Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

La variété est le mot clé dans cette collection de mélodies écossais traditionnels. Pratiquement tous les types de tune-l'air de la chanson et danse sont représenté ici et choisis avec soin pour offrir une introduction de première classe à vraiment immense trésor de la musique écossaise. La majorité des airs 200 sont dans les clés faciles de D, G et une rendant convenant à la plupart des instruments. Du gaélique lullabies aux lignes brisées, les reels, les hornpipes tuyau tunes et les airs de ballade, vous trouverez tout entre ces criques. Conçu comme une introduction à la musique d'Ecosse, ce volume a pour but d'intéresser les acteurs pas juste traditionnels, mais aussi ceux qui jouent des instruments classiques et sont curieux au sujet de ces joyaux de pure magie que la nation écossaise a produit sur une longue période. / Tout Instrument

The Path to Mastery and Individuality (For All Instruments). Imagine if you could HEAR a musical phrase, VISUALIZE its layout on your instrument by seeing and feeling the fingerings and/or embouchure in your mind's eye, KNOW the names of the notes as well as the degrees of the key and FEEL the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in this book span a number of styles,brain skills and practice technique - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from aroudn the world. Imagine if you could hear a musical phrase, Visualize its layout on your instrument by and ldquo - seeing and rdquo - and and ldquo - feeling and rdquo - the fingerings and/or embouchure in your mind's eye, know the names of the notes as well as the degrees of the key and feel the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in thisbook span a number of styles, brain skills and practice technique and ndash - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from around the world. Julie's and ldquo - Twelve-Key Practice and rdquo - takes you on a journey to freedom one step at a time and before you know it, you begin to experience that wonderful feeling of making music instead of just recreating someone else's music. You will become the well-rounded musician which is what we all aspire to be. and ndash - Jamey Aebersold, jazz saxophonist and educator, publisher of Aebersold Play-Alongs Mastering an instrument and ndash - or a tune, scale, or riff and ndash - in all twelve keys remains the ultimate standard of fluency. Why? Because it works. When comprehensive knowledge combines with ease, comfort, and flexibility, your anxieties disappear, your ears become open and receptive, and you are ready for any collaborative situation. Julie Lyonn Lieberman has created a remarkably organized, stylistically diverse, and holistic path for developing your ears, eyes, and fingers. By constantly changing variables and adding new layers, your mind remains active and receptive as it grows ever more capable and ndash - even in the / Formation musicale / Etude / Tout Instrument