Trombone - very easy

SKU: BT.DHP-1165767-400

Posaune in C BC. Hören, Lesen und Spielen. Tuition. Book with CD. Composed 2016. 28 pages. De Haske Publications #DHP 1165767-400. Published by De Haske Publications (BT.DHP-1165767-400).

ISBN 9789043151870. German.

Hören , lesen & spielen, die Bläserschule von heute, zeichnet sich unter anderem durch Ergänzungshefte mit genau auf das eigentliche Schulwerk abgestimmter Spielliteratur aus. Zu den vorhandenen Heften mit gemischter Sololiteratur (Liederspielbuch, Solospielbuch und Stilbuch) sowie den Ausgaben für kleine Ensembles aus gleichen Instrumenten (Duobuch und Triobuch) gesellt sich nun Weihnachten, eine Sammlung von Liedern für die Festtage, die zu jeder Lektion des Schulwerks mindestens ein passendes Lied enthält. Neben zahlreichen bekannten, schülergerecht ausgesuchten und arrangierten Liedern umfasst die Auswahl auch eineAnzahl eigens komponierter, sehr leichter Lieder passend zu den ersten Lektionen von Hören, lesen & spielen. Untermalt von den stimmungsvoll arrangierten Begleittracks auf der beigefügten CD, wird so Anfängern auf der Posaune selbst nach kurzer Unterrichtszeit die Möglichkeit für ein Vorspiel in weihnachtlicher Atmosphäre gegeben. Weihnachten kann kommen!

By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard.

The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Hal Leonard

For Trombone. By Various. Instrumental Folio. Softcover. 160 pages. Published by Hal Leonard

(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Williams. For trombone. Softcover book. 64 pages. Published by Carl Fischer

Composed by Various. Instrumental Solo. Softcover. 104 pages. Published by Hal Leonard

Trombone - easy

SKU: HL.44005140

Trombone. Composed by Michiel Merkies. De Haske Play-Along Book. Play Along. Book and CD. Composed 2004. 48 pages. De Haske Publications #1043715. Published by De Haske Publications (HL.44005140).

ISBN 9789043120685. UPC: 073999223897. English-German-French-Dut ch.

These book/CD packs feature cool tunes for those who haven't been plaing very long, but still intend to steal the show! Includes solos with accompaniment and accompaniment only on CD for each of the 23 pieces in the book.

Trombone

SKU: FG.55011-487-6

Composed by Kalevi Aho. Fennica Gehrman #55011-487-6. Published by Fennica Gehrman (FG.55011-487-6).

ISBN 9790550114876.

One of the big projects of Kalevi Aho (b. 1949) has been to create a virtuoso solo piece for every central instrument of the symphony orchestra. When the Italian Risuonanza Festival asked for a solo trombone piece, the composer was glad, because the trombone solo was still lacking from the Solo series. Kalevi Aho tells: I like the trombone as an instrument, and I had before the Solo XIII composed already two big trombone works. In my Symphony No. 9 (1994) I have used the trombone as a solo instrument - in the premiere the Swedish trombonist Christian Lindberg played its demanding solo part - and 2010 I composed also a big trombone concerto for the Dutch trombonist Jorgen van Rijen. In Solo XIII (2017) I could utilize my knowledge about the possibilities of the instrument. The piece is in one movement, but it includes several slower and faster sections. It is a virtuoso piece, but the virtuosity comes from the psychological contents of the work and its form is dramaturgically quite clear. Rocco Rescigno played the premiere at the Risuonanze Festival in Pasian di Prato, on 31 May 2019. The duration of the piece is c. 9 minutes.

Composed by William Bill Hill. Arranged by Charles Vernon. Classical. Score and Parts. Cherry Classics #CC3022. Published by Cherry Classics

For Trombone. By Various. Instrumental Folio. Pop. Softcover. 72 pages. Published by Hal Leonard

For Trombone. By Various. Instrumental Folio. Softcover. 128 pages. Published by Hal Leonard

Composed by Otto Langey (1851-1922). Arranged by Ralph Sauer. For trombone. Method Book. Beginner to advanced. Coil bound booklet. Published by Cherry Classics

Trombone. Composed by Various. Instrumental Play- Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

Arranged by various, ed. Bill Galliford. Instrumental Series; Play-Along. Instrumental Solos Series. Country; Pop; Radio. Book; CD. 24 pages. Alfred Music #00-47345. Published by Alfred Music

Composed by James Hosay. For solo trombone. Includes trombone solo songbook and accompaniment CD. With chord names. Jazz rock. 24 pages. 9x12 inches. Published by Curnow Music