SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700314

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/14. Published by Carus Verlag (CA.9700314).

ISBN 9790007238780. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700300

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. This edition: Paperbound. German title: Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Composed 1736/1800/1843. 128 pages. Duration 35 minutes. Carus Verlag #CV 97.003/00. Published by Carus Verlag (CA.9700300).

ISBN 9790007113124. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700311

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/11. Published by Carus Verlag (CA.9700311).

ISBN 9790007238759. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700319

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1736/1800/1843. Duration 35 minutes. Carus Verlag #CV 97.003/19. Published by Carus Verlag (CA.9700319).

ISBN 9790007133757. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and parts available separately - see item CA.9700300.

Cantata for a wedding. Composed by Johann Sebastian Bach (1685-1750). Edited by Solvej Donadel. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas; Wedding. Full score. Composed 1708. 36 pages. Duration 14 minutes. Carus Verlag #CV 31.196/00. Published by Carus Verlag (CA.3119600).

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913311

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. TVWV 1:1397. 2 pages. Duration 12 minutes. Carus Verlag #CV 39.133/11. Published by Carus Verlag (CA.3913311).

ISBN 9790007056001. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.

SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]

SKU: CA.4060309

Missa in honorem Beatissimae Virginis Mariae. Composed by Franz Joseph Haydn. Edited by Christoph Grosspietsch. This edition: urtext. 1x 40.603/21 English horn 1, 1x 40.603/22 English horn 2, 1x 40.603/31 horn 1, 1x 40.603/32 horn 2, 1x 40.603/33 clarino 1, 1x 40.603/34 clarino 2, 1x 40.603/41 timpani. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE ORGELSOLOMESSE IN ES XXII:4. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Hob. XXII:4. 64 pages. Duration 40 minutes. Carus Verlag #CV 40.603/09. Published by Carus Verlag (CA.4060309).

ISBN 9790007219338. Key: E flat major. Language: Latin.

Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and parts available separately - see item CA.4060300.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706014

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violoncello. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Cello. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/14. Published by Carus Verlag (CA.2706014).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913312

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. TVWV 1:1397. 2 pages. Duration 12 minutes. Carus Verlag #CV 39.133/12. Published by Carus Verlag (CA.3913312).

ISBN 9790007056018. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.

SATB vocal soli, SATB choir, bassoon, 2 violins, basso continuo

SKU: CA.3115019

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Nach dir, Herr, verlanget mich. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1706. BWV 150. Duration 17 minutes. Carus Verlag #CV 31.150/19. Published by Carus Verlag (CA.3115019).

ISBN 9790007136819. Key: B minor. Language: German/English.

The cantata Nach dir, Herr, verlanget mich (O my Lord, I long for thee) BWV 150 is one of the earliest cantatas from Bach's Muhlhausen period. Its authenticity was long disputed, partly because of the stylistic characteristics of this early work, but also because the cantata only survives in sources dating from the period after Bach's death. However, in recent years a hidden dedication to Conrad Meckbach, a member of the Muhlhausen town council and patron of Bach, has been deciphered: the initial letters of the free poetry reveal the acrostic Doctor Conrad Meckbach (in the 18th century spelling), revealing a link to the city of Muhlhausen and almost certainly confirming Bach's authorship of the cantata. The occasion of the composition of the work is still unknown. The small instrumental scoring for just two violins, bassoon, and continuo, plus the fact that only the soprano is given a solo movement, suggest a performance with modest resources. Score and parts available separately - see item CA.3115000.

Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, 2 violins, viola, cello, contrabass)

SKU: CA.2380192

Ode to Joy. Vocal score compatible with all available music editions. Composed by Ludwig van Beethoven. Carus Choir Coach. Symphonie Nr.9.Ccc. Secular choral music. Compact Disc. Composed 1815-1824. Op. 125. Duration 22 minutes. Carus Verlag #CV 23.801/92. Published by Carus Verlag (CA.2380192).

Text language: German. Text: Schiller, Friedrich.

It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.

Composed by Ludwig van Beethoven (1770-1827). For SATB vocal soli, SATB choir, piano (orchestra: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, 2 violins, viola, cello, double bass). Secular choral music. Choral score. Text language: German. Duration 22 minutes. Carus Verlag #CV 23.801/05. Published by Carus Verlag

By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Choral, Transcriptions, Original Works, Liturgical. Romantic Period; Sacred/Hymns, Czech. Vocal Score. 166 pages. Published by Serenissima

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Grade 3

SKU: CA.4061818

Coronation Mass. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Kronungsmesse). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1779. KV 317. 8 pages. Duration 25 minutes. Carus Verlag #CV 40.618/18. Published by Carus Verlag (CA.4061818).

