Description Pat Metheny Songbook A complete collection of Pat Metheny's work, which features 167 compositions spanning the guitarist's 25 year career. Songlist A Map Of The World Across The Sky Airstream Always And Forever American Garage And Then I Knew Antonia April Joy April Wind Are You Going With Me? As A Flower Blossoms As I Am Ballad Z Barcarole Beat 70 Better Days Ahead Bright Size Life Cathedral In A Suitcase Change Of Heart Chris Cool Nights Cross The Heartland Dancing Daulton Lee Daybreak Don't Forget Double Guatemala Dream Of The Return Eighteen End Of The Game Estupenda Graca Every Day I Thank You Every Summer Night Extradition Facing West Family Farmer's Trust First Circle Follow Me For A Thousand Years Forward March Get It Goin' Ahead Goodbye Grampa's Ghost Half Life Of Absolution Have You Heard Here To Stay Hermitage Holding Us Homecoming House On The Hill If I Could Imaginary Day In Her Family Inori It's For You Ivy Jaco James John Mckee Just Like The Day Kathelin Gray Lakes Language Of Time Last Train Home Letter From Home Lone Jack Long Ago Child Marta's Theme Mas Alla Message To A Friend Midwesten Nights Dream Minuano Missouri Uncompromised Mojave Nacada Naked Moon Never Too Far Away New Chautauqua Nine Over Reggae Not To Be Forgotten On The Night You Were Born Praise Pretty Scattered Quiet Rising Red Sky Resolution Sea Song See The World Seven Days Slip Away So Falls Wichita Falls Sometimes I See Story From A Stranger Take Another Look Tears Of Rain Tell Her You Saw Me Tell It All The Bat The Awakening The Calling The Chief The Epic The Fields, The Sky The Girls Next Door The Heat Of The Day The Last To Know The Longest Summer The Red One The Red Wind The Road To You The Search The Sun In Montreal The Whopper , This Is Not America To The End Of The World Too Soon Tomorrow Unity Village Watercolors We Had A Sister We Live Here What Do You Wan't

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

Par BERLE ARNIE. Not just another book of scales and patterns, this is a method that trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression. This ability is of paramount importance to any musician who wants to improvise in the jazz idiom. Leading jazz players have used this method for years, but this is the first time it has been published in book form. The author offers a comprehensive guide to improvisation on any instrument through chord changes in any key. A great source book for dozens of scales from the traditional major and minor forms to the modal scales used by jazz musicians. Even scales from other cultures Arabian, Balinese, Iranian, Hungarian, can be found here. A must-have for any musician who aspires to improvise with authority. / Niveau : Débutant à Intermédiaire / All Styles - Theory and Harmony / Etude / Tout Instrument

Compilation. Lyrics included. The largest collection of standards in the series. This rhythm section has played extensively with jazz legend Phil Woods! With 17 tunes, this is the largest collection of standards in any one play-a-long set. Even more important is the fact that the rhythm section had played extensively with jazz legend Phil Woods, so you know you are being backed by the best. The sound is so good that many musicians enjoy just listening to the recording by itself. Try it yourself and see why! Rhythm Section on the CD is Hal Galper, piano; Steve Gilmore, bass; Bill Goodwin, drums. Lyrics included / Rép International / Recueil / Tout Instrument

Jazz Play-Along Vol.51. Tous les niveaux des paroles inclus. Les treize chansons de cet album sont parmi les plus populaires jamais produits par plusieurs des plus grands compositeurs de l'Amérique comme George Gershwin et Cole Porter. Comme dans de nombreux autres musiques adoptées par l'idiome Jazz, bon nombre de ces orid dans des spectacles de Broadway. Il y a des belles ballades, bluesy balançoires lentes, flambée des mélodies, intéressant les ponts et audacieuses paroles dans ce jeu qui ont été découverts et réinventé par beaucoup de personnalités plus influentes du Jazz, comme Art Tatum, Tous Monk, Charlie Parker et Michael Brecker. Essayez de certains de ces hors sur votre prochaine date de club et ils seront un succès instantanés avec la bande ! Section rythmique est Jim McNeely, piano - Steve Gilmore, basse - Bill Goodwin, batterie. / Rép International / Recueil / Tout Instrument

Par JONES STEPHEN. This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935 - the collection is thus something of a 'time capsule' with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The CD includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Songbooks / Recueil / Tout Instrument

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

The series 'Classics of the Brazilian Choro ' You are the Soloist!' enables you to discover the Choro style through the incomparable experience of performing the compositions yourself, accompanied by a Choro Ensemble. Each volume of the series features a famous composer of this amazing music style, including his/her main compositions in a digitally-mastered audio CD and a high-quality printed music book with the corresponding C, Bb and Eb scores, as well as interviews, biography, and relevance of the author to the history of Choro. Using the CD, listen to the complete stereo tracks (with soloists) for your reference. Tune your instrument (flute, sax, clarinet or mandolin) using the tuning notes. Now have fun being the soloist, using the accompaniment tracks featuring a leading Choro Ensemble from Brazil. Now you can play along with your own Choro Ensemble, which will always be there for you, whether at home, on the road or at the beach. Have fun and good training! Amigos do Samba - Getulio Ribeiro (cavaquinho) Carioquinha - Filipe Dourado (cavaquinho) Cavaquinho Seresteiro - Daniel Dalarossa (flute) and Filipe Dourado (cavaquinho) Chiquita - Filipe Dourado (cavaquinho) Chorinho Antigo - Daniel Dalarossa (flute) Frevo da Lira - Daniel Dalarossa (flute) Lamento de um Cavaquinho - Getulio Ribeiro (cavaquinho) Minhas Mãos, Meu Cavaquinho - Arnaldinho do Cavaco (cavaquinho) Paulistinha - Filipe Dourado (cavaquinho) Pedacinhos do Céu - Getulio Ribeiro (cavaquinho) Quitandinha - Daniel Dalarossa (flute) Vê Se Gostas - Filipe Dourado (cavaquinho) Collection Classics of the Brazilian Choro [You are the soloist!] Repertoire 12 songs Includes 1 CD with 12 songs with soloists, 1 tuning track and 13 playback tracks. Choro Music

Jazz Play-Along Vol.15. Don't overlook this one! Work on these tunes and you will be on your way to learning much of the standard jazz repertoire harmonies and root movements. Chord progressions based on Stella by Starlight, Body and Soul, Cherokee, I'll Remember April, There Will Never Be Another You, What Is This Thing Called Love, It's You Or No One, and The Song Is You with original melodies written by Jamey Aebersold. / Rép International / Recueil / Tout Instrument

Here is the manuscript book for people with a lot of music to write. It features 160 tear-out pages (80 double-sided sheets) of white 10-stave manuscript paper. Perfect for any instrument or student assignment. / Niveau : Débutant / All Styles - Manuscript / Recueil / Tout Instrument