By Various. Arranged by Andrew Balent. For Trombone. FJH Solo Time. Contents inc...(+)
By Various. Arranged by
Andrew Balent. For
Trombone. FJH Solo Time.
Contents include: America
(my Country, 'Tis of
Thee); America, The
Beautiful; Battle Hymn of
the Republic; The
Caissons Go Rolling
Along; Columbia, The Gem
of the Ocean; The
Marines' Hymn; The Stars
and Stripes Forever; The
Star-Spangled Banner;
When Johnny Comes
Marching Home Again;
Yankee Doodle; You're A
Grand Old Flag; and more.
Published by The FJH
Music Company Inc.
By Amos Miller. For Trombone. A New Tune A Day. Level: Beginner. Sheet Music, Au...(+)
By Amos Miller. For
Trombone. A New Tune A
Day. Level: Beginner.
Sheet Music, Audio CD and
DVD (Region 0),
Instrumental Tutor. 48
pages. Published by
Boston Music.
Trombone [Partition + CD] - Intermédiaire Alfred Publishing
(Trombone). For Trombone. Book; CD; Instrumental Series; Play-Along. Ultimate Po...(+)
(Trombone). For Trombone.
Book; CD; Instrumental
Series; Play-Along.
Ultimate Pop Instrumental
Solos Series. Movie.
Grade 2; Grade 3. 84
pages. Published by
Alfred Music Publishing
Trombone SKU: HL.14050058 Music Sales America. Tuition. Softcover with CD...(+)
Trombone
SKU:
HL.14050058
Music
Sales America. Tuition.
Softcover with CD. 48
pages. Duration 240
seconds. Boston Music
#BM11473. Published by
Boston Music
(HL.14050058).
ISBN
9781846090363. UPC:
888680706326.
9.0x12.0x0.195 inches.
English.
About A New
Tune A
Day
Since
it first appeared in the
1930s, the concise, clear
content of the
best-selling A Tune A Day
series has revolutionized
music-making in the
classroom and the home.
Now, for the first time,
C. Paul Herfurth's
original books have been
completely rewritten with
new music and the latest
in instrumental technique
for a new generation of
musicians. The A New Tune
A Day books have the same
logical, gentle pace and
keen attention to detail,
but with a host of
innovations: the
inclusion of an audio
CD-with actual
performances and backing
tracks-will make practice
even more fun and
exciting, and the
explanatory diagrams and
photographs will help the
student to achieve the
perfect technique and
tone. This book contains:
easy-to-follow lessons on
clear, uncluttered pages;
tips for technique;
improvising hints; audio
CD with a virtuoso
performance, backing
tracks, and audio
examples; great music,
including duets and
ensemble pieces; useful
pull-out fingering chart
Trombone (Trombone) SKU: HL.48180625 For Trombone. Composed by Hen...(+)
Trombone (Trombone)
SKU: HL.48180625
For Trombone.
Composed by Henri
Couillaud. Leduc.
Classical. Softcover.
Alphonse Leduc #AL18286.
Published by Alphonse
Leduc (HL.48180625).
Reviewed by
Henri Couillaud and
composed by Michel
Bleger, Thirty-One
Brilliant Studies is a
set of studies for
slide-trombone. Written
for end of cycles
(pre-exams) levels, such
as 3 and 6, this piece is
written in F key. These
exercises are completed
by other sets of studies
and exercises by the same
author for a complete
technical formation.
Michel Bleger initially
wrote these studies for
tuba or for trombone.
Henri Couillaud
(1878-1955) was a French
trombonist and a soloist
at the Paris Opera. His
method was highlighting
the importance of the air
when playing.
(An Innovative Method for Adults Returning to Play). Arranged by Larry Clark. Fo...(+)
(An Innovative Method for
Adults Returning to
Play). Arranged by Larry
Clark. For Trombone,
Euphonium. Book and CD.
48 pages. Published by
Carl Fischer
10 Great Studies in the Style and Language of Bebop. Composed by Jim Snidero. ...(+)
10 Great Studies in the
Style and Language of
Bebop.
Composed by Jim Snidero.
Brass - Trombone Method
or
Collection;
Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship. Advance
Music.
Jazz. Book; Digital
Download. Advance Music
#01-
ADV14743. Published by
Advance Music
(Trombone). Arranged by Various. For Trombone. Book; CD; Instrumental Series; Pl...(+)
(Trombone). Arranged by
Various. For Trombone.
Book; CD; Instrumental
Series; Play-Along. Top
Hits Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
By John Williams. For trombone. Instrumental Series. Pop Instrumental Solo Serie...(+)
By John Williams. For
trombone. Instrumental
Series. Pop Instrumental
Solo Series. Play Along.
