Composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins. For trombone solo and piano accompaniment. Solo with Accompaniment. Patriotic. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Trombone & Piano

SKU: SU.80603750

For Trombone & Piano. Composed by John Morrissey. Brass, Trombone. Accompanied by piano. Score & Parts. Edward B. Marks Music #80603750. Published by Edward B. Marks Music (SU.80603750).

Band version availableTrombone & Piano Duration: 3'15 Composed: 1956 Published by: E.B. Marks.

For Trombone and Piano Reduction. Composed by William Bolcom. E.B. Marks. Classical. Softcover. 44 pages. Published by Edward B. Marks Music (HL.249506).

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Trombone and Piano

SKU: IS.TRP4208EM

Composed by Jef Schampaert. Brass - Trombone. Metropolis Music Publishers #TRP4208EM. Published by Metropolis Music Publishers (IS.TRP4208EM).

ISBN 9790365042081.

Joze f (Jef) Schampaert's 1952 Dramatische Fantaisie (Fantaisie Dramatique) for trombone and piano, dedicated to trombone professor Peter Roupcinsky, was written as a concours piece for the Royal Conservatoire Antwerp in Belgium. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch.

French composer, Alfred Desenclos (1912-1971) described his music as romantic. His music is expressive and atmospheric, as heard in his Plainchant and Allegretto for Trombone and Piano. Desenclos studied at the Roubaix Conservatory and he won the 1942 Prix de Rome. His Plainchant and Allegretto was published in 1965, towards the end of the composer's life. A typical performance lasts around eight minutes, in which the Trombone solo line is enhanced by rhythm, and technique. As expected, the two movements are contrasting, suitable for the advanced trombonist. For all Trombone players seeking alternative and challenging repertoire, Desenclos' Plainchant and Allegretto makes for a riveting performance.

Trombone, Piano SKU: HU.F0571510841 For Trombone and Piano. Arranged by Leslie Pearson and Peter Goodwin. Brass, Repertoire, Collections. Softcover Book. 64 pages. Faber Music #F0571510841. Published by Faber Music (

Tenor Trombone and Piano - advanced

SKU: CY.CC2494

Composed by Alexander Scriabin. Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2494).

Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was a most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius.

The Three Etudes for Trombone and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.

Mr. Sauer has once again brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the Trombone world. Those who do will be richly rewarded with the depth of musicanship found in these works.

Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass - Trombone and Baritone Method or Collection; Method/Instruction. Faber Edition. Published by Faber Music

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 2

SKU: FL.FX072538

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072538. Published by FLEX Editions (FL.FX072538).

A nice blue shark in calm waters for exams or auditions of young instrumentalists... - Pascal PROUST ;

A perfect Piece for exams or auditions - for students playing Trombone for 2 years onwards ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 1

SKU: FL.FX072548

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072548. Published by FLEX Editions (FL.FX072548).

A short piece for young instrumentalists from the first year of practice. - Pascal PROUST ;

A perfect Piece for exams or auditions - for students playing Trombone for 1 year onwards ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 1; Duration: 1 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.

Composed by Howard J. Buss (1951-). TROMBONE CONCERTO in 3 movements: Proclamation, Soliloquy, and Capriccio. This critically acclaimed composition works well as a feature number and as a contest piece. An alternative to the Rimsky-Korsakov, the Jacob 'Concertino', or the Larson - substant. 20th Century. Score and part. Composed 1983. Duration 18'. Published by Brixton Publications (B7.B342).

By Jean-Baptiste Loeillet (1680 - 1730). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo. Baroque. Level: Easy-Medium. Duration 00:02:00. Published by Eighth Note Publications.

Trombone and Piano - advanced

SKU: CY.CC2735

Composed by Claude Debussy. Arranged by Ralph Sauer. French impressionist. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2735).

Debussy's General Lavine - eccentric, is taken from his Book II of Piano Preludes written in 1912. It is in the style of a Cakewalk, a dance developed in the late 19th century at get-togethers on slave plantations in the southern United States.

The music is based on Edward Lavine, a famous vaudeville performer whose act was presented at the Marigny Theatre around the same time. It is the only work by Debussy composed as a musical portrait.

The music of about 3 minutes in length is appropriate for advanced performers.

By Edward Gregson. For Trombone, Piano Accompaniment. 20th Century. Sheet Music. 42 pages. Published by Novello and Co Ltd.

Trombone and piano - Advanced

SKU: CY.CC2144

Composed by Nick Francis. Contemporary tonal. Full score & set of parts. Published by Cherry Classics (CY.CC2144).

The Skye Boat Song, among the most popular of all Scottish folk tunes, deals with the flight of Bonnie Prince Charlie (Charles Edward Stewart) from Scotland to the Isle of Skye in 1746, after having been defeated on Culloden Moor by the English Army of King George II. The present setting, for either Tenor or Bass Trombone and Piano, is mostly lyrical and passes through a series of episodes that evoke watery images in various ways. A stormy episode which superimposes a more martial tune (relying heavily on the familiar scotch snappy rhythm) against a variation of the original folk tune leads to brief quotations from Mendelssohn's Hebrides overture (the Isle of Skye is part of the group of islands known as the Hebrides) before a short recapitulation of the theme.

Composed by James Woodward (1978-). For Trombone Solo (with Piano). Published by Cimarron Music Press

Composed by Edward Elgar (1857-1934). Arranged by Ralph Sauer. Romantic, British. Solo part and Piano. Published by Cherry Classics (CY.CC2377).