Trombone & Piano

SKU: SU.32040021

For Trombone & Piano. Composed by Amy Riebs Mills. Brass, Trumpet. Accompanied by piano. Score & Parts. Subito Music Corporation #32040021. Published by Subito Music Corporation (SU.32040021).

Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.

Chamber Music Trombone, Piano

SKU: PR.114414450

Man vs. Machine. Composed by Adolphus Hailstork. Sws. Folk. Set of Score and Parts. With Standard notation. Composed 2009. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41445. Published by Theodore Presser Company (PR.114414450).

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’_______________ _________________________ __Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivinâ� �™ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.

Trombone, Piano - Grade 2

SKU: FL.FX071925

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071925. Published by FLEX Editions (FL.FX071925).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

Trombone and Piano with Piano Accompaniment On CD. By Antonio Vivaldi. For Trombone Solo, Piano. Carl Fischer CD Solo Series. Level: Grade 4-5, Artisan Level. Score and Audio CD. 4 pages. Published by Carl Fischer.

By ABRSM. For trombone, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Various. Arranged by David Marlatt. Various. For Trombone and Piano. Brass - Trombone and Baritone Method or Collection. Solo Performer Series. Renaissance. Level: Medium-Difficult. Published by Eighth Note Publications.

Arranged by Alan Gout. For Trombone and Piano. Book; Brass - Trombone and Baritone Method or Collection; Method/Instruction. Faber Edition: Going Solo. Published by Faber Music

Composed by Felix Alexandre Guilmant (1837-1911). Edited by Olivier Lachurie. Trombone Solo and Piano Accompaniment. For Trombone solo and Piano. The Must-Haves for Trombone. Classical, Educational. Grade 5. Score and set of parts. 11 pages (score); 3 pages (parts). Published by FLEX Editions

Alto Trombone & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56143

Composed by Jean-Francois Michel. Score and parts. Duration 20'39. Editions Marc Reift #EMR 56143. Published by Editions Marc Reift (MA.EMR-56143).

1. Venezia / 2. Oriental Pictures / 3. Showtime / 4. Discover / 5. Espana.

Alto Trombone & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56045

Composed by John G. Mortimer. Score and parts. Duration 21'14. Editions Marc Reift #EMR 56045. Published by Editions Marc Reift (MA.EMR-56045).

1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trombone solo and piano accompaniment. Set of parts

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 5

SKU: FL.FX073048

Composed by Anton Gladkikh. Original Composition. Classical, Educational. Score and Set of Parts. Duration 20 minutes. FLEX Editions #FX073048. Published by FLEX Editions (FL.FX073048).

I remember well when I began to write these pieces: I sat down at the piano in the conservatory, which was almost completely empty at the time... and I improvised the first chords of the first piece. After that I wrote the theme. The music rang loudly in that large auditorium and I could hear how it echoed about the empty corridors of the conservatory... it reminded me of the overture from Charles Gounod's Faust, as my hands still played out the melodies, stretching the limits of the theme which would become, in a sense, the introduction to the whole cycle. I could feel that the story was emerging: a story born from within the music. - Anton GLADKIKH ;

Hoffmanniada is a collection of six short pieces for trombone and piano composed in a style inspired by the great Russian composers of the twentieth century. Sometimes melancholic and romantic, sometimes cheerful and virtuoso, the writing subtlety of Anton Gladkikh perfectly exploits the qualities of power and finesse of both instruments. Fabrice MILLISCHER

This original piece is the first opus of FLEX Editions collection directed by Fabrice MILLISCHER. It is built of 6 movements: 1 - Et finalement ca tourne, 2 - Autonomie de la volonte, 3 - Les lettres, 4 - Lilite, 5 - Quand Dieu crea le temps, 6 - Le jeu des Demiurges ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 5.

Trombone & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56125

Composed by Jean-Francois Michel. Score and parts. Duration 20'39. Editions Marc Reift #EMR 56125. Published by Editions Marc Reift (MA.EMR-56125).

1. Venezia / 2. Oriental Pictures / 3. Showtime / 4. Discover / 5. Espana.

Trombone and Piano - advanced

SKU: CY.CC2501

Composed by Camille Saint-Saens. Arranged by Ralph Sauer. French 20th Century. Solo part and piano score. Published by Cherry Classics (CY.CC2501).

Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saen's incidental music for the play, Parysatis written in 1902. This 4-5 minute work is all about mood.

Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.