Level: Level 2-3 (grade
2-3). Book and CD. 32
pages. Published by
Alfred Publishing.
Composed by Gordon Goodwin, written by Andy Martin, Gordon Goodwin. Instructiona...(+)
Composed by Gordon
Goodwin, written by Andy
Martin, Gordon Goodwin.
Instructional book and
accompaniment CD for
trombone. With leadsheet
notation, black & white
photos, performance notes
and solo transcriptions.
Series: Play-Along
Series. 64 pages.
Published by Alfred
Publishing.
For Trombone. Instructional. Includes a high-quality printed music book; and a c...(+)
For Trombone.
Instructional. Includes a
high-quality printed
music book; and a compact
disc containing examples
and accompaniments for
each piece. Published by
Music Minus One
Chamber Music trombone SKU: CF.W2687 For Trombone. Composed by Jea...(+)
Chamber Music trombone
SKU: CF.W2687
For Trombone.
Composed by Jean-Baptiste
Arban. Edited by Alan
Raph. SWS. Collection -
Performance. With
Standard notation. 32
pages. Carl Fischer Music
#W2687. Published by Carl
Fischer Music (CF.W2687).
ISBN 9781491150955.
UPC: 680160908455. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trombone, edited by
Alan Raph, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) willend.
There are things which
appear clear enough when
stated verbally but which
when writtendown on paper
cause confusion, seem
obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech norword can
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level
ofperfection, should
above all things, always
try to hear good music
well interpreted.
Theymust seek out, among
singers and
instrumentalists, the
most illustrious models,
and by doingthis purify
their taste, develop
their sentiments, and
bring themselves as near
as possible tothat which
is beautiful. Perhaps
then the innate spark
which may someday be
destined todemonstrate
their own talent, will
reveal itself and render
them worthy of being, in
their turn,cited and
imitated in the
future.
By Jean-Baptiste Arban. Arranged by Claude Egea. For Trombone solo. Instructiona...(+)
By Jean-Baptiste Arban.
Arranged by Claude Egea.
For Trombone solo.
Instructional method,
Play along, Classical,
Educational, Jazz. Book
and accompaniment CD. 32
pages. Published by FLEX
Editions
Know Before You Blow - Jazz Modes for Trombone with CD composed by Chris Tedesco...(+)
Know Before You Blow -
Jazz Modes for Trombone
with CD composed by Chris
Tedesco. For trombone.
This edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 32
pages. Published by
Santorella Publications
Trombone SKU: M7.AHW-2054 Or Bass Clef Baritone. Composed by Ernes...(+)
Trombone
SKU:
M7.AHW-2054
Or
Bass Clef Baritone.
Composed by Ernest S.
Williams. Edited by Roger
Smith. Sheet music.
Method. 97 pages. Charles
Colin Corp. #AHW 2054.
Published by Charles
Colin Corp.
(M7.AHW-2054).
English.
Read
below what Roger Smith
had to say about
completing this
momumental work from the
manuscripts of Ernest
Williams. We are all
thankful for his hard
work: 'The Ernest S.
Williams Modern Method
for Trumpet or Cornet is
generally recognized by
teachers and students
alike as the finest and
most complete ' School '
for Trumpet and Cornett
hat has ever been
written. Both the
technical and the musical
aspects of these volumes
reflect the genius of Dr.
Williams as a musician,
and as a teacher.' 'I was
privileged to study both
Trombone and Baritone
with Dr. Williams, in
fact he was my only
teacher on either
instrument. After
graduation from the
Ernest Williams School of
Music, I became a member
of the faculty, and
assisted Dr. Williams
with the teaching of
Brasses, under his direct
guidance, and using this
material. Dr. Williams
commenced the revision of
the books at that time
for Trombone and
Baritone, a task which he
was never to complete.
This revision, based
largely on his
manuscripts, is the
result of my training as
his pupil and assistant,
and of my experience as
teacher of Trombone at
the Juilliard School of
Music.' 'The principal
problems were two; proper
introduction of the
positions on the
trombone, which are more
difficul to learn than
the valve combinations on
Baritone or Trumpet, and
the contrasting
techniques of legato and
slur on the two
instruments. For these
reasons some chapters of
the book have been
revised considerably, and
some new material added
from time to time.' If
you do not know this
book, you have to take a
look.
(Selected from the Vocalises of Marco Bordogni). By Giovanni Marco Bordogni (178...(+)
(Selected from the
Vocalises of Marco
Bordogni). By Giovanni
Marco Bordogni
(1789-1856). Edited by
Alan Raph. Arranged by
Joannes Rochut. For
trombone. 68 pages.
Published by Carl Fischer