| Capriccio Brillante on Themes of the Jota Aragonese Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2.2.2.2/4.2.3.1,timp,per c,hp,str) SKU: TM.07130SC Composed by Mikhail I...(+)
(2.2.2.2/4.2.3.1,timp,per
c,hp,str) SKU:
TM.07130SC Composed
by Mikhail I. Glinka.
Score. Lucks Music
Library #A1489. Published
by Lucks Music Library
(TM.07130SC).
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sinfonietta on Russian Themes, Op. 31 Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.3.0,timp,str ) SKU: TM.05860SET Composed by Nikolay Andreyev...(+)
(2.2.2.2/4.2.3.0,timp,str
) SKU: TM.05860SET
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Set
Type: D. Set of parts.
Lucks Music Library
#A1928. Published by
Lucks Music Library
(TM.05860SET).
$155.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture No. 1 on Greek Themes Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2.2.2/4.2.3.1,timp,p erc,hp,str) SKU: TM.01554SET Composed by Alexan...(+)
(2+1.2.2.2/4.2.3.1,timp,p
erc,hp,str) SKU:
TM.01554SET Composed
by Alexander Glazounow.
Set Type: D. Set of
parts. Published by Lucks
Music Library
(TM.01554SET).
$110.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture No. 1 on Greek Themes Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2+1.2.2.2/4.2.3.1,timp,p erc,hp,str) SKU: TM.01554SC Composed by Alexand...(+)
(2+1.2.2.2/4.2.3.1,timp,p
erc,hp,str) SKU:
TM.01554SC Composed
by Alexander Glazounow.
Score. Published by Lucks
Music Library
(TM.01554SC).
$40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture on Russian Themes, Op. 28 Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2D1.2.2.2/4.2.3.0,timp,p erc,hp,str) SKU: TM.05857SC Composed by Nikolay...(+)
(2D1.2.2.2/4.2.3.0,timp,p
erc,hp,str) SKU:
TM.05857SC Composed
by Nikolay Andreyevich
Rimsky-Korsakov. Score.
Lucks Music Library
#A1924. Published by
Lucks Music Library
(TM.05857SC).
Large score and
parts typeset; includes
both versions of Credo.
Mini score matches to cut
version of Credo in
parts. Trumpets and
Timpani not indicated in
mini score. Chorus sold
as individual Soprano,
Alto, Tenor, or Bass
parts - please specify
quantity for each voice
when ordering. $30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture on Russian Themes, Op. 28 Soli, choeur mixte et accompagnement Lucks Music Library
(2D1.2.2.2/4.2.3.0,timp,p erc,hp,str) SKU: TM.05857SET Composed by Nikola...(+)
(2D1.2.2.2/4.2.3.0,timp,p
erc,hp,str) SKU:
TM.05857SET Composed
by Nikolay Andreyevich
Rimsky-Korsakov. Set
Type: D. Set of parts.
Lucks Music Library
#A1924. Published by
Lucks Music Library
(TM.05857SET).
Large score and
parts typeset; includes
both versions of Credo.
Mini score matches to cut
version of Credo in
parts. Trumpets and
Timpani not indicated in
mini score. Chorus sold
as individual Soprano,
Alto, Tenor, or Bass
parts - please specify
quantity for each voice
when ordering. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantaisie brillante on Themes from Carmen (Chiaramello) Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,hp,str,fl sol) SKU: TM.13907SC Composed...(+)
(2+1.2+1.2+1.2/4.3.3.1,ti
mp,perc,hp,str,fl sol)
SKU: TM.13907SC
Composed by Francois
Borne. Arranged by
Chiaramello. Score. Lucks
Music Library #A8217.
Published by Lucks Music
Library (TM.13907SC).
Sol (no pf) in
set. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantaisie brillante on Themes from Carmen (Chiaramello) Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,hp,str,fl sol) SKU: TM.13907SET Compose...(+)
(2+1.2+1.2+1.2/4.3.3.1,ti
mp,perc,hp,str,fl sol)
SKU: TM.13907SET
Composed by Francois
Borne. Arranged by
Chiaramello. Set Type: D.
Set of parts. Lucks Music
Library #A8217. Published
by Lucks Music Library
(TM.13907SET).
Sol (no pf) in
set. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suite on Hungarian Folk Themes, Op. 18 Soli, choeur mixte et accompagnement Lucks Music Library
(2D1.2D1.2.2/4.2.3.1,timp ,perc,cel,hp,str) SKU: TM.08797SET Composed by ...(+)
(2D1.2D1.2.2/4.2.3.1,timp
,perc,cel,hp,str) SKU:
TM.08797SET Composed
by Leo Weiner. Set Type:
D. Set of parts. Lucks
Music Library #A5530.
Published by Lucks Music
Library (TM.08797SET).
