Trombone and Piano - early intermediate

SKU: BT.DHP-1125294-400

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 52 pages. De Haske Publications #DHP 1125294-400. Published by De Haske Publications (BT.DHP-1125294-400).

ISBN 9789043141802. 9x12 inches. English-German-French-Dut ch.

Performance pieces for piano and trombone in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!

Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trombone waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!

Es gibt immer Bedarf an Stu?cken fu?r Klavier und Posaune, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spa�. Two is a Team ? denn schlie�lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!

La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trombone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !

Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.

By Derek Bourgeois. Solo with piano. Chamber Music. Level: Grade 5. Score and set of parts. Published by G and M Brand Music Publishers.

The Really Easy Trombone Book (Very First Solos for Trombone with Piano Accompaniment). Arranged by Alan Gout. For Trombone and Piano. Book; Brass - Trombone and Baritone Method or Collection; Method/Instruction. Faber Edition. Elementary. Published by Faber Music

Trombone - easy

SKU: HL.49018958

5 Easy Pieces. Composed by Hermann Regner. This edition: Saddle stitching. Sheet music. Edition Schott. Das fangt ja gut an ist eine kleine Sammlung von leichten Stucken fur Posaune mit Klavierbegleitung. Die funf kurzen Stucke eignen sich hervorragend als Erganzung zum Unterricht und fur Jugend musiziert. Die Stucke sind sehr melodisch und verwenden einfac. Classical. Softcover. Composed 2008. 12 pages. Schott Music #ED20689. Published by Schott Music (HL.49018958).

ISBN 9790001169127.

Apar t from numerous publications in the field of music education, the music teacher and composer Hermann Regner (1928-2008) contributed considerably to the brass repertoire, such as material for wind orchestra and wind band. Influenced by his studies with Carl Orff, he paid special attention to the fusion of instrumental education and contemporary music. A matter of particular concern for him was to write practical, easily playable new music for children, young people and amateur musicians - music that takes the technical competence of beginners into account and motivates them to concern themselves with new sounds, rhythms and playing techniques. 'All begins well' is a small collection of easy pieces for trombone with piano accompaniment. The five short pieces are a perfect addition to instrument lessons and 'Jugend musiziert'. The pieces are very melodic, using simple keys (F major, B flat major, E flat major) which are easy to play by the trombone, and they cover a compass from B flat to E flat1.

Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass - Trombone and Baritone Method or Collection; Method/Instruction. Faber Edition. Published by Faber Music

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Brass. Studio Ghibli. Score & part with CD. Yamaha Music Media #GTW01092517. Published by Yamaha Music Media

By Georg Philipp Telemann (1681 - 1767). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo. Baroque. Level: Easy-Medium. Duration 00:08:40. Published by Eighth Note Publications.

SKU: HL.48181221

Composed by George Frideric Handel. Leduc. Baroque. Softcover. 16 pages. Alphonse Leduc #AL20532. Published by Alphonse Leduc (HL.48181221).

UPC: 888680867829. 9.0x12.0x0.056 inches.

Concerto in F minor by G.F. Handel is a piece transcribed for Trombone and Piano by Andre Lafosse, soloist at the Paris Opera. Quite difficult, for it to be played well this piece will require the skills and abilities of advanced players. This concerto is a really melodious piece to play in recitals. It is divided into four sections: I. Grave II. Allegro III. Sarabande ? Largo IV. Allegro The Piano introduces first and the third parts, which are quite slow compared to the second one and the final. G.F. Handel was a German composer famous for his operas, oratorios and concertos..

By Mitcham. For Trombone and Piano. Solo Brass. Medium-slightly difficult. Book and CD. Published by Brass Wind Publications

By Mitcham. For Trombone and Piano. Solo Brass. Medium-slightly difficult. Book and CD. Published by Brass Wind Publications

Trombone and piano - advanced

SKU: CY.CC2863

Composed by Franz Liszt. Arranged by Ralph Sauer. Romantic. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2863).

Liszt composed the Romance oubliee around 1844 for Piano. It was forgotten until he heard Violist Hermann Ritter at the first performance of Wagner's Der Ring des Nibelungen at Bayreuth. He fashioned for Ritter a transcription of the work for Viola and Piano as well as ones for the Piano, Violin and Violoncello.
In this short work, the listener hears the agonies of a troubled soul, beginning with a rhapsodic passage, continuing with a cadenza-like section, then a section with arpeggiated figures, finally settling into a peaceful ending.
This 4 minute work is appropriate for advanced performers. With Mr. Sauer's arrangement we now have this lovely version for Trombone and Piano.

Trombone

SKU: HL.48181984

Composed by Pierre Max Dubois. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL22763. Published by Alphonse Leduc (HL.48181984).

UPC: 888680846497. 9x12 inches.

“Fren ch composer, Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Procession for Trombone and Piano was published in 1959 and remains prominent in the advanced trombonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Procession for Trombone and Piano reflects Dubois' compositional characteristics as well as elements of grandeur, reflecting the title. A typical performance lasts about four minutes and fifteen seconds. Procession is essential to the advanced trombonist's repertoire. Dubois' work makes for an exciting and enjoyable performance for players and audiences alike.&rdquo.

Trombone and Piano - advanced

SKU: CY.CC2718

Composed by Georges Bizet. Arranged by Ralph Sauer. 19th Century French. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2718).

The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Mery, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soiree of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohemienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L'aurore serving as an introduction.

In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi's Il trovatore, as well as in Franz Liszt's Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin's Sonata in B minor.

Trombone and piano - Intermediate

SKU: FT.FM423

Composed by David Osbon. Trombone and Piano. Score and part. Forton Music #FM423. Published by Forton Music (FT.FM423).

ISBN 9790570483228.

I've always been fascinated by the depth of expression in the song cycles of Robert Schumann, and have tried, in these two pieces, to emulate that using the trombone. Why the trombone? Well, it has a rich history of being 'paired' with the voice in choral music but, if I'm really honest, as a trumpet player I've always been a little bit envious of the trombone's lyrical elegance. The music, in both of these works, has a lot of 'dialogue' between the trombone and piano, I really did think of them as communicating - only without using words.

Trombone & Piano - advanced

SKU: CY.CC2687

Composed by Richard Strauss. Arranged by Ralph Sauer. Romantic German. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2687).

Strauss's most well-known opera, Der Rosenkavalier has a most convoluted plot. However, knowing all its ins and outs are not necessary with Ralph Sauer's gorgeous arrangement of the suite of Waltzes for Trombone with Piano accompaniment. Written at the very end of the Romantic era in the early 20th century, the melodies are beautiful, the harmonies lush and the rhythms intoxicating. For advanced performers this 12 minute work will be a great addition to any recital.

Composed by Howard J. Buss (1951-). TROMBONE CONCERTO in 3 movements: Proclamation, Soliloquy, and Capriccio. This critically acclaimed composition works well as a feature number and as a contest piece. An alternative to the Rimsky-Korsakov, the Jacob 'Concertino', or the Larson - substant. 20th Century. Score and part. Composed 1983. Duration 18'. Published by Brixton Publications (B7.B342).