(Kantate zum Sonntag Jubilate). By Johann Sebastian Bach (1685-1750). Edited by ...(+)
(Kantate zum Sonntag
Jubilate). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
AT, SATB Choir, Trumpet,
Recorder d2 (Flute or
Violin), 2 Oboe d'Amore,
Strings, Organ. This
edition: paperbound. BWV
103. Cantatas; Stuttgart
Urtext editions; Use
during church year:
Special Days, Easter and
Eastertide. Level 3.
Score. Language:
German/English. Composed
1725. 72 pages. Duration
18 min
(Cantata for the Sunday of Jubilate). Composed by Johann Sebastian Bach (1685-17...(+)
(Cantata for the Sunday
of Jubilate). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For AT
vocal soli, SATB choir,
recorder d2 (flute or
violin), 2 oboe d'amore,
trumpet, 2 violins,
viola, basso continuo.
This edition: Paperbound.
H-Moll (B minor). German
title: Ihr werdet weinen.
Cantatas, Special days,
Easter and Eastertide.
Level 3. Study score.
Language: German/English.
Composed 1725. BWV 103.
72 pages. Duration 18
minutes. Published by
Carus Verlag
(Cantata for the Sunday of Jubilate). Composed by Johann Sebastian Bach (1685-17...(+)
(Cantata for the Sunday
of Jubilate). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For AT
vocal soli, SATB choir,
recorder d2 (flute or
violin), 2 oboe d'amore,
trumpet, 2 violins,
viola, basso continuo.
This edition: Paperbound.
H-Moll (B minor). German
title: Ihr werdet weinen
und heulen. Cantatas,
Special days, Easter and
Eastertide. Level 3.
Vocal score. Language:
German/English. Composed
1725. BWV 103. 40 pages.
Duration 18 minutes.
Published by Carus Verlag
Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus P...(+)
Oratorio for Soloists for
2 mixed Choirs and
Orchestra. Vocal Score
and Chorus Parts
English/German, comebined
Organ Part instead of
Organ Chorus I and Organ
Chorus II available. By
Johann Sebastian Bach.
Edited by D!Rr,
Alfred;Schneider, Max.
For Soprano solo, Alto
solo, Tenor solo (2),
Bass solo (2), Mixed
Choir (2)-SATB, Orchestra
1: Alto recorder (f,g)
(2), Flute (2), Oboe (2)/
Oboe d'amore (a)/
Oboe-dacc/ English horn,
Bassoon, Viola da gamba,
Strings, Organ, Orchestra
2: Flute (2), Oboe (2)/
Oboe d'amore (a),
Bassoon, Viola da gamba,
Strings, Organ/
Harpsichord. Neue
Bach-Ausgabe. Serie II,
Band 5. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 244.
Published by
Baerenreiter-Ausgaben
(German import). (BA5038
01)
Geistliche Kantate. Urtext der Telemann-Werkausgabe. By Georg Philipp Telemann. ...(+)
Geistliche Kantate.
Urtext der
Telemann-Werkausgabe. By
Georg Philipp Telemann.
Edited by Wolf Hobohm.
Text: Karl W Ramler. For
Soprano solo, Alto solo,
Tenor solo, Bass solo
(2), Mixed Choir-SATB,
Alto recorder (f,g) (2),
Piccolo (2), Flute (2),
Oboe (2), Bassoon, Horn
(2), Trumpet (3),
Kettledrum, Strings,
Basso continuo. Telemann
Musikalische Werke, Band
30. Score; Urtext
Edition; Complete Edition
(cloth bound). TWV 1:797.
Published by
Baerenreiter-Ausgaben
(German import).
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 1.
Composed 1707/1708. BWV
106. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.106/11. Published by
Carus Verlag
(CA.3110611).
ISBN
9790007207021. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Cantata for the 2nd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Julia Doht.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meine Seufzer, meine
Tranen. Sacred vocal
music, Epiphany. Choral
Score. Composed 1726. BWV
13. 2 pages. Duration 21
minutes. Carus Verlag #CV
31.013/05. Published by
Carus Verlag
(CA.3101305).
ISBN
9790007102944. Language:
German/English.
