(2+1.2.2.2/4.3.3.1,timp,p erc,hp,str)

SKU: TM.09994SET

Composed by George Chadwick. Set Type: D. Set of parts. Lucks Music Library #A6086. Published by Lucks Music Library (TM.09994SET).

Completed and Edited by Schmitt. Contains the various parts of Mass, including Sacred compositions used for completion. Different edition than #08547. Vocal score in modern clefs; voices in score in C clefs.

Cantata for the inauguration of a new town council. Composed by Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat, Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir danken dir, Gott, wir danken dir. Sacred vocal music, Cantatas, Praise and thanks. Study score. Composed 1731. BWV 29. 64 pages. Duration 28 minutes. Carus Verlag #CV 31.029/07. Published by Carus Verlag (CA.3102907). 0.5

Spaur Mass. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Volker Blumenthaler. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C Kv 258 (Spaur-Messe) Rev.2003. Sacred vocal music, Masses, Latin. Orchestral Parts. Composed circa 1775-1777. KV 258. Duration 20 minutes. Carus Verlag #CV 40.627/19. Published by Carus Verlag (CA.4062719).

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

Composed by Christoph Willibald Von Gluck (1714- 1787). Edited by Yuliya Shein. This edition: complete edition, urtext edition. Linen. Complete edition, Score, anthology. Baerenreiter Verlag #BA05817_01. Published by Baerenreiter Verlag

Soloists, Choir, Orchestra (singing voice, choir, Orchestra)

SKU: BA.BA10506-01

Commedia in due atti (comedy in two acts). Composed by Gioachino Rossini. Edited by Patricia B. Brauner. This edition: Edition of selected works, Urtext edition. Linen. Works of Gioachino Rossini, Volume 2. Edition of selected works, Score. Baerenreiter Verlag #BA10506_01. Published by Baerenreiter Verlag (BA.BA10506-01).

ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.

Barenreiter 's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted.

A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume.

A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009.

Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again.

Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'.

Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi.

Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra SATB choir, 2 flute, 2 oboe, 2 clarinet, 2 bassoon, 2 horn, 2 trumpet, 3 trombone, timpani, 2 violin, viola, cello, contrabass SKU: CA.1039900 Composed by Johannes Brahms. Edited by Rainer Boss. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Brahms: Schicksalslied (Text: Holderlin). Innovative practice aids, Sacred vocal music. Full score. Composed 1871. Op. 54. 68 pages. Duration 16 minutes. Carus Verlag #CV 10.399/00. Published by Carus Verlag (CA.1039900). ISBN 9790007145149. Text language: German/English. Text: Holderlin, Friedrich / MacFarren, Natalia. Text: Friedrich Holderlin / Natalia MacFarren.

By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 45 pages. Published by Boosey and Hawkes.

2 solo soprano voice, Mixed choir-SATB (Soprano solo (2), Mixed choir (SATB)) - Level 3

SKU: BA.BA00753

Motette zum Reformationsfest. Composed by Hugo Distler. Stapled. Aus Geistliche Chormusik op. 12 (1934-1941). Sacred. Choral score. No. 3. Baerenreiter Verlag #BA00753_00. Published by Baerenreiter Verlag (BA.BA00753).

ISBN 9790006405183.

Prin t on demand (POD).

Oratorio. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Reginald L. Sanders. This edition: paperback. Sacred vocal music, Oratorios. Vocal score. Composed 1769. BR-CPEB D 1 (Wq 238). Duration 75 minutes. Carus Verlag #CV 33.238/03. Published by Carus Verlag

Soloists, Choir, Orchestra (singing voice, choir, Orchestra)

SKU: BA.BA05862

Grand motet. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 45. Sacred. Edition of selected works, Score. Composed Paris 1738. VWV 7. Baerenreiter Verlag #BA05862_00. Published by Baerenreiter Verlag (BA.BA05862).

ISBN 9790006498048. 33 x 26 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Cantata for a wedding. Composed by Johann Sebastian Bach (1685-1750). Edited by Solvej Donadel. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas; Wedding. Full score. Composed 1708. 36 pages. Duration 14 minutes. Carus Verlag #CV 31.196/00. Published by Carus Verlag (CA.3119600).

By Johann Sebastian Bach. For Orch. (SATB or SSAATTBB (SATB)). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 160 pages. Published by Alfred Publishing.

Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750). Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1715. BWV 31. 68 pages. Duration 24 minutes. Carus Verlag #CV 31.031/00. Published by Carus Verlag (CA.3103100).

ATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, [Capell-Chor: SATB, 4 Instruments], Contrabass/Organ

SKU: CA.2039913

Aus: Symphoniae Sacrae III. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Symphoniae sacrae III SWV 398-418. Stuttgart Urtext Edition: Schutz. German title: Ich hebe meine Augen auf. Sacred vocal music, Psalms, German, New year, Confirmation, Psalms. Single Part, basso continuo. Composed 1650. SWV 399. 4 pages. Duration 7 minutes. Carus Verlag #CV 20.399/13. Published by Carus Verlag (CA.2039913).

ISBN 9790007194840. Key: F major. Language: German/English.

Sco re available separately - see item CA.2039900.

By Giuseppe Verdi (1813-1901). Edited by Norbert Bolin. For Solo SMsTB, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 4 trumpets, 4 offstage trumpets, 3 trombones, ophicleide, timpani, percussion, 2 violins, viola, cello, contrabass. Stuttgart Urtext Edition. German title: Requiem. Requiem; Mourning, death. Vocal score. Language: Latin. 128 pages. Duration 90 minutes. Published by Carus Verlag

Reformationskantate. Composed by Stephan Langenberg. This edition: Paperbound. Hymns by Martin Luther: Ein feste Burg ist unser Gott; Choir and Brass, Contemporary choral music. Reformationskantate. Sacred vocal music, Cantatas, Reformation day. Reduction for organ. Duration 25 minutes. Carus Verlag #CV 10.801/03. Published by Carus Verlag (CA.1080103). 0.5

Composed by Johannes Brahms (1833-1897). Edited by Rainer Boss. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Brahms: Schicksalslied (Text: Holderlin). Sacred vocal music. Choral score. Composed 1871. Op. 54. 8 pages. Duration 16 minutes. Carus Verlag #CV 10.399/05. Published by Carus Verlag (CA.1039905).

Version for choir and orchestra. Composed by Gabriel Faure (1845-1924). Edited by Jean-Michel Nectoux. This edition: paperback. Sacred vocal music, Hymns. Full score. Composed 1865. 24 pages. Duration 7 minutes. Carus Verlag #CV 70.303/00. Published by Carus Verlag (CA.7030300).

Oratorio. Composed by Louis Spohr (1784-1859). Edited by Dieter Zeh, Irene Schallhorn. This edition: Paperbound. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Die Letzten Dinge (Oratorium). Sacred vocal music

Dominicusmesse. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Dominicus-Messe) Rev.2002. Sacred vocal music, Masses, Latin. Full score. Composed 1769. KV 66. 104 pages. Duration 43 minutes. Carus Verlag #CV 40.613/00. Published by Carus Verlag (CA.4061300).