Trombone & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56027

Composed by John G. Mortimer. Score and parts. Duration 21'14. Editions Marc Reift #EMR 56027. Published by Editions Marc Reift (MA.EMR-56027).

1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.

By K Serocki. Trombone. PWM. 48 pages. Polskie Wydawnictwo Muzyczne #5820999. Published by Polskie Wydawnictwo Muzyczne

Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bestseller. Piano score. Galaxy Music Corporation #1.5036. Published by Galaxy Music Corporation

Chamber Music Trombone, Piano

SKU: PR.114423120

Composed by Adolphus Hailstork. Set of Score and Parts. 28+12 pages. Duration 11 minutes. Theodore Presser Company #114-42312. Published by Theodore Presser Company (PR.114423120).

UPC: 680160689477.

MONUM ENTS was commissioned by the Resonate project, a collaboration of the Detroit Chamber Winds & Strings, Bowling Green State University, the Carr Center, Michigan State University, Oberlin College Conservatory, the University of Michigan, and Western Michigan University.The trombone part was written for David Jackson, professor of trombone at the University of Michigan.The title occurred to me when a friend living in Philadelphia told me she had toured monuments in that city on Memorial Day, 2021. By that time I had already written what I call a “noble, lyrical melody” for trombone to serve as the main theme in the composition.MONUMENTS was finished on September 11, 2021. Other awesome monuments had been created on that date twenty years before.–Adolphus Hailstork.

Trombone and Piano - advanced

SKU: CY.CC2663

Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2663).

Arnold Schoenberg's Six Little Pieces, Opus 19, originally for Piano, were published in 1913 at a time when the composer was reacting to his feelings of the excesses of the Romantic Period. They were composed concurrently with his gigantic work Gurre-Lieder. The first five pieces were written in one day and the last one shortly after the death of Gustav Mahler as a rumored tombeau or memorial. Mr. Sauer has deftly arranged these six short pieces of around 5 minutes in length for advanced performers.

Trombone & Piano - Advanced

SKU: CY.CC2405

Composed by Edouard Lalo. Arranged by Ralph Sauer. Spanish romantic. Solo with Piano. Published by Cherry Classics (CY.CC2405).

Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy Francois Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.

For Piano Accompaniment. Solo Collection. Set of parts. Published by Kendor Music Inc.

Trombone and Piano - Advanced

SKU: CY.CC3054

Composed by Claude Debussy. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3054. Published by Cherry Classics (CY.CC3054).

ISBN 9790530110294. 8.5 x 11 in inches.

Debussy's original six-movement suite was written and first performed in 1908 on the Piano. It was dedicated to Debussy's daughter, Claude-Emma who was only three at the time. This lovely arrangement by Ralph Sauer of two of the movements: The Little Shepherd and Golliwogg's Cakewalk are suitable for advanced performers and total about 6-minutes in length.

Trombone & piano - Advanced

SKU: CY.CC2343

Composed by Bax Arnold. Arranged by Sauer Ralph. Romantic/Impressionist. Solo and piano accompaniment. Published by Cherry Classics (CY.CC2343).

Sir Arnold Bax composed in a style that blended Romantic, Impressionist and Celtic flavors together in a brilliant way. Mr. Sauer has taken these two works originally for Piano and brilliantly transcribed them for Trombone & Piano. The Country Tune begins with a beautiful melody which turns into a jaunty dance. The Burlesque is also dance-like, but mixes 3/4 and 4/4 time in a most inovative way. These works are light, airy & very pleasant to perform and listen to.

Trombone and Piano with Piano Accompaniment On CD. By Arthur Pryor. For Trombone Solo, Piano. This edition: Grades 4-5 Artisan Level. Carl Fischer CD Solo Series. Classical. Score and Audio CD. 8 pages. Published by Carl Fischer.
Level: Grade 4-5, Artisan Level.

By Wolfgang Amadeus Mozart. Arranged by Ernst. Trombone Solo. Level: Grade 3. Published by Kendor Music Inc.

(Trombone and Piano with Piano Accompaniment On CD). By Arcangelo Corelli (1653-1713). For Tenor Solo, Piano. Carl Fischer CD Solo Series. GRADE 3 ACHIEVEMENT LEVEL. Score and Audio CD. Standard notation. 3 pages

(Trombone and Piano with Piano Accompaniment On CD). By Francois-Joseph Gossec (1734-1829). For Tenor Solo, Piano. Carl Fischer CD Solo Series Grade 2: Apprentive Level. Book and Audio CD. Standard notation. 4 pages