(Symphonie-Kantate). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For SST vocal soli, SSAATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ. Stuttgart Urtext Edition. Score available separately - see item CA.4007600. Praise and thanks. Level 3. Complete orchestral parts. Language: German/English. Composed 1840. Op. 52. Duration 65 minutes. Published by Carus Verlag

Organ (Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3

SKU: CA.1025049

Composed by Henry Purcell. Edited by Julia Rosemeyer. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025049. Published by Carus Verlag (CA.1025049).

ISBN 9790007329808. Key: D major. English.

“Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.

A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia’s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander’s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia’s Day, HWV 76 (Carus 55.076).

Purcell⠀™s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the “Orpheus Britannicus”, as Purcell was admiringly called by contemporaries.

- Festive, rousing ode to music
- Highlight of the choral ode genre in the 17th century
. Score and part available separately - see item CA.1025000.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103203

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203).

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165219

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165219. Published by Carus Verlag (CA.5165219).

ISBN 9790007313883. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� �™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman’ s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]. German title: Ein deutsches Requiem. Requiem, End of the church year, Mourning, death. Complete orchestral parts. Language: German. Op. 45. Duration 70 minutes. Published by Carus Verlag

(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3

SKU: CA.1025005

Composed by Henry Purcell. Edited by Julia Rosemeyer. Choral Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025005. Published by Carus Verlag (CA.1025005).

ISBN 9790007251840. Key: D major. English.

“Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.

A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia’s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander’s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia’s Day, HWV 76 (Carus 55.076).

Purcell⠀™s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the “Orpheus Britannicus”, as Purcell was admiringly called by contemporaries.

- Festive, rousing ode to music
- Highlight of the choral ode genre in the 17th century
. Score available separately - see item CA.1025000.

Vocal Score. By Claudio Monteverdi. Arranged by Jerome Roche. Schott. Size 7.5x10.75 inches. 175 pages. Published by Schott.

By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Paul Horn. For SSATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. D-Dur (D major). Stuttgart Urtext editions. Score available separately - see item CA.3124300. Magnificats, Christmas. Study score. Language: Latin. BWV 243. 76 pages. Published by Carus Verlag

(Soli,Ch,Orch)

SKU: BA.BA05938-01

Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01).

ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.

The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.

Thi s edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.

Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, harpisc., Str)

SKU: BA.BA04590-01

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Kathleen Kuzmick Hansell. This edition: complete edition, urtext edition. Linen. Edition in 2 volumes. Complete edition, Score. K. 135. Duration 4 hours. Baerenreiter Verlag #BA04590_01. Published by Baerenreiter Verlag (BA.BA04590-01).

ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra.

On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, Mixed choir, Orchestra

SKU: BA.BA11971-90

Composed by Wolfgang Amadeus Mozart. Edited by Monika Holl. Arranged by Andreas Kohs. Bärenreiter Urtext. Replaces BA 4880-90. Piano reduction. Baerenreiter Verlag #BA11971-90. Published by Baerenreiter Verlag (BA.BA11971-90).

ISBN 9790006578795. 27 x 19 cm inches.

- Vocal score based on the New Mozart Edition
- With an easy-to-play piano part and spacious layout
- Compatible with the full score (BA04880) and performance material

The richly orchestrated Missa in C minor K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a large orchestra, choir and four soloists, the composer impressively demonstrates his skills. The nickname Coronation Mass has a long tradition and is already mentioned in the first edition of the Köchel catalogue; however, it does not go back to the premiere, which took place on one of the Easter holidays in April 1779. In all probability, the mass was performed in 1791 at the coronation celebrations in Prague for Leopold II and – after his unexpected death – in 1792 for Franz I under Antonio Salieri.

For this vocal score, Andreas Köhs has provided an improved orchestral reduction which optimally transfers the instrumental parts to the piano while ensuring playability. The vocal parts are based on the Urtext of the New Mozart Edition.

Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Matthauspassion. Passions, Lent and Passiontide. Complete orchestral parts. BWV 244. Duration 175 minutes. Published by Carus Verlag (CA.3124419).