ISBN 9790007219666. Key: C major. Language: Latin.

Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4061800.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913300

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Stehe auf, Nordwind. Sacred vocal music, Cantatas, Whitsun. Full score. TVWV 1:1397. 28 pages. Duration 12 minutes. Carus Verlag #CV 39.133/00. Published by Carus Verlag (CA.3913300).

ISBN 9790007055981. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913319

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Stehe auf, Nordwind. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. TVWV 1:1397. Duration 12 minutes. Carus Verlag #CV 39.133/19. Published by Carus Verlag (CA.3913319).

ISBN 9790007139766. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and parts available separately - see item CA.3913300.

Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, 2 violins, viola, cello, contrabass)

SKU: CA.2380193

Ode to Joy. Vocal score compatible with all available music editions. Composed by Ludwig van Beethoven. Carus Choir Coach. Symphonie Nr.9.Ccc. Secular choral music. Compact Disc. Composed 1815-1824. Op. 125. Duration 22 minutes. Carus Verlag #CV 23.801/93. Published by Carus Verlag (CA.2380193).

Text language: German. Text: Schiller, Friedrich.

It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.

SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]

SKU: CA.4060349

Missa in honorem Beatissimae Virginis Mariae. Composed by Franz Joseph Haydn. Edited by Christoph Grosspietsch. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE ORGELSOLOMESSE IN ES XXII:4. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1766. Hob. XXII:4. Duration 40 minutes. Carus Verlag #CV 40.603/49. Published by Carus Verlag (CA.4060349).

ISBN 9790007219376. Key: E flat major. Language: Latin.

Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and part available separately - see item CA.4060300.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913349

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. TVWV 1:1397. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.133/49. Published by Carus Verlag (CA.3913349).

ISBN 9790007056063. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.

Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, 2 violins, viola, cello, contrabass)

SKU: CA.2380194

Ode to Joy. Vocal score compatible with all available music editions. Composed by Ludwig van Beethoven. Carus Choir Coach. Symphonie Nr.9.Ccc. Secular choral music. Compact Disc. Composed 1815-1824. Op. 125. Duration 22 minutes. Carus Verlag #CV 23.801/94. Published by Carus Verlag (CA.2380194).

Text language: German. Text: Schiller, Friedrich.

It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.

Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, 2 violins, viola, cello, contrabass)

SKU: CA.2380191

Ode to Joy. Vocal score compatible with all available music editions. Composed by Ludwig van Beethoven. Carus Choir Coach. Symphonie Nr.9.Ccc. Secular choral music. Compact Disc. Composed 1815-1824. Op. 125. Duration 22 minutes. Carus Verlag #CV 23.801/91. Published by Carus Verlag (CA.2380191).

Text language: German. Text: Schiller, Friedrich.

It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706012

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 2. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 2. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/12. Published by Carus Verlag (CA.2706012).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Grade 3

SKU: CA.4061817

Coronation Mass. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Kronungsmesse). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1779. KV 317. 16 pages. Duration 25 minutes. Carus Verlag #CV 40.618/17. Published by Carus Verlag (CA.4061817).

ISBN 9790007219659. Key: C major. Language: Latin.

Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4061800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706011

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913305

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music, Cantatas, Whitsun. Choral Score. TVWV 1:1397. 4 pages. Duration 12 minutes. Carus Verlag #CV 39.133/05. Published by Carus Verlag (CA.3913305).

ISBN 9790007055998. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score available separately - see item CA.3913300.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913314

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violoncello/double bass. Sacred vocal music, Cantatas, Whitsun. Single Part, Cello/Double Bass. TVWV 1:1397. 4 pages. Duration 12 minutes. Carus Verlag #CV 39.133/14. Published by Carus Verlag (CA.3913314).

ISBN 9790007056032. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.

Composed by Ludwig van Beethoven (1770-1827). Edited by Stefan Schuck. For SATB vocal soli, SATB choir, piano. This edition: softcover. Vocal score. Language: German. Duration 22 mintues. Published by Carus Verlag