Trombone. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 94 pages. Published by Anglo Music.

20 Progressive Pieces with Piano Accompaniment. By Philip Sparke. Anglo Music Press Play-Along. Softcover with CD. 48 pages. Published by Anglo Music.

By Jamey Aebersold, Peter Blair. Trombone. Level: Grade 2 1/2 - 3. Jazz. Published by Heritage Music Press.

By Peter Blair. For trombone and baritone (BC). Jazz Basics. Jazz. Published by Heritage Music Press. (60/1230H)
Level: Grade 1.

(22 Endurance Etudes for Trombone (and Baritone B.C.) plus the warm-up/embou). By David Baldwin. Edited by Alan Raph. For trombone. This edition: Trombone. Lips of Steel - 22 Endurance Etudes. Method. Book. Standard Notation. Published by Theodore Presser Company

Trombone and Piano. Arranged by Philip Sparke. Anglo Music Press Play-Along. Softcover with CD. 44 pages. Published by Anglo Music.

(Trombone). For Trombone. Book; CD; Instrumental Series; Play-Along. Ultimate Instrumental Solos Series. Christmas; Sacred; Secular; Winter. Grade 2; Grade 3. 60 pages. Published by Alfred Music

(Trombone). For Trombone. Instrumental Series. Easy Instrumental Solos. Play-Along. Book & CD. 16 pages. Published by Alfred Music Publishing

For Trombone. Christmas. Christmas Instrumental Solos (Popular Songs). Level: Level 2-3. Instrumental Solo Book & Performance/Play-Along CD. 20 pages. Published by Alfred Publishing.

Get Your Band Together. By Jeff Galindo and the Berklee Faculty. Berklee Methods. CD only. Size 9x12 inches. 158 pages. Published by Berklee Press

Trombone

SKU: AP.1-ADV3111

Coordination Training Program. Composed by Bart van Lier. Brass - Trombone and Baritone Method or Collection; Method/Instruction; Technique Musicianship. Advance Music. Jazz. Book. Advance Music #01-ADV3111. Published by Advance Music (AP.1-ADV3111).

UPC: 805095031119. English.

Coordinati on for Trombone Playing: Coordination Training Program is a theory, technique, and practice manual for the growing trombonist that includes exercises, explanations, and more for improvement of technical facility, endurance, range, flexibility, sound, and expression. For jazz and classical and commercial players.

Trombone

SKU: AP.1-ADV3110

Dutch/French/German Language Edition. Composed by Bart van Lier. Brass - Trombone and Baritone Method or Collection; Method/Instruction; Technique Musicianship. Advance Music. Jazz. Book. Advance Music #01-ADV3110. Published by Advance Music (AP.1-ADV3110).

UPC: 805095031102. English.

Koordinati ons Training is for improvement of technical facility, endurance, range, flexibility, sound, and expression---for jazz and classical, and commercial players. Un manuel théorique, technique et pratique. Pour améliorer la technique, l'endurance, la souplesse, la qualité du son, l'expression et élargir la tessiture; avec des exercices, des explications et plus. Pour les musiciens classique, de jazz et de variétés!

By Stan Pethel (Arranger). Gospel, Sacred, Religious, Play Along. Sheet Music and Audio CD. 27 pages. Published by Shawnee Press.

12 Worship Arrangements for One or More Wind Players. Arranged by Stan Pethel. For Trombone/Tuba/Cello. Book and CD. Published by Shawnee Press.

Trombone Book with Online Audio. Arranged by Johnnie Vinson, Michael Sweeney, Paul Lavender, and Robert Longfield. Essential Elements Band Folios. Holiday, Christmas. Softcover Audio Online. Published by Hal Leonard

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

(Selected from the Vocalises of Marco Bordogni). By Giovanni Marco Bordogni (1789-1856). Edited by Alan Raph. Arranged by Joannes Rochut. For trombone. 68 pages. Published by Carl Fischer

Trombone

SKU: HL.48182936

Composed by Joseph-Guy Ropartz. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL24701. Published by Alphonse Leduc (HL.48182936).

UPC: 888680863203. 9x12 inches.

“Cons idered as one of the hardest works for solo Trombone, Piece in Eb minor by Joseph Guy Ropartz is a mix of Romantic and Impressionist influences. This piece requires a strong endurance: the second part starting after the half of the first page shows the hardest run, when most players would already start lacking of endurance! Great piece for recitals and exams for advanced players, it will be beneficial to strengthen your breathing abilities while playing. Joseph Guy Ropartz is a French composer and conductor. He composed Violin sonatas, Cello sonatas, string quartets, Piano trios, string trios and five symphonies. He also wrote some poetry.&rdquo.