Tournerie I Trombone et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 5 SKU: FL.FX07...(+)
Chamber Music & Piano
Accompaniment 1 Trombone
1 Piano - Grade 5
SKU:
FL.FX072631
Composed
by Denis Leloup. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX072631.
Published by FLEX
Editions (FL.FX072631).
As its title
suggests, this tournerie,
the first of the series,
must be interpreted with
emphasis on the
regularity of tempo as
well as with a vigorous
pulse. Trombonists should
play without adding jazzy
nor lyrical effects.
Priority given to groove,
a bit like in Piazzolla's
tangos. - Denis LELOUP ;
Instruments: 1 Trombone 1
Piano; Difficuly Level:
Grade 5; Duration: 5 mn
45 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Denis LELOUP;.
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
Trombone and piano - advanced SKU: CY.CC2565 Composed by Franz Joseph Hay...(+)
Trombone and piano -
advanced
SKU:
CY.CC2565
Composed by
Franz Joseph Haydn.
Arranged by Robert
Trevarthen. Classical.
Solo part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2565).
Haydn composed
over 100 compositions,
each in three movements,
for his wealthy employer
Nicolas Esterhazy, who
played the six-string
instrument called a
Baryton, which in shape
looked much like our
modern day cello, but, of
course, with six rather
the cello four strings.
His original scores were
composed of three lines:
the solo part, an inner
filler part for viola and
a bass part. I have
realized the piano part.
These transcriptions were
created to give the solo
trombonist an experience
with classical
music.
The music
is in an elegant style
and a joy to perform as
arranged by Mr.
Trevarthen.
The
six works included in the
collection are as
follows: No. 2 in G
(Theme and
Variations) No. 26 in
F No. 49 in F No.
55 in F No. 77 in
F No. 95 in
B-flat
The works
are between 6 and 9
minutes in length each
and suitable for
moderately advanced
performers.
Trombone and Piano SKU: BT.EMBZ14176 Composed by Gyorgy Kurtag. Contempor...(+)
Trombone and Piano
SKU: BT.EMBZ14176
Composed by Gyorgy
Kurtag. Contemporary
Music. Book Only.
Composed 1999. 16 pages.
Editio Musica Budapest
#EMBZ14176. Published by
Editio Musica Budapest
(BT.EMBZ14176).
With Online Audio of Performances and Accompaniments. By The Canadian Brass. By ...(+)
With Online Audio of
Performances and
Accompaniments. By The
Canadian Brass. By
Various. Arranged by
Eugene Watts. Brass.
Collection, Classical.
Softcover Audio Online.
24 pages. Published by
Hal Leonard
(Stylized Selections for Trombone and Piano). Composed by Jeff Bennett. Brass so...(+)
(Stylized Selections for
Trombone and Piano).
Composed by Jeff Bennett.
Brass solo. For trombone,
piano. Book/CD Combo.
Published by Lillenas
Publishing Company
Trombone and Piano - advanced SKU: CY.CC2938 Composed by Giovanni Battist...(+)
Trombone and Piano -
advanced
SKU:
CY.CC2938
Composed by
Giovanni Battista
Pergolesi. Arranged by
Ralph Sauer. Italian
Baroque. Solo part and
Piano accompaniment. 24
pages. Cherry Classics
#2938. Published by
Cherry Classics
(CY.CC2938).
ISBN
9790530057575.
Orig
inally written for Cello,
Ralph Sauer's brilliant
arrangement of the
Pergolesi Sinfonia
(Sonata) for Trombone and
Piano (or Harpsichord)
has become a standard
work in the solo
repertoire. This new
edition which replaces
the previous one comes
with some notable
changes. Below is Mr.
Sauer's
description. This new
edition of the Pergolesi
Sinfonia in F is an
update of the original
version which was first
published 40 years ago
(!) and is now
permanently out of print.
Movements one, two, and
three are essentially the
same. I have corrected a
few errors in the
keyboard part and also
revised some of the
notationâ€â€
notably, grace notes are
now placed correctly.
(The original publisher
insisted that they should
be placed after barlines,
causing confusion as to
whether they were to be
played on the beat or
before the beat.) In
the last movement, there
are now two places where
the keyboard takes over
the solo line. In
addition to providing
much needed rest for the
trombonist, it gives a
change of color and a
chance for the keyboard
player to be the soloist
for a few
measures. The
original version of the
last movement is also
included as an appendix
for those who would
rather perform the
original. Ralph
Sauer
Los
Angeles, 2017