Score and Parts. By Andras Soos. By Various. Musica da camera for music schools. Pedagogical performance pieces. Score and parts. 64 pages. Editio Musica Budapest #EMBZ14623. Published by Editio Musica Budapest

Composed by Johann Joseph Fux (1660-1741). Antiqua (Chamber Music). Set of Parts. 12 pages. Schott Music #ANT40. Published by Schott Music (HL.49000187).

Violin. Composed by Joanne Martin. Solo Small Ensembles; String Ensemble - Mixed; Suzuki; Trio. Book. 32 pages. Alfred Music #00-17350X. Published by Alfred Music

(Easy Repertoire for Group Lessons). By Helen Butterworth. For Violin. Book; CD; String Ensemble (Suzuki). 32 pages. Published by Alfred Music Publishing

For Violin. This edition: paperback. Tunes for Three. Book. 48 pages. Published by Kevin Mayhew Publishers

For 3 Violins – Score and Parts. Composed by Henk Badings. This edition: Saddle stitching. Sheet music. Violin-Bibliothek (Violin Library). Classical. Score and Parts. 40 pages. Schott Music #VLB69. Published by Schott Music

(Urtext) Violin arrangement by Cristoph Jacobi, Basso Continuo realized by Johannes Muntschick, composed by Johann Pachelbel (1653-1706), edited by Anna Marlene Gurgel. Set of performance parts for 3 violins and bass continuo (cembalo (or cello/bass)). D Major. 25 pages. Published by C.F. Peters.

3 violins

SKU: M2.MOS-20012

Composed by Alfred Koerppen. Score and parts. 30 pages. Möseler Verlag #MOS 20012. Published by Möseler Verlag (M2.MOS-20012).

ISBN 9790203710530.

(for Violin Trio or Violin Duo with Viola). By Steven Gerber. Score and Parts. LKM Music. 40 pages. Hal Leonard #X513001. Published by Hal Leonard

Methods and Music for Children; Violin

SKU: UT.DM-10

Composed by Lucia Corini. Saddle stitching. Classical. Ut Orpheus #DM 10. Published by Ut Orpheus (UT.DM-10).

ISBN 9790215309555. 9 x 12 inches.

The ensemble music, implemented from the very first instrument courses, allows the student to become better acquainted with 'technical' elements such as rhythm, bowing and intonation. These small pieces for violins only can be prepared within the class, without the need to add external elements.
The first 20 pieces require the same level of study for each component of the ensemble; nos. from no. 21 to no. 24 involve a more experienced violinist alongside one who plays only empty strings; from no. 25 to no. 32 there are pages of various kinds.
Duets and trios mostly follow a traditional language: only some of them introduce a sparing use of dissonance. In any case, the score printing helps the control - visual also - of the other parts.