Par GRIFFIN MICHAEL. When it comes to musical skill, why is it that some people achieve so much more than others? We are frequently led to believe this is because of a talent hardwired into their DNA. Now, music educator Michael Griffin dismisses that age-old notion in favour of another known factor: practice. His new book, Learning Strategies for Musical Success illustrates how the quantity and quality of practice is the greatest predictor of musical success so that aspiring musicians of all ages and abilities can best bring about expert performance. This inspiring, accessible guide will equip students, teachers, adult learners, and parents with the methods and mindset to improve the likelihood of learning music successfully. 'Deeply impressive - the breadth of research is fascinating!' - Victorian Music Teachers Association 'Terrific...eminently practical...excellent discussion...I came away inspired and excited.' - The Music Trust, Australia 'This book really does deliver' - American Music Teacher 'I can't think of any other book that draws on so many resources to create a new understanding of learning music. Every serious music student, music teacher, and parent of a music student will find important information in this book. Griffin gives clear examples of how concepts are applied that make for enjoyable reading. This book has a potential for making lifelong differences in the lives of music students, parents and teachers.” - Roy Ernst, PhD, LLD Professor Emeritus, Eastman School of Music of The University of Rochester 'A must buy for every music teacher and music student. Bravo on a most stimulating read. This draws together old wisdom and the latest research. I am re-reading this excellent book for the third time, highlighter pen in hand.' 5 stars (Amazon Rank) - William Bruce, Guildhall UK. 'A most stimulating read that has given me a great deal to think about.' - Nicholas Carpenter, Prebendal, UK. 'Fantastic book...simply brilliant!' - Ian Cooper, Norfolk Music Service, UK. 'A must read for all music educators. Michael Griffin has collected lessons from his own experience - which is extensive, and pertinent, recent research to provide a detailed overview of how we learn, and how students can be empowered and trained to become effective, efficient and independent learners. The book is well documented, making it convenient to go on to further reading about the topics of each chapter. The language is concise and easily understood, yet deeply practical and useful.' - 5 stars Robert Adams, Music Educator, New Haven, USA. 'Don't miss this opportunity!' - 5 stars Mary George, USA./ Méthode / Tout Instrument

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

Le premier des quatre paquets 3-CD et propose des titres adossés des sélections du Volume 1 de la sixième édition de The Real Book Play-Along, édition européenne. / Instruments En Sib, Instruments En Mib, Instruments En Do Et Instruments À Basse

The Contemporary Worship Classics series features six compatible books that can be used alone or in any combination. The arrangements are designed to aid the flow of live congregational worship, and the level is suitable for amateurs and pros alike. Section numbers and lyric cues are included in each book so musicians can play together easily. Use the downloadable audio tracks in lieu of a live band, or to enhance the sound of your band for rehearsal and performance. 10 songs: Amazing Grace (My Chains Are Gone) - Blessed Be Your Name - Forever - God of Wonders - Here I Am to Worship (Light of the World) - Holy Is the Lord - In Christ Alone - Mighty to Save - Sing to the King - Your Name. / Tout Instrument

Compilation. Lyrics included. The largest collection of standards in the series. This rhythm section has played extensively with jazz legend Phil Woods! With 17 tunes, this is the largest collection of standards in any one play-a-long set. Even more important is the fact that the rhythm section had played extensively with jazz legend Phil Woods, so you know you are being backed by the best. The sound is so good that many musicians enjoy just listening to the recording by itself. Try it yourself and see why! Rhythm Section on the CD is Hal Galper, piano; Steve Gilmore, bass; Bill Goodwin, drums. Lyrics included / Rép International / Recueil / Tout Instrument

Mélodie, paroles and Chords simplifiées dans la clé de c. Un ' livre de faux ' contient des chansons écrites dans un format concis qui comprend uniquement la mélodie et les cordes, vous permettant d'interpréter les performances de la chanson que vous vous sentez est appropriée. C'est excellent pour rapidement les chansons de ng par vous-même ou avec un ensemble. Chaque chanson dans un livre de faux n'a qu'une mélodie unique en fait écrite en notes, qui est habituellement la mélodie vocale ou de plomb. Cette mélodie auront les paroles écrites sous les notes, avec chaque note tcorresponding alignés de mot. Ci-dessus les notes de la mélodie apparaissent les noms des cordes appropriés à jouer - par exemple, une corde ' Do mineur ' serait écrite comme ' Cmin ' ou Cm', plutôt que d'écrire sur toutes les notes dans ces accords comme ils apparaissent inriginal version de la chanson. Ce format est très compact, c'est pourquoi vous verrez souvent fakebooks contenant des chansons de 500 ou plus. / Niveau : Facile / Recueil / Instruments en Do

Irish Reel Book for all melody instruments. pour flûte, violon, banjo, mandoline, guitare et tous les autres instruments.by de mélodie Patrick Steinbach/ Recueil / Tout Instrument

Jazz Play-Along Vol.89. Pour tous les instumentalists et les chanteurs. 12 de la majeure partie du monde a souvent joué des normes. Apprendre et profitez de ces classiques intemporelles tout en étant accompagné par une section rythmique des musiciens maîtres.Mark Levine, piano - Lynn Seaton, basse - Steve Davis, batterie. / Rép International / Recueil / Tout Instrument

Par CHICAGO. Note-for-note transcriptions for every instrument exactly as performed on the recording./ Recueil / Tous les Instruments

Jazz Play-Along Vol.64. Enfin, une collection authentique des favoris de la Salsa/Latin, avec des figures syncopations, voicings et basse garanti pour vous faire jouer de manière tout à fait nouveau et développez votre conscience musicale. Il n'y a aucun ensemble de tambour sur cet enregistrement ! Tous les percussions est purtin/américaine et la section rythmique est serrée ! Veillez à consulter celui-ci. C'est comme aucune autre pièce-a-long dans la série. Section rythmique est Mark Levine-Piano - David Belove-Bass - John Santos-Timbales et percussions diverses - percussions de Harold Muniz-Congas scellaneous. / Rép International / Recueil / Tout Instrument

Stitched manuscript paper in A4 format. Idea for use in the classroom or for your own creations! Get all those burning ideas down on paper for all to see. / Tout Instrument