Le comte Ory Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Opera in two acts). Composed by Gioachino Rossini (1792-1868). Edited by Damien...(+)
(Opera in two acts).
Composed by Gioachino
Rossini (1792-1868).
Edited by Damien Colas.
For soprano voice solo/5
mezzo-soprano voice
solos/4 tenor voice
solos/4 baritone voice
solos/mixed choir/female
choir/men's
choir/orchestra (flute/2
flutes/2 oboe/2
clarinet/2 bassoon/4
horn/2 trumpet/3
trombone/timpani/percussi
on/2
violins/viola/cello/keybo
ard). This edition:
Edition of selected
works, Urtext edition.
Linen. Works of Gioachino
Rossini 5a b. Score.
Language: France, Text
Language:
France/English/Italian.
Published by Baerenreiter
Verlag
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Viola 1. Warb CW E
4. 28 pages. Duration 55
minutes. Carus Verlag #CV
38.109/14. Published by
Carus Verlag
(CA.3810914).
ISBN
9790007054342. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola. Sacred vocal
music, Cantatas, Special
days. Single Part, Viola.
Composed 1738(?). BWV 30.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.030/13. Published by
Carus Verlag
(CA.3103013).
ISBN
9790007205423. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
WithL'Etoil
e, Chabrier composed a
light-hearted opera which
has increasingly enjoyed
revivals in recent
years.
The plot
is introduced by King Ouf
I who offers his subjects
an execution every year
on his birthday.
Unfortunately the problem
now arises that no crime
has recently been
committed which might
serve as a reason for an
execution. Finally, he
finds a would-be victim
in the young Lazuli.
However, according to
predictions by the
astrologer Siroco,
Lazuli's fate is closely
linked to the king's own
life. The comic opera is
further bolstered by a
story of mistaken
identities which involves
a great deal of
diplomacy, a love story
and a large number of
refined, yet catchy
melodies. Chabrier was
a master of the sensitive
and complicated art of
musical comedy, a field
where he can be compared
in equal measure to
Offenbach, Rossini and
Mozart.
This vocal
score is based on the
full score edited by Hugh
Macdonald which is
published as part of the
seriesL'Opera
francais.
-
Authoritative Urtext
edition based on the
seriesL'Opera
francais - Original
French text with a German
singing translation -
Comprehensive foreword
(Ger/Eng/Fr)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Viola.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Viola.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/13. Published by
Carus Verlag
(CA.4048313).
ISBN
9790007218782. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 1. Composed 1714.
BWV 182. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/12. Published by
Carus Verlag
(CA.3118212).
ISBN
9790007050290. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200.
Ode to
St Cecilia. Composed
by George Frideric
Handel. Edited by Stephan
Blaut. This edition:
urtext edition.
Paperback. Score. HWV 76.
Baerenreiter Verlag
#BA10722_00. Published by
Baerenreiter Verlag
(BA.BA10722).
ISBN
9790006567713. 31 x 24.3
cm inches. Text Language:
English.
Following
upon
“Alexander’s
Feast†(1736), in
1739 Handel produced a
second setting of the
“Ode to St
Ceciliaâ€
(“Song for St
Cecilia’s
Dayâ€). At its
première it was
combined with
“Alexander’s
Feastâ€. Rather than
a dramatic plot
presentable in the
theatre, the Ode, in its
seven sections, offers a
general hymn of praise to
music and its impact.
Accordingly, it largely
consists of emotion-laden
arias and festive
orchestration.
Thi
s edition, based on the
Urtext from the
“Halle Handel
Editionâ€, offers
the version heard at the
first performance
– the version
preferred in
today’s concert
life. The foreword
(Ger/Eng) provides many
detailed notes on
performance practice with
regard to
orchestration.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Messe C-Dur op. post.48 D 452 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Reduction] Barenreiter
(Strings without Viola). By Franz Schubert (1797-1828). Edited by Pier Paolo Sca...(+)
(Strings without Viola).
By Franz Schubert
(1797-1828). Edited by
Pier Paolo Scattolin.
Arranged by Olga
Kroupova. For soprano
voice solo/alto voice
solo/tenor voice
solo/bass voice solo/SATB
choir/orchestra. This
edition: Urtext edition.
Level 4. Piano reduction
(paperbound). Opus
post.48: D 452. Published
by Baerenreiter Verlag
Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus P...(+)
Oratorio for Soloists for
2 mixed Choirs and
Orchestra. Vocal Score
and Chorus Parts
English/German, comebined
Organ Part instead of
Organ Chorus I and Organ
Chorus II available. By
Johann Sebastian Bach.
Edited by D!Rr,
Alfred;Schneider, Max.
For Soprano solo, Alto
solo, Tenor solo (2),
Bass solo (2), Mixed
Choir (2)-SATB, Orchestra
1: Alto recorder (f,g)
(2), Flute (2), Oboe (2)/
Oboe d'amore (a)/
Oboe-dacc/ English horn,
Bassoon, Viola da gamba,
Strings, Organ, Orchestra
2: Flute (2), Oboe (2)/
Oboe d'amore (a),
Bassoon, Viola da gamba,
Strings, Organ/
Harpsichord. Neue
Bach-Ausgabe. Serie II,
Band 5. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 244.
Published by
Baerenreiter-Ausgaben
(German import). (BA5038
01)
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Special days.
