Trombone and piano accompaniment - advanced

SKU: CY.CC2890

Composed by David Fetter. Contemporary. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2890).

David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length:
1. Swift
2. Longing
3. Exit Music
Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax.
Both the solo and accompaniment parts are written for advanced performers.
The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by Pianist Larry Wallach.
Here is what Mr. Ewazen has said about Situation Update:
I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update”. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with
energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and
rightly deserves to take its place as a significant addition to the Trombone repertoire..

Trombone and Piano - advanced

SKU: CY.CC2718

Composed by Georges Bizet. Arranged by Ralph Sauer. 19th Century French. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2718).

The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Mery, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soiree of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohemienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L'aurore serving as an introduction.

In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi's Il trovatore, as well as in Franz Liszt's Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin's Sonata in B minor.

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Trombone

SKU: HL.48185571

Composed by Galiegue M. Jerome. Leduc. Classical. Softcover. 9 pages. Alphonse Leduc #AL29232. Published by Alphonse Leduc (HL.48185571).

UPC: 888680854089. 9x12 inches.

“Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for Open Air, therefore, makes for a well-informed compilation. As suggested by the title, Open Air focuses on breath control. With a typical performance lasting around three minutes and ten seconds, this Trombone work is a delightful, alternative piece for young trombonists. Open Air is a delightful addition to the intermediate Trombone repertoire.&rdquo.

By Franz Schubert. Arranged by Gordon Cherry. For Trombone and Piano. Romantic Lieder. Level: intermediate/advanced. Full score and parts. Published by Cherry Classics.

By Johannes Brahms. Arranged by Barnaby Kerekes. For Trombone and Piano. Romantic Solo, Sacred. Level: intermediate. Full score and parts. Published by Cherry Classics.

Trombone and Piano - advanced

SKU: CY.CC2543

Composed by Enrique Granados. Arranged by Ralph Sauer. Spanish National. Solo part and piano score. Published by Cherry Classics (CY.CC2543).

Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya.

The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas espanolas, volume I from 1890, for Piano.

Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Trombone and Piano.

Trombonists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire.

The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.

The mp3 sample is an excerpt of the Bass Trombone version taken from a live performance at the 2012 Academy of the West Festival performed by David Hagee and Luis Ortiz, Pianist.

Trombone, Piano - Grade 3

SKU: FL.FX071575

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071575. Published by FLEX Editions (FL.FX071575).

The purpose of this composition is to familiarize yourself with the unusual 5/4 metric, often associated to the famous jazz standard by Paul Desmond, Take Five. Rhythms and articulation are varied but without major difficulty. This iece is dedicated to the saxophonist Michel Itier.

Trombone & piano - Advanced

SKU: CY.CC2343

Composed by Bax Arnold. Arranged by Sauer Ralph. Romantic/Impressionist. Solo and piano accompaniment. Published by Cherry Classics (CY.CC2343).

Sir Arnold Bax composed in a style that blended Romantic, Impressionist and Celtic flavors together in a brilliant way. Mr. Sauer has taken these two works originally for Piano and brilliantly transcribed them for Trombone & Piano. The Country Tune begins with a beautiful melody which turns into a jaunty dance. The Burlesque is also dance-like, but mixes 3/4 and 4/4 time in a most inovative way. These works are light, airy & very pleasant to perform and listen to.

Trombone and Piano - advanced

SKU: CY.CC2724

Composed by Manuel de Falla. Arranged by Ralph Sauer. Spanish 20th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2724).

The Ritual Fire Dance by Manuel da Falla is taken from the ballet El amor brujo (The Bewitched Love) written in 1915. The work was influenced by a traditional dance used to worship the fire-god where the participants involved would jump or leap through fire.

Candela, a gypsy girl performs this Ritual Fire Dance causing a ghost to appear. She begins to dance with the ghost whirling faster and faster until the ghost is pulled into the fire, causing it to disappear.

This brilliant arrangement of about four and one half minutes is written for advanced performers.

(10 Selected Solos with Piano Accompaniment). Arranged by Philip Sparke. For Trombone (Trombone). Anglo Music Press Play-Along. Play along. Book and CD. Anglo Music Press #AMP266400. Published by Anglo Music Press

Trombone and Piano - advanced

SKU: CY.CC2938

Composed by Giovanni Battista Pergolesi. Arranged by Ralph Sauer. Italian Baroque. Solo part and Piano accompaniment. 24 pages. Cherry Classics #2938. Published by Cherry Classics (CY.CC2938).

ISBN 9790530057575.

Orig inally written for Cello, Ralph Sauer's brilliant arrangement of the Pergolesi Sinfonia (Sonata) for Trombone and Piano (or Harpsichord) has become a standard work in the solo repertoire. This new edition which replaces the previous one comes with some notable changes. Below is Mr. Sauer's description.
This new edition of the Pergolesi Sinfonia in F is an update of the original version which was first published 40 years ago (!) and is now permanently out of print. Movements one, two, and three are essentially the same. I have corrected a few errors in the keyboard part and also revised some of the notation� �notably, grace notes are now placed correctly. (The original publisher insisted that they should be placed after barlines, causing confusion as to whether they were to be played on the beat or before the beat.)
In the last movement, there are now two places where the keyboard takes over the solo line. In addition to providing much needed rest for the trombonist, it gives a change of color and a chance for the keyboard player to be the soloist for a few measures.
The original version of the last movement is also included as an appendix for those who would rather perform the original.
Ralph Sauer
Los Angeles, 2017

Trombone and Piano - advanced

SKU: CY.CC2735

Composed by Claude Debussy. Arranged by Ralph Sauer. French impressionist. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2735).

Debussy's General Lavine - eccentric, is taken from his Book II of Piano Preludes written in 1912. It is in the style of a Cakewalk, a dance developed in the late 19th century at get-togethers on slave plantations in the southern United States.

The music is based on Edward Lavine, a famous vaudeville performer whose act was presented at the Marigny Theatre around the same time. It is the only work by Debussy composed as a musical portrait.

The music of about 3 minutes in length is appropriate for advanced performers.

Trombone - easy

SKU: HL.49018958

5 Easy Pieces. Composed by Hermann Regner. This edition: Saddle stitching. Sheet music. Edition Schott. Das fangt ja gut an ist eine kleine Sammlung von leichten Stucken fur Posaune mit Klavierbegleitung. Die funf kurzen Stucke eignen sich hervorragend als Erganzung zum Unterricht und fur Jugend musiziert. Die Stucke sind sehr melodisch und verwenden einfac. Classical. Softcover. Composed 2008. 12 pages. Schott Music #ED20689. Published by Schott Music (HL.49018958).

ISBN 9790001169127.

Apar t from numerous publications in the field of music education, the music teacher and composer Hermann Regner (1928-2008) contributed considerably to the brass repertoire, such as material for wind orchestra and wind band. Influenced by his studies with Carl Orff, he paid special attention to the fusion of instrumental education and contemporary music. A matter of particular concern for him was to write practical, easily playable new music for children, young people and amateur musicians - music that takes the technical competence of beginners into account and motivates them to concern themselves with new sounds, rhythms and playing techniques. 'All begins well' is a small collection of easy pieces for trombone with piano accompaniment. The five short pieces are a perfect addition to instrument lessons and 'Jugend musiziert'. The pieces are very melodic, using simple keys (F major, B flat major, E flat major) which are easy to play by the trombone, and they cover a compass from B flat to E flat1.

Composed by Amy Marcy Beach (1867-1944). Arranged by Ralph Sauer. 20th Century American. Solo part and piano score. Published by Cherry Classics (CY.CC2548).