Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Siehe, ich will
viel Fischer. Sacred
vocal music, Cantatas.
Single Part, Violin 1.
Composed 1726. BWV 88. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.088/11. Published by
Carus Verlag
(CA.3108811).
ISBN
9790007046125. Key: D
major / b minor.
Language:
German/English.
Sco
re available separately -
see item CA.3108800.
Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Siehe, ich will
viel Fischer. Sacred
vocal music, Cantatas.
Choral Score. Composed
1726. BWV 88. 2 pages.
Duration 22 minutes.
Carus Verlag #CV
31.088/05. Published by
Carus Verlag
(CA.3108805).
ISBN
9790007046095. Key: D
major / b minor.
Language:
German/English.
Sco
re available separately -
see item CA.3108800.
Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Siehe, ich will
viel Fischer. Sacred
vocal music, Cantatas.
Single Part, Violin 2.
Composed 1726. BWV 88. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.088/12. Published by
Carus Verlag
(CA.3108812).
ISBN
9790007046132. Key: D
major / b minor.
Language:
German/English.
Sco
re available separately -
see item CA.3108800.
Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.088/21 oboe d'amore 1,
1x 31.088/22 oboe d'amore
2, 1x 31.088/23 oboe da
caccia, 1x 31.088/31 horn
1, 1x 31.088/32 horn 2.
German title: Siehe, ich
will viel Fischer 5.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1726. BWV 88. 28 pages.
Duration 22 minutes.
Carus Verlag #CV
31.088/09. Published by
Carus Verlag
(CA.3108809).
ISBN
9790007046118. Key: D
major / b minor.
Language:
German/English.
Sco
re available separately -
see item CA.3108800.
(Study Score). Composed by Krzysztof Penderecki (1933-). For Choral, Orchestra (...(+)
(Study Score). Composed
by Krzysztof Penderecki
(1933-). For Choral,
Orchestra (Study Score).
Schott. Softcover. 276
pages. Schott Music
#ED7731. Published by
Schott Music
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 38. 12
pages. Duration 21
minutes. Carus Verlag #CV
31.038/05. Published by
Carus Verlag
(CA.3103805).
ISBN
9790007042769. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Sacred
vocal music, Masses,
Latin. Choral Score.
Duration 35 minutes.
Carus Verlag #CV
27.053/05. Published by
Carus Verlag
(CA.2705305).
ISBN
9790007113520. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score available
separately - see item
CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/14. Published by
Carus Verlag
(CA.2705314).
ISBN
9790007199593. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Composed
by Franz Joseph Haydn.
Edited by Armin Kircher.
Arranged by Luigi Gatti.
Sacred music from
Salzburg. German title:
Schopfungsmesse. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 35
minutes. Carus Verlag #CV
27.053/19. Published by
Carus Verlag
(CA.2705319).
ISBN
9790007133887. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 24 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/49. Published by
Carus Verlag
(CA.2705349).
ISBN
9790007199616. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Vocal score.
Composed 1724. BWV 38. 40
pages. Duration 21
minutes. Carus Verlag #CV
31.038/03. Published by
Carus Verlag
(CA.3103803).
ISBN
9790007042752. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Full score.
Composed 1724. BWV 38. 48
pages. Duration 21
minutes. Carus Verlag #CV
31.038/00. Published by
Carus Verlag
(CA.3103800).
ISBN
9790007042745. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. 1x 27.053/21
flute 1, 1x 27.053/22
flute 2, 1x 27.053/31
horn 1, 1x 27.053/32 horn
2, 1x 27.053/33 trumpet
1, 1x 27.053/34 trumpet
2, 1x 27.053/41 timpani.
Sacred music from
Salzburg. Harmony parts.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 60
pages. Duration 35
minutes. Carus Verlag #CV
27.053/09. Published by
Carus Verlag
(CA.2705309).
ISBN
9790007199555. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vo...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Charles H. Sherman. For
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo. This edition:
Paperbound. Sacred music
from Salzburg. German
title: Requiem in c
(Schrattenbach) MH 155.