Choral Score. Composed
1738(?). BWV 30. 12
pages. Duration 40
minutes. Carus Verlag #CV
31.030/05. Published by
Carus Verlag
(CA.3103005).
ISBN
9790007205386. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 2. Sacred vocal
music, Cantatas, Special
days. Single Part, Violin
2. Composed 1738(?). BWV
30. 12 pages. Duration 40
minutes. Carus Verlag #CV
31.030/12. Published by
Carus Verlag
(CA.3103012).
ISBN
9790007205416. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. 1x 31.030/21
flute 1, 1x 31.030/22
flute 2, 1x 31.030/23
oboe 1, 1x 31.030/24 oboe
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Special days. Set of
Orchestra Parts. Composed
1738(?). BWV 30. Duration
40 minutes. Carus Verlag
#CV 31.030/09. Published
by Carus Verlag
(CA.3103009).
ISBN
9790007205393. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and parts available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Special days.
Single Part, Cello/Double
Bass. Composed 1738(?).
BWV 30. 16 pages.
Duration 40 minutes.
Carus Verlag #CV
31.030/14. Published by
Carus Verlag
(CA.3103014).
ISBN
9790007205430. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. Composed 1738(?).
BWV 30. Duration 40
minutes. Carus Verlag #CV
31.030/19. Published by
Carus Verlag
(CA.3103019).
ISBN
9790007140229. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and parts available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Special
days. Single Part, Organ.
Composed 1738(?). BWV 30.
24 pages. Duration 40
minutes. Carus Verlag #CV
31.030/49. Published by
Carus Verlag
(CA.3103049).
ISBN
9790007205447. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
By Gabriel Faure (1845-1924). Edited by Christina M. Stahl; Michael Stegemann. A...(+)
By Gabriel Faure
(1845-1924). Edited by
Christina M. Stahl;
Michael Stegemann.
Arranged by Martin Focke.
For soprano voice
solo/baritone voice
solo/SATB choir/2
flutes/2 clarinets/2
bassoons/4 horns/2
trumpets/3
trombones/timpani/harp/2
violins/2 violas/2
cellos/contrabass/organ.
This edition: Urtext
edition. Vocal score.
Language: Latin, Text
language: German/English.
Opus 48. Published by
Baerenreiter Verlag
Kyrie RV 587 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Reduction] Barenreiter
By Antonio Vivaldi (1678-1741). Edited by Malcolm Bruno; Caroline Ritchie. Arran...(+)
By Antonio Vivaldi
(1678-1741). Edited by
Malcolm Bruno; Caroline
Ritchie. Arranged by
Malcolm Bruno. For
soprano voice solo, alto
voice solo, SATB choir
(Coro I II), orchestra
(Coro I II): 2 violins,
viola, basso continuo
(cello, double bass,
organ). This edition:
Stapled, Urtext edition.
Piano reduction.
Language: Latin, Text
Language: English/German.
RV 587. 27 pages.
Published by Baerenreiter
Verlag
(after the copy from J. S. Bach). By George Frideric Handel (1685-1759). Edited ...(+)
(after the copy from J.
S. Bach). By George
Frideric Handel
(1685-1759). Edited by
Andreas Traub. For STB
vocal soli, solo vocal
quintet, SATB choir, 2
oboes, taille (english
horn), 2 violins, viola,
basso continuo. This
edition: Paperbound.
Stuttgart Urtext
editions. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. HWV 48. 176
pages. Duration 150 min.
Published by Carus Verlag
O God, from heaven look on us Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] - Facile Carus Verlag
(Kantate zum 2. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). ...(+)
(Kantate zum 2. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
Soli ATB, SATB choir, 2
oboes, [4 trombones],
violin solo, 2 violins,
viola, basso continuo.
This edition: Paperbound.
D-Moll (D minor).
Cantatas. Level 3. Full
score. Language:
German/English. Composed
1724. BWV 2. 48 pages.
Duration 20 min.
Published by Carus Verlag
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1728ca.
BWV 173. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.173/13. Published by
Carus Verlag
(CA.3117313).
ISBN
9790007209605. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and part
available separately -
see item CA.3117300.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Violin 2. Warb CW E
4. 36 pages. Duration 55
minutes. Carus Verlag #CV
38.109/12. Published by
Carus Verlag
(CA.3810912).
ISBN
9790007054328. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Violin 1. Warb CW E
4. 36 pages. Duration 55
minutes. Carus Verlag #CV
38.109/11. Published by
Carus Verlag
(CA.3810911).
ISBN
9790007054311. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Cello/Double Bass.
Warb CW E 4. 28 pages.
Duration 55 minutes.
Carus Verlag #CV
38.109/16. Published by
Carus Verlag
(CA.3810916).
ISBN
9790007054366. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Set of
Orchestra Parts. Warb CW
E 4. Duration 55 minutes.
Carus Verlag #CV
38.109/19. Published by
Carus Verlag
(CA.3810919).
ISBN
9790007134334. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and parts
available separately -
see item CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Violin 3. Warb CW E
4. 4 pages. Duration 55
minutes. Carus Verlag #CV
38.109/13. Published by
Carus Verlag
(CA.3810913).
ISBN
9790007054335. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gloria In G E. Sacred
vocal music, Mass
sections. Full score.
Warb CW E 4. 296 pages.
Duration 55 minutes.
Carus Verlag #CV
38.109/00. Published by
Carus Verlag
(CA.3810900).
ISBN
9790007054281. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke.