20 Short Recital and Study Pieces for the Intermediate Player. Composed by John Walker. Edited by Don Crowe. Score and audio CD. 28 pages. Carl Fischer #WF00170. Published by Carl Fischer (CF.WF170).

Trombone - easy

SKU: HL.49018958

5 Easy Pieces. Composed by Hermann Regner. This edition: Saddle stitching. Sheet music. Edition Schott. Das fangt ja gut an ist eine kleine Sammlung von leichten Stucken fur Posaune mit Klavierbegleitung. Die funf kurzen Stucke eignen sich hervorragend als Erganzung zum Unterricht und fur Jugend musiziert. Die Stucke sind sehr melodisch und verwenden einfac. Classical. Softcover. Composed 2008. 12 pages. Schott Music #ED20689. Published by Schott Music (HL.49018958).

ISBN 9790001169127.

Apar t from numerous publications in the field of music education, the music teacher and composer Hermann Regner (1928-2008) contributed considerably to the brass repertoire, such as material for wind orchestra and wind band. Influenced by his studies with Carl Orff, he paid special attention to the fusion of instrumental education and contemporary music. A matter of particular concern for him was to write practical, easily playable new music for children, young people and amateur musicians - music that takes the technical competence of beginners into account and motivates them to concern themselves with new sounds, rhythms and playing techniques. 'All begins well' is a small collection of easy pieces for trombone with piano accompaniment. The five short pieces are a perfect addition to instrument lessons and 'Jugend musiziert'. The pieces are very melodic, using simple keys (F major, B flat major, E flat major) which are easy to play by the trombone, and they cover a compass from B flat to E flat1.

For Trombone and Piano Reduction. Composed by William Bolcom. E.B. Marks. Classical. Softcover. 44 pages. Published by Edward B. Marks Music (HL.249506).

Trombone solo with Keyboard/Continuo - moderately advanced

SKU: CY.CC2928

Composed by Johann Ernst Galliard. Arranged by Mike Hall. German Baroque. Booklets. 146 pages. Cherry Classics #2928. Published by Cherry Classics (CY.CC2928).

ISBN 9790530057476.

The Six Sonatas by Baroque composer Galliard have been a staple for Trombonists for many years now. This new edition by Mike Hall has been beautifully edited with detailed performance commentary.
This complete performance edition of over 146 pages adds a new dimension in the study of these beautiful works.

Trombone and Piano with Piano Accompaniment On CD. By Antonio Vivaldi. For Trombone Solo, Piano. Carl Fischer CD Solo Series. Level: Grade 4-5, Artisan Level. Score and Audio CD. 4 pages. Published by Carl Fischer.

(Trombone and Piano with Piano Accompaniment On CD). By Arcangelo Corelli (1653-1713). For Tenor Solo, Piano. Carl Fischer CD Solo Series. GRADE 3 ACHIEVEMENT LEVEL. Score and Audio CD. Standard notation. 3 pages

(Trombone and Piano with Piano Accompaniment On CD). By Francois-Joseph Gossec (1734-1829). For Tenor Solo, Piano. Carl Fischer CD Solo Series Grade 2: Apprentive Level. Book and Audio CD. Standard notation. 4 pages

(Trombone and Piano with Piano Accompaniment On CD). By George Frideric Handel (1685-1759). For Tenor Solo, Piano. Carl Fischer CD Solo Series Grade 3: Achievement Level. Book and Audio CD. Standard notation. 4 pages

Composed by Ferdinand David, arranged by Robert Mueller. Set of performance parts for trombone solo and piano accompaniment. Eb Major. 26 pages. Published by Carl Fischer.

Trombone Solo with Piano accompaniment - Advanced

SKU: CY.CC3150

Composed by Elizabeth Raum. Classical. Score and Parts. Cherry Classics #CC3150. Published by Cherry Classics (CY.CC3150).

ISBN 9790530111185. 8.5 x 11 in inches.

Here is a brief description of this very fine new work The Secret of Ben Sogen for Trombone and Piano by the composer, Elizabeth Raum: I've always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for trombone, I found myself drawn to the Danish mythical character, Ben Sogen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Sogen is that he doesn't exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn't evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Sogen. The Hero Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers.

Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass - Trombone and Baritone Method or Collection; Method/Instruction. Faber Edition. Elementary; Intermediate. Published by Faber Music

Trombone & Piano

SKU: SU.32040021

For Trombone & Piano. Composed by Amy Riebs Mills. Brass, Trumpet. Accompanied by piano. Score & Parts. Subito Music Corporation #32040021. Published by Subito Music Corporation (SU.32040021).

Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.

Trombone and Piano. Composed by Igor Stravinsky (1882- 1971). Edited by Daniel-Ben Pienaar and Jonathan Freeman- Attwood. Boosey & Hawkes Chamber Music. Classical. Softcover. Boosey & Hawkes #M060133749. Published by Boosey & Hawkes

Trombone and Piano - advanced

SKU: CY.CC2938

Composed by Giovanni Battista Pergolesi. Arranged by Ralph Sauer. Italian Baroque. Solo part and Piano accompaniment. 24 pages. Cherry Classics #2938. Published by Cherry Classics (CY.CC2938).

ISBN 9790530057575.

Orig inally written for Cello, Ralph Sauer's brilliant arrangement of the Pergolesi Sinfonia (Sonata) for Trombone and Piano (or Harpsichord) has become a standard work in the solo repertoire. This new edition which replaces the previous one comes with some notable changes. Below is Mr. Sauer's description.
This new edition of the Pergolesi Sinfonia in F is an update of the original version which was first published 40 years ago (!) and is now permanently out of print. Movements one, two, and three are essentially the same. I have corrected a few errors in the keyboard part and also revised some of the notation� �notably, grace notes are now placed correctly. (The original publisher insisted that they should be placed after barlines, causing confusion as to whether they were to be played on the beat or before the beat.)
In the last movement, there are now two places where the keyboard takes over the solo line. In addition to providing much needed rest for the trombonist, it gives a change of color and a chance for the keyboard player to be the soloist for a few measures.
The original version of the last movement is also included as an appendix for those who would rather perform the original.
Ralph Sauer
Los Angeles, 2017