$300.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suite on Hungarian Folk Themes, Op. 18 Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2D1.2D1.2.2/4.2.3.1,timp ,perc,cel,hp,str) SKU: TM.08797SC Composed by L...(+)
(2D1.2D1.2.2/4.2.3.1,timp
,perc,cel,hp,str) SKU:
TM.08797SC Composed
by Leo Weiner. Score.
Lucks Music Library
#A5530. Published by
Lucks Music Library
(TM.08797SC).
$95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie No. 9, Finale. Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flu...(+)
Orchestra SATB vocal
soli, SATB choir, piano
(Orchesterbesetzung:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, contrabass)
SKU: CA.2380192
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/92. Published by
Carus Verlag
(CA.2380192). Text
language: German. Text:
Schiller,
Friedrich. It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie No. 9, Finale. Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flu...(+)
Orchestra SATB vocal
soli, SATB choir, piano
(Orchesterbesetzung:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, contrabass)
SKU: CA.2380193
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/93. Published by
Carus Verlag
(CA.2380193). Text
language: German. Text:
Schiller,
Friedrich. It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie No. 9, Finale. Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flu...(+)
Orchestra SATB vocal
soli, SATB choir, piano
(Orchesterbesetzung:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, contrabass)
SKU: CA.2380194
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/94. Published by
Carus Verlag
(CA.2380194). Text
language: German. Text:
Schiller,
Friedrich. It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie No. 9, Finale. Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flu...(+)
Orchestra SATB vocal
soli, SATB choir, piano
(Orchesterbesetzung:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, contrabass)
SKU: CA.2380191
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/91. Published by
Carus Verlag
(CA.2380191). Text
language: German. Text:
Schiller,
Friedrich. It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| DEUX PIGEONS, LES: Ballet Suite No. 1 Soli, choeur mixte et accompagnement Lucks Music Library
(2D1.2.2.2/4.0+2.3.1,timp ,2 perc,harm,str) SKU: TM.08951SET Composed by ...(+)
(2D1.2.2.2/4.0+2.3.1,timp
,2 perc,harm,str) SKU:
TM.08951SET Composed
by Andre-Charles
Messager. Edited by
Woodhouse. Set Type: D.
Set of parts. Published
by Lucks Music Library
(TM.08951SET).
Ed. by
Woodhouse. P/C in set.
Incl: Entree des
Tziganes, Scene et Pas
des Deux Pigeons, Theme
et Variations. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165209
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165209.
Published by Carus Verlag
(CA.5165209). ISBN
9790007313838. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartââ¬â¢s
Requiem.
ââ¬ÅAnother
one?ââ¬Â you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional
Süßmayr
version. Yet such is the
enormous power of
Mozartââ¬â¢s
score that the challenge
and appeal of completing
it remain undiminished.
After two decades of
intensive study, Howard
Armanââ¬â¢s
additions to
Mozartââ¬â¢s
great original show the
requisite care and
respect while
incorporating many new
insights.
ArmanÃ
â¬â¢s approach
is particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartââ¬â¢s
brilliant composing
style: The masterly
compositional technique,
the search for innovative
solutions to every
problem, and even the
terse treatment of the
text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentââ¬â
s unique sound is given
an opportunity to shine.
Armanââ¬â¢s
Lacrimosa achieves a
lively Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather ââ¬â
in the spirit of Mozart
ââ¬â on
creating a sense of drama
and illuminating the
theme in all its possible
facets.
Mozartââ¬â¢s
fragment ends with the
Hostias, and so does
Armanââ¬â¢s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to
Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanââ
¬â¢s version has
already proven its
practical value. The
premiere with the
Bavarian Radio Choir was
enthusiastically received
by audiences and press
alike ââ¬â
and celebrated as
offering a scholarly,
entirely fresh
perspective on
Mozartââ¬â¢s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| COPPELIA: Suite No. 1 Soli, choeur mixte et accompagnement Lucks Music Library
(2D1.2.2.2/4.2.3.0,timp,p erc,hp,str) SKU: TM.08928SET Composed by Clemen...(+)
(2D1.2.2.2/4.2.3.0,timp,p
erc,hp,str) SKU:
TM.08928SET Composed
by Clement Philibert Leo
Delibes. Set Type: D. Set
of parts. Published by
Lucks Music Library
(TM.08928SET).
Theme Slave,
Danse-Fete et Valse des
Heures, Notturno, Musique
des Automats et Valse,
Czardas. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| COPPELIA: Suite No. 1 Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2D1.2.2.2/4.2.3.0,timp,p erc,hp,str) SKU: TM.08928SC Composed by Clement...(+)
(2D1.2.2.2/4.2.3.0,timp,p
erc,hp,str) SKU:
TM.08928SC Composed
by Clement Philibert Leo
Delibes. Score. Published
by Lucks Music Library
(TM.08928SC).
Theme Slave,
Danse-Fete et Valse des
Heures, Notturno, Musique
des Automats et Valse,
Czardas. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 31 Page suivante 61 91 121 |