Inner Song Trombone et Piano - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 3 SKU: FL.FX07...(+)
Chamber Music & Piano
Accompaniment 1 Trombone
1 Piano - Grade 3
SKU:
FL.FX073766
Composed
by Arnaud Meier. Original
Composition. Classical,
Educational. Score and
Set of Parts. 4 (score);
1 (parts) pages. Duration
2 minutes, 35 seconds.
FLEX Editions #FX073766.
Published by FLEX
Editions (FL.FX073766).
This piece for
trombone with keyboard
accompaniement (church
organ, piano or
synthesizer) is a
beautiful and very
intimate melody. Not very
challenging in terms of
rhythm and ambitus, it is
suited from 4 years of
instrument practice. ;
Instruments: 1 Trombone 1
Piano; Difficuly Level:
Grade 3.
Trombone solo with Piano accompaniment - Advanced SKU: CY.CC3170 Composed...(+)
Trombone solo with Piano
accompaniment - Advanced
SKU: CY.CC3170
Composed by Dmitri
Shostakovich. Arranged by
James Markey. Classical.
Score and Parts. Cherry
Classics #CC3170.
Published by Cherry
Classics (CY.CC3170).
ISBN 9790530111406.
8.5 x 11 in
inches.
The set of
24 Preludes for Piano,
Op. 34 was composed in
the winter of 1932-33.
They represent all of the
major and minor keys,
inviting comparisons with
similar collections by
Bach and Chopin. Each
movement has its own
individual mood and there
are sharp contrasts
within each movement and
between movements in
style, rhythm and
harmony. James Markey has
brilliantly arranged
eleven of these movements
for Tenor Trombone and
Piano for virtuoso level
performers. The entire
work is about 17 minutes
in length. We are
grateful to the
Shostakovich estate and
G. Schirmer for
authorizing Mr. Markey's
arrangement. Mr. Markey
and pianist Virginia
Perry can be heard
performing this
arrangement of the
Preludes on his CD
entitled Offroad released
in 2003, which happens to
be sold by Cherry
Classics Music on this
site and also available
on iTunes and other music
retailers.
Trombone and piano - Advanced SKU: CY.CC2144 Composed by Nick Francis. Co...(+)
Trombone and piano -
Advanced
SKU:
CY.CC2144
Composed by
Nick Francis.
Contemporary tonal. Full
score & set of parts.
Published by Cherry
Classics (CY.CC2144).
The Skye Boat
Song, among the most
popular of all Scottish
folk tunes, deals with
the flight of Bonnie
Prince Charlie (Charles
Edward Stewart) from
Scotland to the Isle of
Skye in 1746, after
having been defeated on
Culloden Moor by the
English Army of King
George II. The present
setting, for either Tenor
or Bass Trombone and
Piano, is mostly lyrical
and passes through a
series of episodes that
evoke watery images in
various ways. A stormy
episode which
superimposes a more
martial tune (relying
heavily on the familiar
scotch snappy rhythm)
against a variation of
the original folk tune
leads to brief quotations
from Mendelssohn's
Hebrides overture (the
Isle of Skye is part of
the group of islands
known as the Hebrides)
before a short
recapitulation of the
theme.
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
Alto Trombone & Piano or CD Play Back / Play Along - Grade 1, Grade 2 SKU: MA...(+)
Alto Trombone & Piano or
CD Play Back / Play Along
- Grade 1, Grade 2
SKU: MA.EMR-54745
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
John G. Mortimer. Score
and parts. Duration
10'39. Editions Marc
Reift #EMR 54745.
Published by Editions
Marc Reift
(MA.EMR-54745).
Trombone & Piano or CD Play Back / Play Along - Grade 1, Grade 2 SKU: MA.EMR-...(+)
Trombone & Piano or CD
Play Back / Play Along -
Grade 1, Grade 2
SKU:
MA.EMR-54723
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
John G. Mortimer. Score
and parts. Duration
10'39. Editions Marc
Reift #EMR 54723.
Published by Editions
Marc Reift
(MA.EMR-54723).
Prelude Et Fete Trombone et Piano - Intermédiaire FLEX Editions
Chamber Music and Piano Accompaniment 1 Trombone 1 Piano - Grade 3 SKU: FL.FX...(+)
Chamber Music and Piano
Accompaniment 1 Trombone
1 Piano - Grade 3
SKU:
FL.FX072635
Composed
by Jean-Michel Maury.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072635.
Published by FLEX
Editions (FL.FX072635).
A piece where
students can show their
expertise in legato as
well as articulated
rhythms. - Jean-Michel
MAURY ;
A perfect
Piece for exams or
auditions - for musicians
with 4 years of
instrument practice ;
Instruments: 1 Trombone 1
Piano; Difficuly Level:
Grade 3; Duration: 3 mn
45 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Jean-Michel MAURY;.
Ambiances Trombone et Piano - Intermédiaire FLEX Editions
Trombone, Piano - Grade 3 SKU: FL.FX071168 Composed by Alain Lopez. Class...(+)
Trombone, Piano - Grade 3
SKU: FL.FX071168
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071168.
Published by FLEX
Editions (FL.FX071168).
The artistic
skills and sensitivity of
the musician are
highlighted here, in
order to recreate, thanks
to varied metronomic
movements, rhythms and
nuances, ten atmospheres
described throughout the
Piece.
Trombone, Piano - Grade 3 SKU: FL.FX071575 Composed by Alain Lopez. Class...(+)
Trombone, Piano - Grade 3
SKU: FL.FX071575
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071575.
Published by FLEX
Editions (FL.FX071575).
The purpose of
this composition is to
familiarize yourself with
the unusual 5/4 metric,
often associated to the
famous jazz standard by
Paul Desmond, Take Five.
Rhythms and articulation
are varied but without
major difficulty. This
iece is dedicated to the
saxophonist Michel
Itier.
Cube 1-2-3... Trombone et Piano - Intermédiaire FLEX Editions
Trombone, Piano - Grade 3 SKU: FL.FX071176 Composed by Alain Lopez. Class...(+)
Trombone, Piano - Grade 3
SKU: FL.FX071176
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071176.
Published by FLEX
Editions (FL.FX071176).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets!