Trombone and piano - advanced

SKU: CY.CC2587

Composed by Ernest Chausson. Arranged by Ralph Sauer. French Romantic. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2587).

The Quelques Dances (Some Dances) Opus 26, arranged by Ralph Sauer for Trombone and Piano were originally composed for Piano during the summer of 1896. The four movements are:

Dedicace
Sarabande
Pavane
Forlane

Opus 26 is dedicated to Madame Robert de Bonnieres. Many of Chausson's trademarks are present in this work: lyricism, sensuousness, stateliness and beautiful part-writing combined with constant harmonic progression.

Thi s work of 15 minutes in length is appropriate for advanced performers.

The mp3 sound clip features Ralph Sauer (Trombone) and Miriam Hickman (Piano).

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

By Ludwig van Beethoven (1770-1827). Edited by Keith Brown. For trombone and piano. Published by International Music Company

Trombone Solo with Piano accompaniment - Advanced

SKU: CY.CC3150

Composed by Elizabeth Raum. Classical. Score and Parts. Cherry Classics #CC3150. Published by Cherry Classics (CY.CC3150).

ISBN 9790530111185. 8.5 x 11 in inches.

Here is a brief description of this very fine new work The Secret of Ben Sogen for Trombone and Piano by the composer, Elizabeth Raum: I've always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for trombone, I found myself drawn to the Danish mythical character, Ben Sogen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Sogen is that he doesn't exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn't evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Sogen. The Hero Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers.

Trombone & Piano

SKU: SU.50501330

For Trombone & Piano. Composed by Faye-Ellen Silverman. Brass, Trombone. Accompanied by piano. Score & Parts. Seesaw Music Corp #50501330. Published by Seesaw Music Corp (SU.50501330).

Trombone & Piano Duration: 9' Composed: 2015 Published by: Seesaw Music.

Trombone and Piano - advanced

SKU: CY.CC2646

Composed by Jean Sibelius. Arranged by Ralph Sauer. Finnish Nationalism Romantic. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2646).

Sibelius wrote the five-minute Romance in 1903 for string orchestra, originally titling it Andante. However he was persuaded to change the name about five years later by a critic's review. In 1903, Sibelius was still composing in a Romantic style, not the austere sounds heard later-on after he composed the 4th Symphony. Romance is made up of three sections; a slow Andante, a faster middle section and a slow third section. Mr. Sauer has distilled the music down to a lovely solo for Trombone and Piano. This crowd-pleaser will work well for advanced performers.

By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo; Masterworks; Solo. Baroque. Part(s). Duration 00:03:50

Trombone & Piano - Advanced

SKU: CY.CC2348

Composed by Gabriel Pierne. Arranged by Ralph Sauer. French. Solo part and Piano. Published by Cherry Classics (CY.CC2348).

Gabriel Pierne was a composer & conductor who studied with Franck and Massenet. His music is typically in the French style, having charm, clear technique and beauty of melodic line. The Three Pieces are titled:1. Serenade, Opus 7; 2. Piece in F minor; 3. March of the Tin Soldiers. This suite is suitable for advanced performers and will add a lovely charm to your recital or concert. Mr. Sauer has produced a lovely suite made up of exquisite gems from Monsieur Piernes pen.

Trombone and Piano

SKU: BT.EMBZ14176

Composed by Gyorgy Kurtag. Contemporary Music. Book Only. Composed 1999. 16 pages. Editio Musica Budapest #EMBZ14176. Published by Editio Musica Budapest (BT.EMBZ14176).

English-German-Hungari an.

They are arrangements from 'Játékok' made in the following sequence of movements: Fanfare I. - Dirge I. - Beating I. - Dirge II. - Fanfare II. - Hommage á Paganini (La nuova campanella) - Appendix: Beating II. Kurtág dedicated the work composed in 1978 to the trombone artist Erika Bereczki. Its premiére was given with the participation of Steven Kovács Tickmayer in Amsterdam in 1997. This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Diese Übertragung einiger Stücke aus ‚Játékok' hat die folgende Satzfolge: Fanfare I. - Klagegesang I. - Schläge I. - Klagegesang II. - Fanfare II. - Hommage á Paganini (La nuova campanella) - Appendix: Schläge II. Kurtág hat das 1978 komponierte Werk der Posaunenkünstlerin Erika Bereczki gewidmet, die Uraufführung fand 1997 unter Mitwirkung von Steven Kovács Tickmayer in Amsterdam statt.

By César Franck. Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo; Masterworks; Solo. Eighth Note Publications. Romantic. Part(s). Duration 00:03:30. Published by Eighth Note Publications

By Wolfgang Amadeus Mozart (1756 - 1791). Arranged by Elburz Sorkhabi. For Trombone & Piano. Brass - Trombone Solo. Masterwork. Level: Easy-Medium. Published by Eighth Note Publications.

Trombone and Piano - intermediate

SKU: XC.LS1806

Composed by Wolfgang Amadeus Mozart. Arranged by Larry Clark. Legacy Solo Series. Solo with Piano. Classical, Acoustic. Score and part. Excelcia Music Publishing #LS1806. Published by Excelcia Music Publishing (XC.LS1806).

UPC: 812598030112. 12 x 9 inches.

The Legacy Solo Series contains masterworks meticulously edited and set beautifully by one of the most popular composers of music for students today, Larry Clark. These solos are routinely found on many state festival lists throughout the United States and are perfect for use at an adjudicated solo festival or recital. Commonly featured on college audition lists, these works are a cornerstone of the solo repertoire. Piano players will enjoy piano reductions that are clean and feature the solo line in concert pitch for easy rehearsal. Each Legacy Solo, compatible with Smartmusic, comes with beautifully set parts and piano accompaniment. Piano recordings for rehearsal or performance of each piece are available for download from the Excelcia Music Publishing website.

By Wolfgang Amadeus Mozart (1756-1791). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo; Masterworks; Solo. Eighth Note Publications. Classical. Part(s). Duration 00:02:20. Published by Eighth Note Publications

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Bob Elkjer. Solo. For trombone solo. With piano. Published by Alessi Publications

Trombone and piano - Level 1

SKU: LM.C06176

Composed by Pascal Proust. Classical. Score. Editions Combre #C06176. Published by Editions Combre (LM.C06176).

ISBN 9790230361767.

By Wolfgang Amadeus Mozart. For trombone and piano (organ). Swiss import. Level: 3+. Score and parts. Published by Editions Marc Reift. (EMR 2108L)

By Wolfgang Amadeus Mozart. For bass trombone and piano (organ). Swiss import. Level: 3+. Score and parts. Published by Editions Marc Reift. (EMR 2108N)

By Wolfgang Amadeus Mozart. Trombone and piano. Published by International Music Co.

By Wolfgang Amadeus Mozart. Arranged by Ernst. Trombone Solo. Level: Grade 5. Published by Kendor Music Inc.

By Wolfgang Amadeus Mozart. Arranged by Ernst. Trombone Solo. Level: Grade 3. Published by Kendor Music Inc.

By Wolfgang Amadeus Mozart. Arranged by Fote. Trombone Solo. Level: Grade 5. Published by Kendor Music Inc.

Composed by Wolfgang Amadeus Mozart, Jean Michel Defaye. Duration 3 minutes. Published by Editions Robert Martin (RM.SL10035).