Composed
by Antonio Salieri.
Edited by Rudolf Kelber.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
1776. 16 pages. Duration
105 minutes. Carus Verlag
#CV 40.942/05. Published
by Carus Verlag
(CA.4094205).
ISBN
9790007078447. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio.
Pietro
Metastasio's libretto to
azione sacra La Passione
di Gesu Cristo (1730) is
a prototype for the
Italian Catholic oratorio
of the 18th century, in
which the Biblical text
is entirely transformed
into free verse.
Originally written for
Antonio Caldara, the text
has been set to music
many times. However, the
famous poet wrote in a
letter to the 26-year-old
composer that the
setting, in the style of
Italian Opera seria, was
the most expressive music
that has ever been
written for this poem.
German and English
translations of the
libretto are provided in
this edition. Score
available separately -
see item CA.4094200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219).
ISBN
9790007139629. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200.
Composed by Leopold
Mozart. Violin 1. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed 1765.
KV. 8 pages. Duration 15
minutes. Carus Verlag #CV
27.051/11. Published by
Carus Verlag
(CA.2705111).
ISBN
9790007199463. Language:
Latin.
If, during
his lifetime, Leopold
Mozart was highly
regarded as composer of
programmatic instrumental
music, it is his church
music which has proven to
comprise the more
important part of his
opus. This is also
especially true for the
influence which this
music had on the sacred
compositions of his son
Wolfgang Amadeus. In the
Missa in A (ca.1765), in
the manner of the times,
Leopold Mozart blends
baroque and gallant
stylistic elements and
through formal structure
and an expressive musical
language he gives the
Credo a special
importance. Score and
part available separately
- see item
CA.2705100.
Composed by Leopold
Mozart. This edition:
Paperbound. Sacred vocal
music, Masses, Latin.
Vocal score. Composed
1765. KV. 32 pages.
Duration 15 minutes.
Carus Verlag #CV
27.051/03. Published by
Carus Verlag
(CA.2705103).
ISBN
9790007092191. Language:
Latin.
If, during
his lifetime, Leopold
Mozart was highly
regarded as composer of
programmatic instrumental
music, it is his church
music which has proven to
comprise the more
important part of his
opus. This is also
especially true for the
influence which this
music had on the sacred
compositions of his son
Wolfgang Amadeus. In the
Missa in A (ca.1765), in
the manner of the times,
Leopold Mozart blends
baroque and gallant
stylistic elements and
through formal structure
and an expressive musical
language he gives the
Credo a special
importance. Score
available separately -
see item CA.2705100.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200).
ISBN
9790007096106. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about.
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc) - Grade 3
SKU:
CA.1025014
Composed
by Henry Purcell. Edited
by Julia Rosemeyer.
Single Part, basso
continuo. Composed 1692.
Z 328. Duration 55
minutes. Carus Verlag
#1025014. Published by
Carus Verlag
(CA.1025014).
ISBN
9790007329792. Key: D
major.
English.
�Hail
! bright Cecilia, hail to
thee. Great patroness of
us and harmony!�
� this exclamation
opens the final chorus of
Henry Purcell�s
eponymous Ode to St.
Cecilia from 1692. A
paean to the power of
music, the work is one of
the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Cecilia�s Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexander�s Feast,
HWV 75 (Carus 55.075),
and his Ode for St.
Cecilia�s Day, HWV
76 (Carus
55.076).
Purcellï
¿½s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
�Orpheus
Britannicus�, as
Purcell was admiringly
called by
contemporaries.
-
Festive, rousing ode to
music - Highlight of
the choral ode genre in
the 17th century .
Score and part available
separately - see item
CA.1025000.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Sacred vocal
music, Psalms, Latin.
Choral Score. TVWV 7:7.
12 pages. Duration 20
minutes. Carus Verlag #CV
39.114/05. Published by
Carus Verlag
(CA.3911405).
ISBN
9790007128579. Language:
Latin.
The
prestigious Latin psalm
setting Deus judicium
tuum (Ps. 71/72) is among
the finest from
Telemann's pen. Its
composition is associated
with the beginning of his
eight-month sojourn in
Paris in the fall of
1737, during which time
he celebrated musical
triumphs in the French
metropolis. As he himself
reported, with no little
pride, the piece was
performed twice in three
days by almost one
hundred selected people
in the Concert spirituel.
Three magnificent choral
movements frame a
richly-colored succession
of demanding solo
movements. Score
available separately -
see item CA.3911400.
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527919
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf. Set
of Orchestra Parts.
Composed 1713. HWV 279.
Duration 17 minutes.
Carus Verlag #5527900.
Published by Carus Verlag
(CA.5527919).
ISBN
9790007293062.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this edition.
The chorus is mainly
scored in four parts, and
is in eight parts in just
one short movement. In
two other movements the
soprano part divides. The
second alto solo part can
also be sung by a high
tenor. Score and parts
available separately -
see item CA.5527900.
Missa solemnis Soli, choeur mixte et accompagnement Carus Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Meinrad Walter. Caru...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Meinrad Walter. Carus
book
series: Studies of
composers,
Wort. Werk. Wirkung -
publications with
Deutsche
Bibel-Gesellschaft. With
CD.
Book. Composed 1817/23.
Op.
123. Duration 91 minutes.
Carus Verlag #CV
24.171/00.
Published by Carus Verla
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Sacred vocal
music, Oratorios. Choral
Score. Composed 1769.
BR-CPEB D 1 (Wq 238).
Duration 75 minutes.
Carus Verlag #CV
33.238/05. Published by
Carus Verlag
(CA.3323805).
ISBN
9790007212186. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler.
Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score
available separately -
see item CA.3323800.
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-SaÃ
ƒÂ«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Reginal...(+)
Oratorio. Composed by
Carl
Philipp Emanuel Bach
(1714-
1788). Edited by Reginald
L.
Sanders. This edition:
paperback. Sacred vocal
music, Oratorios. Vocal
score. Composed 1769.
BR-CPEB
D 1 (Wq 238). Duration 75
minutes. Carus Verlag #CV
33.238/03. Published by
Carus
Verlag