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

(Passion Oratorio in three parts). By Carl Loewe (1796-1869). Edited by Claudia Mucke. For voice, mixed choir, orchestra (soprano voice solo/alto voice solo/2 tenor voice solos/2 bass voice solos/SATB choir/2 violins/viola/cello/doubl e bass/timpani). This edition: Paperback, Urtext edition. Level 3. Score. Language: German, Text Language: German. WoO. 144 pages. Duration 2 hours 15 minutes. Published by Baerenreiter Verlag

Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voice Solos, 2 speaker, Mixed choir, 2 Fl(2 Fl-picc), Ob, 2 clarinet, bassoon, 2 Horn, 2 Corenets, trombone, timpani, Gl, Tr-B, Be, Tri, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA08708-01

Opéra-bouffe in three acts. Composed by Alexis Emmanuel Chabrier. Edited by Hugh MacDonald and Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA08708_01. Published by Baerenreiter Verlag (BA.BA08708-01).

ISBN 9790006537846. 33 x 27 cm inches. Text Language: French. Preface: Prévost, Paul / Macdonald, Hugh. Text: Leterrier, Eugène / Vanloo, Albert.

WithL'Etoil e, Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years.

The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies.
Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.

This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the seriesL'Opera francais.

- Authoritative Urtext edition based on the seriesL'Opera francais
- Original French text with a German singing translation
- Comprehensive foreword (Ger/Eng/Fr)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voice solo, SATB choir, large orchestra/chamber orchestra. Mixed Voices. Vocal score. Duration 30 minutes. Published by Oxford University Press

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.))

SKU: BA.BA04096

Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096_00. Published by Baerenreiter Verlag (BA.BA04096).

ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece.

The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (Soprano Voice Solo, Mezzo Voice Solo, 4Tenor Voice Solo, BarSolo, 3Bass Voice Solo, Mixed choir: SSTTBB, 2 Fl, 2 Ob, 2 clarinet, 4 bassoon, 4Hn, 4Trp, 2 Pist, 3trombone, Op, 3timpani, percussion, 4harp, Str, Buhnenmusik: 2 guitar, 2 Trp, percussion)

SKU: BA.BA05441

Opéra comique. Principal versions Paris 1, Paris 2 and Weimar. Part volumes a-d. Composed by Hector Berlioz. Edited by Hugh MacDonald. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 1a-d. Oper (Opera). Complete edition, Score. Hol 76. Duration 2 hours, 45 minutes. Baerenreiter Verlag #BA05441_00. Published by Baerenreiter Verlag (BA.BA05441).

ISBN 9790006494996. 33.2 x 26 cm inches. Text Language: French. Text: Wailly, Léon de.

Benvenuto Cellini, premiered in 1838, is inspired by the life of the legendary Florentine goldsmith and Renaissance figure. The premiere was a disatster yet even by Berliozâ??s high standards it contains music of exceptional inventiveness and beauty.

The work is challenging not least due to the three versions which exist:

I The original version (Paris 1) as Berlioz composed it
II The version premiered in Paris (Paris 2) after rehearsal and copied into an archival full score
III The Weimar version based on the revival in 1852 following changes suggested by Liszt

Our edition offers a solution to the problem of publishing operas which have been heavily revised by their composers, so that any of its many versions may be adopted on stage today.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401313

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Single Part, basso continuo. MH 13. 28 pages. Duration 55 minutes. Carus Verlag #CV 54.013/13. Published by Carus Verlag (CA.5401313).

ISBN 9790007225896. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and part available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401305

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Choral Score. MH 13. 32 pages. Duration 55 minutes. Carus Verlag #CV 54.013/05. Published by Carus Verlag (CA.5401305).

ISBN 9790007165307. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401349

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Single Part, Organ. MH 13. 40 pages. Duration 55 minutes. Carus Verlag #CV 54.013/49. Published by Carus Verlag (CA.5401349).

ISBN 9790007165314. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and part available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401309

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.013/31 clarino 1, 1x 54.013/32 clarino 2, 1x 54.013/33 trumpet 1, 1x 54.013/34 trumpet 2, 1x 54.013/35 trombone 1, 1x 54.013/36 trombone 2, 1x 54.013/37 trombone 3, 1x 54.013/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 13. Duration 55 minutes. Carus Verlag #CV 54.013/09. Published by Carus Verlag (CA.5401309).

ISBN 9790007225865. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and parts available separately - see item CA.5401300.