Music Library
(TM.05090SET).
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch)
SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01).
ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel.
The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019).
ISBN
9790007136819. Key: B
minor. Language:
German/English.
The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214).
ISBN
9790007213459. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 1.
Composed 1707/1708. BWV
106. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.106/11. Published by
Carus Verlag
(CA.3110611).
ISBN
9790007207021. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249).
ISBN
9790007141202. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213).
ISBN
9790007213442. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205).
ISBN
9790007213411. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200.
St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219).
ISBN
9790007139629. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 2.
Composed 1707/1708. BWV
106. 12 pages. Duration
23 minutes. Carus Verlag
#CV 31.106/12. Published
by Carus Verlag
(CA.3110612).
ISBN
9790007207038. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Organ. Composed
1707/1708. BWV 106. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.106/49. Published by
Carus Verlag
(CA.3110649).
ISBN
9790007207052. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. 1x 31.106/21
recorder 1, 1x 31.106/22
recorder 2. Stuttgart
Urtext Edition: Bach
vocal. German title:
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Set of
Orchestra Parts. Composed
1707/1708. BWV 106. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.106/09. Published by
Carus Verlag
(CA.3110609).
ISBN
9790007207014. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and parts
available separately -
see item CA.3110600.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200).
ISBN
9790007096106. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609).
ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Choral Score.
Composed 1723. BWV 76. 12
pages. Duration 35
minutes. Carus Verlag #CV
31.076/05. Published by
Carus Verlag
(CA.3107605).
ISBN
9790007044916. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. This edition:
Paperbound. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Study score.
Composed 1723. BWV 76. 72
pages. Duration 35
minutes. Carus Verlag #CV
31.076/07. Published by
Carus Verlag
(CA.3107607).
ISBN
9790007044923. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 1. Composed 1723.
BWV 76. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.076/11. Published by
Carus Verlag
(CA.3107611).
ISBN
9790007044947. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 2. Composed 1723.
BWV 76. 8 pages. Duration
35 minutes. Carus Verlag
#CV 31.076/12. Published
by Carus Verlag
(CA.3107612).
ISBN
9790007044954. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Viola. Composed 1723. BWV
76. 8 pages. Duration 35
minutes. Carus Verlag #CV
31.076/13. Published by
Carus Verlag
(CA.3107613).
ISBN
9790007044961. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.