Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Set of Orchestra
Parts. Composed 1723. BWV
76. Duration 35 minutes.
Carus Verlag #CV
31.076/19. Published by
Carus Verlag
(CA.3107619).
ISBN
9790007134082. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600.
Cantata for the Sunday
Jubilate. Composed by
Johann Sebastian Bach.
Edited by Anja
Morgenstern. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Wir mussen
durch viel Trubsal.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Choral Score.
Composed circa 1728? BWV
146. 8 pages. Duration 40
minutes. Carus Verlag #CV
31.146/05. Published by
Carus Verlag
(CA.3114605).
ISBN
9790007112479. Key: D
minor. Language:
German/English.
It
is evident from the
sources that the cantata
was written for the 3rd
Sunday after Easter. The
text, the identity of
whose author is unknown,
is based on the
comparison between
sadness and joy
prescribed in the Gospel
for that Sunday. This
cantata has survived only
in copies made after
1750, but undoubtedly the
cantata dates from
Bachs's years in Leipzig.
Score available
separately - see item
CA.3114600.
Cantata for the Sunday
Jubilate. Composed by
Johann Sebastian Bach.
Edited by Anja
Morgenstern. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Wir mussen
durch viel Trubsal.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Study score.
Composed circa 1728? BWV
146. 80 pages. Duration
40 minutes. Carus Verlag
#CV 31.146/07. Published
by Carus Verlag
(CA.3114607).
ISBN
9790007092467. Key: D
minor. Language:
German/English.
It
is evident from the
sources that the cantata
was written for the 3rd
Sunday after Easter. The
text, the identity of
whose author is unknown,
is based on the
comparison between
sadness and joy
prescribed in the Gospel
for that Sunday. This
cantata has survived only
in copies made after
1750, but undoubtedly the
cantata dates from
Bachs's years in Leipzig.
Score available
separately - see item
CA.3114600.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Viola. 8 pages. Duration
14 minutes. Carus Verlag
#CV 35.005/13. Published
by Carus Verlag
(CA.3500513).
ISBN
9790007212902. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Vocal score. 20
pages. Duration 14
minutes. Carus Verlag #CV
35.005/03. Published by
Carus Verlag
(CA.3500503).
ISBN
9790007091699. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score
available separately -
see item CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 1. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
35.005/11. Published by
Carus Verlag
(CA.3500511).
ISBN
9790007212889. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Full score. 40
pages. Duration 14
minutes. Carus Verlag #CV
35.005/00. Published by
Carus Verlag
(CA.3500500).
ISBN
9790007103439. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Duration
14 minutes. Carus Verlag
#CV 35.005/19. Published
by Carus Verlag
(CA.3500519).
ISBN
9790007144456. Text
language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
parts available
separately - see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Choral Score. 8
pages. Duration 14
minutes. Carus Verlag #CV
35.005/05. Published by
Carus Verlag
(CA.3500505).
ISBN
9790007103446. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score
available separately -
see item CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Organ. 12 pages. Duration
14 minutes. Carus Verlag
#CV 35.005/49. Published
by Carus Verlag
(CA.3500549).
ISBN
9790007212926. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Orchestra Soli STB, Coro SATB, 2 Vl, Va, Vc, Bc SKU: CA.3119607 Cantat...(+)
Orchestra Soli STB, Coro
SATB, 2 Vl, Va, Vc, Bc
SKU: CA.3119607
Cantata for a
wedding. Composed by
Johann Sebastian Bach.
Edited by Solvej Donadel.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Wedding.
Study score. Composed
1708. BWV 196. 36 pages.
Duration 14 minutes.
Carus Verlag #CV
31.196/07. Published by
Carus Verlag
(CA.3119607).
ISBN
9790007242411. Language:
German/English.
Esp
ecially due to the early
date of its composition,
from the pen of the just
turned 22-year-old Johann
Sebastian Bach, the
cantata The Lord careth
for us BWV 196 has its
charm, and through its
conciseness, as well as
its simple scoring, it is
quite accessible for
performance by ensembles
with only modest means.
The cantata was composed
on the occasion of a
wedding in the 1797/08,
the details of which
cannot be exactly
ascertained. The text of
the libretto contains no
freely written poetry,
rather is drawn solely
from the Bible (Psalm
115:12-13), there are no
recitatives, and the
arias are kept very
short. The scoring is
also of modest
propoportions: In addtion
to the solo voices
soprano, tenor and bass,
as well as a four-voice
choir, only strings and
basso continuo are
requried. The cantata
begins, as is typical
early Bach cantatas, with
a short instrumental
sinfonia and ends, not
with a chorale, but with
a choral movement. Score
available separately -
see item CA.3119600.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 2. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
35.005/12. Published by
Carus Verlag
(CA.3500512).
