SKU: HL.48181907 Composed by Paul Bernard. Leduc. Classical. Softcover. 6...(+)
SKU: HL.48181907
Composed by Paul Bernard.
Leduc. Classical.
Softcover. 65 pages.
Alphonse Leduc #AL21921.
Published by Alphonse
Leduc (HL.48181907).
UPC: 888680848385.
9.0x12.0x0.388
inches.
Written by
Paul Bernard, Complete
Method is a full method
for Bass Trombone, Tuba,
Bass and Counter-Bass
Saxhorn. With comments in
French, English, German
and Italian, this method
provides all the
necessary information for
beginner musicians to
become the greatest
players. It features a
?Preliminaries? section
explaining the
specificities of the
instruments, and follows
on with chapters on the
placing of the sounds,
the intervals, the major
and minor scales, the
articulations as well as
some techniques for
appoggiatura, trills,
grupettos, nuances among
many others subjects.
This great method also
includes some daily
exercises, some great,
technical or modern
studies and introduces to
the work in an orchestra.
It is a definite
must-have to become
familiarised with all the
techniques and eventually
master them..
Bass trombone unaccompanied - advanced SKU: CY.CC2921 Composed by Phil Br...(+)
Bass trombone
unaccompanied - advanced
SKU: CY.CC2921
Composed by Phil Brink.
Contemporary. Booklet.
Published by Cherry
Classics (CY.CC2921).
Exegesis is an
unaccompanied solo for
Bass Trombone written by
American composer and
Bass Trombonist Philip
Brink in 1973. The work
of about 4 minutes in
length is appropriate for
very advanced performers
and requires the use of
multi-phonics and other
technical
challenges. Below is
a brief instruction to
the performer from the
composer. The
rhythmic notation of
Exegesis is fairly free;
sections in traditional
notation should
approximate those
rhythmic patterns, while
arbitrarily long notes,
rests or patterns should
be as long as possible.
The score hints at but
does not make explicit
any particular dramatic
action or effect, which
it is left to the
performer to create or
not. Most of the
instructions are on the
score and fairly easy to
follow. The Beams that
crescendo and diminuendo
relate to acceleration or
deceleration as
indicated. There are odd
little notes, like
secretive in the first
line - in these instances
do whatever comes to mind
as giving an impression
of secrecy - change in
volume, tone, or whatever
- even a hand
gesture! The composer
gives detailed
instructions in the score
for the listener and the
performer, helping with
the interpretation and
appreciation of this
work.