Bac
h's cantata BWV 13 (from
the third cycle of
Leipzig cantatas) was
first performed on the
2nd Sunday after Epiphany
in 1726. This work is
marked especially by its
scoring, unusual in
Bach's church music, in
which the strings are
joined by two recorders
and an oboe da caccia:
these wind instruments
are used to convey the
dominant affections of
sighing and pain in the
individual arias. In
accordance with the
intimate character of
this cantata the
four-part vocal ensemble
is used only in the
chorale at the end of the
work. Score available
separately - see item
CA.3101300.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 2.
Composed 1707/1708. BWV
106. 12 pages. Duration
23 minutes. Carus Verlag
#CV 31.106/12. Published
by Carus Verlag
(CA.3110612).
ISBN
9790007207038. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Cantata for the 2nd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Julia Doht.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meine Seufzer, meine
Tranen. Sacred vocal
music, Epiphany. Set of
Orchestra Parts. Composed
1726. BWV 13. Duration 21
minutes. Carus Verlag #CV
31.013/19. Published by
Carus Verlag
(CA.3101319).
ISBN
9790007138950. Language:
German/English.
Bac
h's cantata BWV 13 (from
the third cycle of
Leipzig cantatas) was
first performed on the
2nd Sunday after Epiphany
in 1726. This work is
marked especially by its
scoring, unusual in
Bach's church music, in
which the strings are
joined by two recorders
and an oboe da caccia:
these wind instruments
are used to convey the
dominant affections of
sighing and pain in the
individual arias. In
accordance with the
intimate character of
this cantata the
four-part vocal ensemble
is used only in the
chorale at the end of the
work. Score and parts
available separately -
see item CA.3101300.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Organ. Composed
1707/1708. BWV 106. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.106/49. Published by
Carus Verlag
(CA.3110649).
ISBN
9790007207052. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 26.
Duration 45 minutes.
Carus Verlag #2709246.
Published by Carus Verlag
(CA.2709246).
ISBN
9790007310868. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version –
including
Bruckner’s Te
Deum. The Stuttgart
composer, pianist and
experienced piano-duo
performer Sebastian
Bartmann was commissioned
by the Landesakademie
für die musizierende
Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Bruckner’s
Te Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Bruckner’s
symphonic approach
becomes evident for the
first time in the Mass in
D minor from 1864, the
work does not place the
same high demands on the
performers as the two
later masses. This
arrangement for soloists,
choir and 2 pianos has an
air of transparency,
rather like a work of
chamber music.. Score
and parts available
separately - see item
CA.2709200.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Carus digital:
Extra digital products.
Full Score. WAB 26.
Duration 45 minutes.
Carus Verlag #2709244.
Published by Carus Verlag
(CA.2709244).
ISBN
9790007303358. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
The Stuttgart
composer, pianist and
experienced piano-duo
performer Sebastian
Bartmann was commissioned
by the Landesakademie
für die musizierende
Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerâ??s symphonic
approach becomes evident
for the first time in the
Mass in D minor from
1864, the work does not
place the same high
demands on the performers
as the two later masses.
This arrangement for
soloists, choir and 2
pianos has an air of
transparency, rather like
a work of chamber
music.. Score
available separately -
see item CA.2709200.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violoncello.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Cello. WAB 45. 12
pages. Duration 25
minutes. Carus Verlag #CV
27.190/14. Published by
Carus Verlag
(CA.2719014).
ISBN
9790007200770. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version –
including
Bruckner’s Te
Deum. Unfortunately, only
a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Bruckner’s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Bruckner’s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Schmucke dich, o
liebe Seele. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1724. BWV 180.
12 pages. Duration 28
minutes. Carus Verlag #CV
31.180/15. Published by
Carus Verlag
(CA.3118015).
ISBN
9790007050139. Key: F
major. Language:
German/English. Text:
Franck, Johann. Text:
Johann
Franck.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111919
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Preise,
Jerusalem Neuausgabe
U.Wolf. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks. Set of Orchestra
Parts. Composed 1723. BWV
119. Duration 27 minutes.
Carus Verlag #CV
31.119/19. Published by
Carus Verlag
(CA.3111919).
ISBN
9790007136673. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and parts available
separately - see item
CA.3111900.