ISBN
9790007212896. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass. 8
pages. Duration 14
minutes. Carus Verlag #CV
35.005/14. Published by
Carus Verlag
(CA.3500514).
ISBN
9790007212919. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Du Sollst
Gott, Deinen Herren,
Lieben. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 77.
Duration 17 minutes.
Carus Verlag #CV
31.077/19. Published by
Carus Verlag
(CA.3107719).
ISBN
9790007134099. Key: C
major / d minor.
Language: German/English.
Text: Knauer, Johann
Oswald. Text: Johann
Oswald Knauer.
The
closing chorale of the
cantata is given without
text in the autograph. In
this edition, the
recommendation of the
Neuen Bachausgabe (NBA
1/21) is followed. Score
and parts available
separately - see item
CA.3107700.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Du Sollst
Gott, Deinen Herren,
Lieben. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1723. BWV 77. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.077/05. Published by
Carus Verlag
(CA.3107705).
ISBN
9790007045029. Key: C
major / d minor.
Language: German/English.
Text: Knauer, Johann
Oswald. Text: Johann
Oswald Knauer.
The
closing chorale of the
cantata is given without
text in the autograph. In
this edition, the
recommendation of the
Neuen Bachausgabe (NBA
1/21) is followed. Score
available separately -
see item CA.3107700.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Praise and thanks.
Single Part, basso
continuo. Composed 1742.
BWV 120. 12 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/14. Published by
Carus Verlag
(CA.3112014).
ISBN
9790007207311. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Praise and thanks.
Full score. Composed
1742. BWV 120. 60 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/00. Published by
Carus Verlag
(CA.3112000).
ISBN
9790007164829. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. Composed 1742. BWV
120. Duration 26 minutes.
Carus Verlag #CV
31.120/19. Published by
Carus Verlag
(CA.3112019).
ISBN
9790007164522. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and parts
available separately -
see item CA.3112000.
St. Mark Passion Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(as a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passi...(+)
(as a pasticcio by Johann
Sebastian Bach, with
arias from Hande'ls
Brockes-Passion).
Composed by Georg
Friedrich Handel /
Kaiser. Edited by
Christine Blanken.
Arranged by Johann
Sebastian Bach. For SATB
vocal soli, SATB choir, 2
oboes, 2 bassoons, 2
violins, 2 violas, basso
continuo. This edition:
Paperbound. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Passions, Lent and
Passiontide, Holy Week.
Vocal score. Language:
German. Composed circa
1747. 88 pages. Duration
90 minutes. Published by
Carus Verlag
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Praise and thanks. Single
Part, Violin 2. Composed
1742. BWV 120. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/12. Published by
Carus Verlag
(CA.3112012).
ISBN
9790007207298. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Praise and
thanks. Single Part,
Organ. Composed 1742. BWV
120. 12 pages. Duration
26 minutes. Carus Verlag
#CV 31.120/49. Published
by Carus Verlag
(CA.3112049).
ISBN
9790007207328. Language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Praise and thanks. Single
Part, Violin 1. Composed
1742. BWV 120. 12 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/11. Published by
Carus Verlag
(CA.3112011).
ISBN
9790007207281. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext. 1x
31.120/21 oboe d'amore 1,
1x 31.120/22 oboe d'amore
2, 4x 31.120/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Composed 1742. BWV 120.
Duration 26 minutes.
Carus Verlag #CV
31.120/09. Published by
Carus Verlag
(CA.3112009).
ISBN
9790007207274. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and parts
available separately -
see item CA.3112000.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Praise and
thanks. Single Part,
Viola. Composed 1742. BWV
120. 8 pages. Duration 26
minutes. Carus Verlag #CV
31.120/13. Published by
Carus Verlag
(CA.3112013).
ISBN
9790007207304. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Praise and thanks.
Vocal score. Composed
1742. BWV 120. 28 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/03. Published by
Carus Verlag
(CA.3112003).
ISBN
9790007164539. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score available
separately - see item
CA.3112000.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949).
ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violoncello
piccolo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, Cello piccol.
Composed 1724. BWV 139. 4
pages. Duration 20
minutes. Carus Verlag #CV
31.139/14. Published by
Carus Verlag
(CA.3113914).
ISBN
9790007208271. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Full
score. Composed 1724. BWV
139. 40 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/00. Published
by Carus Verlag
(CA.3113900).
ISBN
9790007170479. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or
violoncello.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, basso continuo.
Composed 1724. BWV 139.
12 pages. Duration 20
minutes. Carus Verlag #CV
31.139/15. Published by
Carus Verlag
(CA.3113915).
ISBN
9790007208288. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1724. BWV 139. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/11. Published by
Carus Verlag
(CA.3113911).
ISBN
9790007208240. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.