By Robert W. Smith, Susan L. Smith, Michael Story, Garland E. Markham, And Richa...(+)
By Robert W. Smith, Susan
L. Smith, Michael Story,
Garland E. Markham, And
Richard C. Crain With
Contributions From Linda
J. Gammon And James
Campbell. For Trombone.
This edition: Texas
Edition. Band Method.
Expressions Music
Curriculum[TM]. Book &
CD. 56 pages. Published
by Alfred Publishing.
(Selected from the Vocalises of Marco Bordogni). By Giovanni Marco Bordogni (178...(+)
(Selected from the
Vocalises of Marco
Bordogni). By Giovanni
Marco Bordogni
(1789-1856). Edited by
Alan Raph. Arranged by
Joannes Rochut. For
trombone. 68 pages.
Published by Carl Fischer
Trombone SKU: AP.1-ADV3110 Dutch/French/German Language Edition. C...(+)
Trombone
SKU:
AP.1-ADV3110
Dutch/French/German
Language Edition.
Composed by Bart van
Lier. Brass - Trombone
and Baritone Method or
Collection;
Method/Instruction;
Technique Musicianship.
Advance Music. Jazz.
Book. Advance Music
#01-ADV3110. Published by
Advance Music
(AP.1-ADV3110).
Trombone SKU: AP.1-ADV3111 Coordination Training Program. Composed...(+)
Trombone
SKU:
AP.1-ADV3111
Coordination Training
Program. Composed by
Bart van Lier. Brass -
Trombone and Baritone
Method or Collection;
Method/Instruction;
Technique Musicianship.
Advance Music. Jazz.
Book. Advance Music
#01-ADV3111. Published by
Advance Music
(AP.1-ADV3111).
UPC:
805095031119.
English.
Coordinati
on for Trombone Playing:
Coordination Training
Program is a theory,
technique, and practice
manual for the growing
trombonist that includes
exercises, explanations,
and more for improvement
of technical facility,
endurance, range,
flexibility, sound, and
expression. For jazz and
classical and commercial
players.
By Robert W. Smith, Michael Story. For Trombone. Band Method. Expressions Music ...(+)
By Robert W. Smith,
Michael Story. For
Trombone. Band Method.
Expressions Music
Curriculum[TM]. Level:
Level 2. Book and CD. 56
pages. Published by
Alfred Publishing.
Coro S (SA, SAM), Pfte, [instrumentale Ober- und Mittelstimme, Blaser (S-Sax, A-...(+)
Coro S (SA, SAM), Pfte,
[instrumentale Ober- und
Mittelstimme, Blaser
(S-Sax, A-Sax, T-Sax,
Trb), Git, Bass, Drums]
SKU: CA.744531
Composed by Ludwig van
Beethoven. Arranged by
Peter Schindler.
Trombone. Secular choral
music. Single Part,
Trombone. Duration 5
minutes. Carus Verlag #CV
07.445/31. Published by
Carus Verlag (CA.744531).
ISBN M-007-25246-5.
German/English. Text:
Schiller,
Friedrich.
Friedric
h Schillers Ode an die
Freude (Ode to Joy) went
on to become world-famous
through the setting by
Ludwig van Beethoven in
1824 in the final
movement of his 9th
Symphony. Today
Beethoven's Ode to Joy is
one of the most popular
works of classical music
worldwide - celebratory
and powerful music which
is an expression of joy,
community, protest, and
thanks. This catchy
arrangement of Schiller's
and Beethoven's Ode for
chorus and piano, or
optionally for chorus,
band and wind instruments
by Peter Schindler,
stands for all these
emotions. Brass riffs,
jazzy harmonies, a choral
setting in one to three
parts, and an adaptation
of the text are all
highlights of special
musical moments which the
whole audience can join
in at the end! An English
singing text is
included.
Chamber Music trombone SKU: CF.W2687 For Trombone. Composed by Jea...(+)
Chamber Music trombone
SKU: CF.W2687
For Trombone.
Composed by Jean-Baptiste
Arban. Edited by Alan
Raph. SWS. Collection -
Performance. With
Standard notation. 32
pages. Carl Fischer Music
#W2687. Published by Carl
Fischer Music (CF.W2687).
ISBN 9781491150955.
UPC: 680160908455. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trombone, edited by
Alan Raph, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) willend.
There are things which
appear clear enough when
stated verbally but which
when writtendown on paper
cause confusion, seem
obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech norword can
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level
ofperfection, should
above all things, always
try to hear good music
well interpreted.
Theymust seek out, among
singers and
instrumentalists, the
most illustrious models,
and by doingthis purify
their taste, develop
their sentiments, and
bring themselves as near
as possible tothat which
is beautiful. Perhaps
then the innate spark
which may someday be
destined todemonstrate
their own talent, will
reveal itself and render
them worthy of being, in
their turn,cited and
imitated in the
future.
Trombone SKU: HL.14030953 For Trombone Solo. Composed by Bent Sore...(+)
Trombone
SKU:
HL.14030953
For
Trombone Solo.
Composed by Bent
Sorensen. Music Sales
America. Classical. Book
[Softcover]. 6 pages.
Edition Wilhelm Hansen
#WH30260. Published by
Edition Wilhelm Hansen
(HL.14030953).
ISBN
9788759807576.
10.0x14.25x0.024 inches.
English.
Work for
Trombone. Sorensen
writes: 'The title The
Bells Of Vineta refers to
the journey through
Sweden in Selma
Lagerlof's book The
Wonderful Adventures of
Nils Holgersen, in which
Vineta is the city under
a curse. Situated off the
Gotland cost, Vineta only
appears from the water
once every hundred years
and then sinks into the
sea again. However, my
work does not relate
programmatically to the
myth; it is simply the
expression of
associations with ringing
bells sinking into the
sea. a sense of pastness
prevails in and beyond
this piece.'.