Par HERING SIGMUND. Hering's etudes are the fruit of his 20 years of teaching experience. Students will develop musicality in the classical style. These are beginning to intermediate level etudes, each one page long, and each introduces a different concept. They also progress in difficulty throughout the book. This slim book is a good companion and for advanced players, will provide handy material for warm-ups and brushing up on technique./ Etude / Trombone

Instrumentalists will love this jam-packed collection of 101 timeless pop songs! Songs include: Another Brick in the Wall · Billie Jean · Dust in the Wind · Easy · Free Bird · Girls Just Want to Have Fun · Hey Jude · I'm a Believer · Jessie's Girl · Lean on Me · The Lion Sleeps Tonight · Livin' on a Prayer · My Girl · Piano Man · Pour Some Sugar on Me · Reeling in the Years · Stand by Me · Sweet Home Alabama · Take Me Home, Country Roads · With or Without You · You Really Got Me · and more. / Vents / Hal Leonard

With 'The Techniques of Trombone Playing', Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called 'the unlimited expansion of new performance possibilities': micro-intervals, multiphonics and the combination of the trombone sound with the human voice ' all accurately described and illustrated with many annotated music examples. ' Includes many tables and music examples on the basics and expanded techniques of trombone playing ' Practical information on mutes, repertoire, etc. ' With 92 sound files and 5 newly composed études which can be downloaded from the Bärenreiter website The authors Since September 2007 Mike Svoboda has been professor of trombone and contemporary chamber music at the Basel Academy of Music (Switzerland). Of formative importance to his artistic development was his nearly 11-year collaboration with Karlheinz Stockhausen in the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years. Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.