The Lord will I bless for all my days Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] - Intermédiaire Carus Verlag
(Psalmkantate). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. ...(+)
(Psalmkantate). By Georg
Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli SATB, SATB Choir,
1-2 Recorders f1, 2
Oboes, Trumpet, 2
Violins, Viola, Basso
continuo. This edition:
Paperbound. F-Dur (F
major). Stuttgart Urtext
editions. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Level
4. Full score. Language:
German/English. TVWV
7:14. 80 pages. Duration
25 min. Published by
Carus Verlag
(Cantata for the 20th Sunday after Trinity). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 20th
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders f1, flute,
oboe, taille (english
horn), 2 violins, viola,
cello piccolo, basso
continuo. F-Dur (F
major). German title:
Schmucke dich, o liebe
Seele 5. Cantatas. Set of
instrumental parts
(except strings).
Language: German/English.
Composed 1724. BWV 180.
36 pages. Duration 28
minutes. Published by
Carus Verlag
Messa per il Santissimo Natale Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Weihnachtsmesse). Composed by Giovanni Ristori Giovanni Ristori. Edited by Chri...(+)
(Weihnachtsmesse).
Composed by Giovanni
Ristori Giovanni Ristori.
Edited by Christoph Koop.
For SATB vocal soli, SATB
choir, 2 oboes, 2 horn da
caccia, 2 trumpets, 2
violins, viola, basso
continuo (timpani). This
edition: Paperbound.
Score available
separately - see item
CA.2704400. Latin Masses,
Christmas. Vocal score.
Language: Latin. 72
pages. Duration 36
minutes. Published by
Carus Verlag
Stehe auf, Nordwind Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partie séparée] Carus Verlag
Kantate zum 2. Pfingsttag. By Georg Philipp Telemann. Edited by Steude, Wolfram....(+)
Kantate zum 2.
Pfingsttag. By Georg
Philipp Telemann. Edited
by Steude, Wolfram. For
Soli SATB, SATB Choir, 2
Flutes (2 Recorders f1),
2 Violins, Viola,
Cello/Contrabass, Organ.
TVWV 1:1397. Full score
available separately -
see item CA.3913300.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Pentecost. Part: Viola.
Language: German. 2
pages. Duration 12 min.
Published by Carus Verlag
(German import).
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111913
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Preise, Jerusalem
Neuausgabe U.Wolf. Sacred
vocal music, Cantatas,
Psalms, German, Praise
and thanks. Single Part,
Viola. Composed 1723. BWV
119. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.119/13. Published by
Carus Verlag
(CA.3111913).
ISBN
9790007048778. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and part available
separately - see item
CA.3111900.
Weihnachtsmesse.
Composed by Giovanni
Alberto Ristori. Edited
by Christoph Koop. Messa
Per Il Sanctissimo
Natale. Sacred vocal
music, Masses, Latin,
Christmas. Single Part,
Violin 1. 20 pages.
Duration 36 minutes.
Carus Verlag #CV
27.044/11. Published by
Carus Verlag
(CA.2704411).
ISBN
9790007199333. Language:
Latin.
Following
the Carus recording
(Carus 83.169) of
Ristori's Mass for the
most holy birth of our
Lord, this important
discovery among the music
of the Dresden Court is
now presented in a
critical edition. Its
festive character is
marked by a polished
instrumentation, powerful
choruses and highly
expressive solo parts.
Score and part available
separately - see item
CA.2704400.
Actus tragicus. Trauermusik (Fassung in F). By Johann Sebastian Bach. Edited by ...(+)
Actus tragicus.
Trauermusik (Fassung in
F). By Johann Sebastian
Bach. Edited by Kubik,
Reinhold. Arranged by
Paul Horn. For Soli SATB,
SATB Choir, 2 Recorders
f1, 2 Viola da Gamba,
Organ. BWV 106. Full
score available
separately - see item
CA.3110600. Cantatas;
Stuttgart Urtext
editions; Occasions:
Mourning, Death. Part:
Violoncello/Contrabass.
Language: German/English.
Composed 1707/1708. 8
pages. Duration 23 min.
Published by Carus Verlag
(German import).
Psalm
cantata. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Ich danke
dem Herrn. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks, Psalms. Choral
Score. TVWV 7:14.
Duration 25 minutes.
Carus Verlag #CV
39.107/05. Published by
Carus Verlag
(CA.3910705).
ISBN
9790007055349. Key: F
major. Language:
German/English.
An
impressive festive
cantata with a solo
trumpet part and three
powerful choruses; a work
in which Telemann proves
himself a brilliant and
imaginative architect of
musical grand form. Score
available separately -
see item CA.3910700.