By Gustav Mahler. Arranged by Wesley Hanson. Trombone Ensemble (6 players - sextet). For 5 tenor trombones and 1 bass trombone. Romantic Orchestra Transcription. Level: advanced. Full score and parts. Published by Cherry Classics.

By Randy Aldcroft. For Trombone Duets. Jazz Duets. Advanced. Booklet. Published by Cherry Classics

By Marco Bordogni. Arranged by David Ritt. For trombone duet. Bel Canto vocalises. Moderately advanced. CD-ROM. Published by Cherry Classics

By Georg Christoph Wagenseil (1715-1777). Arranged by Paul Bryan. For solo trombone & classical band. Classical Solo. Advanced. Full score & set of parts. Published by Cherry Classics

Compiled by Andrew Balent. For trombone solo and baritone solo. Format: trombone/baritone solo book. With standard notation. Classical. Series: Carl Fischer Festival Performance Solos. 9x12 inches. Published by Carl Fischer.

Compiled by Andrew Balent. For trombone solo and baritone solo. Format: trombone/baritone solo book. With standard notation. Classical. Series: Carl Fischer Festival Performance Solos. 9x12 inches. Published by Carl Fischer.

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

For Trombone. Composed by Sigmund Hering. SWS - affix CD on cover 3. Back To School. Softcover. With Standard notation. Carl Fischer Music #O4441X. Published by Carl Fischer Music

By Jean-Baptiste Arban. Arranged by Alan Raph. For Trombone or Baritone Horn BC. Published by Carl Fischer

Ear Training for Trombone by David Vining. For trombone. Published by Carl Fischer

By Arcangelo Corelli. Arranged by Ralph Sauer. Trombone Trio. For 3 trombones. Baroque. Level: advanced. Full score and parts. Published by Cherry Classics.

By Jean-Baptiste Arban. Arranged by Robert E. Foster. trombone or baritone B.C. Published by Carl Fischer.

Trombone Solo and Play-Along Orchestrations Arranged by Sean O'Loughlin. Composed by Bernard De La Monnoye, James Murray, John Hopkins, Lewis Redner, George Frideric Handel (1685-1759), French carol, Franz Xaver Gruber, Welsh Carol, English Carol, Felix Bartholdy Mendelssohn (1809-1847), Richard Storrs Willis, and John Wade. Arranged by Sean O'Loughlin. SWS. Christmas and Holiday. Softcover. With Standard notation. Carl Fischer Music #WF138. Published by Carl Fischer Music

By George Phillipe Telemann. Arranged by Ralph Sauer. For tuba or bass trombone solo. Baroque Solo. Advanced. Booklet. Published by Cherry Classics . Booklet. Baroque Solo.

By Wolfgang Amadeus. Arranged by Ralph Sauer. For trombone duet. Classical. Intermediate. Two parts. Published by Cherry Classics

Composed by Ernest Clarke / James Biddlecome. Arranged by James Biddlecome. Instructional method. Booklet (spiral-bound). Published by Cherry Classics (CY.CC2797).

By George Phillipe Telemann. Arranged by Ralph Sauer. For tenor trombone solo. Baroque Solo. Advanced. Booklet. Published by Cherry Classics . Booklet. Baroque Solo.

(12 Solo Arrangements with CD Accompaniment). By Various. Instrumental. Softcover with CD. 16 pages. Published by Cherry Lane Music

12 Solo Arrangements with Online Accompaniment. By Metallica. Instrumental Play-Along. Heavy Metal, Rock. Softcover Audio Online. 16 pages. Published by Cherry Lane Music

(More March Melodies - for Solo Instruments and Play-Along CD with Concert Band (Trombone)). By Zo Elliott Kenneth J. Alford. Arranged by Larry Clark. For Tenor. Score and audio CD. Standard notation. 16 pages. Published by Carl Fischer

(Selected from the Vocalises of Marco Bordogn). By Giovanni Marco Bordogni (1789-1856). Edited by Alan Raph. For trombone. Method book and CD. 96 pages. Published by Carl Fischer

Selected from The Vocalises of Marco Bordogni. Composed by Joannes Rochut. Arranged by Joannes Rochut. Softcover. With Standard notation. 79 pages. Carl Fischer #O001596. Published by Carl Fischer

Composed by W. Jonathan Gresham. With Standard notation. 36 pages. Carl Fischer #BQ00063. Published by Carl Fischer

(An Innovative Method for Adults Returning to Play). Arranged by Larry Clark. For Trombone, Euphonium. Book and CD. 48 pages. Published by Carl Fischer

For Trombone, Tuba, Bassoon, String Bass. By Anton Slama. For Trombone, Tuba, Bassoon, Double Bass. Soft Cover. 45 pages. Published by Carl Fischer.

(For Solo Instruments and Play-Along CD with Concert Band). By Peter Ilyich Tchaikovsky Georges Bizet. Arranged by Andrew Balent Larry Clark. For Tenor. This edition: Trombone. Playing with the Band Classics. Score and audio CD. Standard notation. 16 pages. Published by Carl Fischer