Requiem, Sacred music
from Salzburg Mourning,
death. Level 3. Study
score. Language: Latin.
Composed 1771. MH 155.
120 pages. Duration 35
minutes. Published by
Carus Verlag
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola.
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/13. Published by
Carus Verlag
(CA.2705313).
ISBN
9790007199586. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 38. Duration 21
minutes. Carus Verlag #CV
31.038/19. Published by
Carus Verlag
(CA.3103819).
ISBN
9790007136093. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and parts available
separately - see item
CA.3103800.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.053/15. Published by
Carus Verlag
(CA.2705315).
ISBN
9790007199609. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Study score.
Composed 1724. BWV 38. 48
pages. Duration 21
minutes. Carus Verlag #CV
31.038/07. Published by
Carus Verlag
(CA.3103807).
ISBN
9790007042776. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Schlusschoral aus der
gleichnamigen
Kantate. Composed by
Gottfried August
Homilius. Edited by Uwe
Wolf. Ein Hoher Tag
Kommt/Schlusschoral.
Sacred vocal music,
Advent, Christmas.
Playing score. HoWV. 4
pages. Carus Verlag #CV
37.208/06. Published by
Carus Verlag
(CA.3720806).
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.038/21 oboe 1, 1x
31.038/22 oboe 2, 1x
31.038/31 trumpet 1, 1x
31.038/32 trumpet 2, 1x
31.038/33 trombone 1, 1x
31.038/34 trombone 2, 1x
31.038/35 trombone 3, 1x
31.038/36 trombone 4.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir 8. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 38. 20 pages.
Duration 21 minutes.
Carus Verlag #CV
31.038/09. Published by
Carus Verlag
(CA.3103809).
ISBN
9790007042783. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and parts available
separately - see item
CA.3103800.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 1.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/11. Published by
Carus Verlag
(CA.2705311).
ISBN
9790007199562. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Composed by Ludwig van Beethoven (1770-1827). Edited by Stefan Schuck. For SATB ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Stefan Schuck.
For SATB vocal soli, SATB
choir, piano. This
edition: softcover. Vocal
score. Language: German.
Duration 22 mintues.
Published by Carus Verlag
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/12. Published by
Carus Verlag
(CA.2705312).
ISBN
9790007199579. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
SATB vocal soli, SATB
choir, 2 trumpets, 2
violins, viola, basso
continuo [2 oboes] 2
oboes in /11 and /12 only
in nr. 7 ad libitum
SKU: CA.1000812
Composed by Arnold M.
Brunckhorst. German
title: Die
Weihnachtsgeschichte.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 2. 8
pages. Duration 30
minutes. Carus Verlag #CV
10.008/12. Published by
Carus Verlag
(CA.1000812).
ISBN
9790007015893. Language:
German.
The
Christmas story by the
Celle-born Baroque
composer Arnold Melchior
Brunckhorst (d. 1725)
follows the account of
the Christmas story in St
Luke's Gospel. The text
is set in full in the
composition, with the
biblical text enriched in
a few arias and choruses
by the addition of free
poetry. The demands on
the musicians are
moderate; the scoring is
manageable with 2
trumpets, but at the same
time it is really
festive! Just 30 minutes
in length, the Christmas
story by Brunckhorst is
also very suitable for
performance in church
services. Score and part
available separately -
see item CA.1000800.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent, Christmas. Single
Part, Organ. Composed
1731. BWV 36. 20 pages.
Duration 31 minutes.
Carus Verlag #CV
31.036/49. Published by
Carus Verlag
(CA.3103649).
ISBN
9790007205690. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and part
available separately -
see item CA.3103600.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext. 2x
31.173/21 flute.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1728ca. BWV 173.
Duration 15 minutes.
Carus Verlag #CV
31.173/09. Published by
Carus Verlag
(CA.3117309).
ISBN
9790007209575. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and
parts available
separately - see item
CA.3117300.