Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068805

Messe in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Choral Score. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/05. Published by Carus Verlag (CA.4068805).

ISBN 9790007131012. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705149

Composed by Leopold Mozart. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1765. KV. Duration 15 minutes. Carus Verlag #CV 27.051/49. Published by Carus Verlag (CA.2705149).

ISBN 9790007199500. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705109

Composed by Leopold Mozart. 1x 27.051/31 trombone 1, 1x 27.051/32 trombone 2, 1x 27.051/33 trombone 3. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1765. KV. 12 pages. Duration 15 minutes. Carus Verlag #CV 27.051/09. Published by Carus Verlag (CA.2705109).

ISBN 9790007199456. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and parts available separately - see item CA.2705100.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705112

Composed by Leopold Mozart. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1765. KV. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.051/12. Published by Carus Verlag (CA.2705112).

ISBN 9790007199470. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705105

Composed by Leopold Mozart. Sacred vocal music, Masses, Latin. Choral Score. Composed 1765. KV. 24 pages. Duration 15 minutes. Carus Verlag #CV 27.051/05. Published by Carus Verlag (CA.2705105).

ISBN 9790007112448. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score available separately - see item CA.2705100.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705113

Composed by Leopold Mozart. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1765. KV. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.051/13. Published by Carus Verlag (CA.2705113).

ISBN 9790007199487. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705111

Composed by Leopold Mozart. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1765. KV. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.051/11. Published by Carus Verlag (CA.2705111).

ISBN 9790007199463. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705103

Composed by Leopold Mozart. This edition: Paperbound. Sacred vocal music, Masses, Latin. Vocal score. Composed 1765. KV. 32 pages. Duration 15 minutes. Carus Verlag #CV 27.051/03. Published by Carus Verlag (CA.2705103).

ISBN 9790007092191. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score available separately - see item CA.2705100.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116803

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803).

ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3116807

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807).

ISBN 9790007242220. Language: German/English. Text: Franck, Salomo.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116819

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819).

ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810914

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Single Part, Viola 1. Warb CW E 4. 28 pages. Duration 55 minutes. Carus Verlag #CV 38.109/14. Published by Carus Verlag (CA.3810914).

ISBN 9790007054342. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and part available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810912

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Single Part, Violin 2. Warb CW E 4. 36 pages. Duration 55 minutes. Carus Verlag #CV 38.109/12. Published by Carus Verlag (CA.3810912).

ISBN 9790007054328. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and part available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810911

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Single Part, Violin 1. Warb CW E 4. 36 pages. Duration 55 minutes. Carus Verlag #CV 38.109/11. Published by Carus Verlag (CA.3810911).

ISBN 9790007054311. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and part available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810916

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. Warb CW E 4. 28 pages. Duration 55 minutes. Carus Verlag #CV 38.109/16. Published by Carus Verlag (CA.3810916).

ISBN 9790007054366. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and part available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810919

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Set of Orchestra Parts. Warb CW E 4. Duration 55 minutes. Carus Verlag #CV 38.109/19. Published by Carus Verlag (CA.3810919).

ISBN 9790007134334. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and parts available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810913

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Single Part, Violin 3. Warb CW E 4. 4 pages. Duration 55 minutes. Carus Verlag #CV 38.109/13. Published by Carus Verlag (CA.3810913).

ISBN 9790007054335. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and part available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810900

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gloria In G E. Sacred vocal music, Mass sections. Full score. Warb CW E 4. 296 pages. Duration 55 minutes. Carus Verlag #CV 38.109/00. Published by Carus Verlag (CA.3810900).

ISBN 9790007054281. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810905

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Choral Score. Warb CW E 4. Duration 55 minutes. Carus Verlag #CV 38.109/05. Published by Carus Verlag (CA.3810905).

ISBN 9790007054298. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810909

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. 1x 38.109/21 flute 1, 1x 38.109/22 flute 2, 1x 38.109/23 oboe 1, 1x 38.109/24 oboe 2, 1x 38.109/25 bassoon, 1x 38.109/31 horn 1, 1x 38.109/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Set of Orchestra Parts. Warb CW E 4. 88 pages. Duration 55 minutes. Carus Verlag #CV 38.109/09. Published by Carus Verlag (CA.3810909).

ISBN 9790007054304. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and parts available separately - see item CA.3810900.

By Leopold Mozart (1719-1787). For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. Masses, Latin. Score. Language: Latin. Composed 1765 (?). 64 pages. Duration 15 min

Soli SATB Voices, SATB Choir, 2 Fl, 2 Ob, Fg, 2 Cor, 2 Vl, Va, Bc, [3 Tr, Timp] - Level 3

SKU: CA.3321504

Composed by Carl Philipp Emanuel Bach. Edited by Gunter Graulich. Carus plus: Innovative practice aids; Sacred vocal music, Magnificats; use during church year: Advent, Christmas; Carus sheet music series: Vocal scores XL; Stuttgart Editions (Urtext): Stuttgart Bach Edition - Bach vocal; occasions: Feasts of the Blessed. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. XL in large print. Innovative practice aids, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Vocal score. Composed 1749. BR-CPEB E 4 (Wq 215). 80 pages. Duration 42 minutes. Carus Verlag #CV 33.215/04. Published by Carus Verlag (CA.3321504).

ISBN 9790007240929. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score available separately - see item CA.3321500.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706803

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. This edition: Paperbound. Sacred vocal music, Masses, Latin. Vocal score. Carus Verlag #CV 27.068/03. Published by Carus Verlag (CA.2706803).

ISBN 9790007090708. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score available separately - see item CA.2706800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710449

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV I.2. 60 pages. Duration 95 minutes. Carus Verlag #CV 37.104/49. Published by Carus Verlag (CA.3710449).

ISBN 9790007091347. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706800

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. This edition: Paperbound. German title: Missa in D. Sacred vocal music, Masses, Latin. Full score. Carus Verlag #CV 27.068/00. Published by Carus Verlag (CA.2706800).

ISBN 9790007090692. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706813

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 8 pages. Carus Verlag #CV 27.068/13. Published by Carus Verlag (CA.2706813).

ISBN 9790007199869. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and part available separately - see item CA.2706800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710400

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Full score (complete edition / selected edition). HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/00. Published by Carus Verlag (CA.3710400).

ISBN 9790007090821. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706819

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Carus Verlag #CV 27.068/19. Published by Carus Verlag (CA.2706819).

ISBN 9790007199883. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and parts available separately - see item CA.2706800.