March / Marche Religieuse / Air / Ouverture aus der Wassermusik / Pifa aus der Messias / Sonfonia e Gavotte / Hochzeitsmarsch / Intrada / Marche. Arranged by Jean-Francois Michel. For 2 trombones and piano (organ). Swiss import. Level: 3. Score and parts. Published by Editions Marc Reift. (EMR 696B)

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trombone solo and piano accompaniment. Set of parts

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Trombone and Piano - early intermediate

SKU: BT.DHP-1125294-400

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 52 pages. De Haske Publications #DHP 1125294-400. Published by De Haske Publications (BT.DHP-1125294-400).

ISBN 9789043141802. 9x12 inches. English-German-French-Dut ch.

Performance pieces for piano and trombone in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!

Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trombone waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!

Es gibt immer Bedarf an Stu?cken fu?r Klavier und Posaune, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spa�. Two is a Team ? denn schlie�lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!

La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trombone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !

Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 5

SKU: FL.FX073048

Composed by Anton Gladkikh. Original Composition. Classical, Educational. Score and Set of Parts. Duration 20 minutes. FLEX Editions #FX073048. Published by FLEX Editions (FL.FX073048).

I remember well when I began to write these pieces: I sat down at the piano in the conservatory, which was almost completely empty at the time... and I improvised the first chords of the first piece. After that I wrote the theme. The music rang loudly in that large auditorium and I could hear how it echoed about the empty corridors of the conservatory... it reminded me of the overture from Charles Gounod's Faust, as my hands still played out the melodies, stretching the limits of the theme which would become, in a sense, the introduction to the whole cycle. I could feel that the story was emerging: a story born from within the music. - Anton GLADKIKH ;

Hoffmanniada is a collection of six short pieces for trombone and piano composed in a style inspired by the great Russian composers of the twentieth century. Sometimes melancholic and romantic, sometimes cheerful and virtuoso, the writing subtlety of Anton Gladkikh perfectly exploits the qualities of power and finesse of both instruments. Fabrice MILLISCHER

This original piece is the first opus of FLEX Editions collection directed by Fabrice MILLISCHER. It is built of 6 movements: 1 - Et finalement ca tourne, 2 - Autonomie de la volonte, 3 - Les lettres, 4 - Lilite, 5 - Quand Dieu crea le temps, 6 - Le jeu des Demiurges ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 5.

By Ludwig van Beethoven (1770-1827). Arranged by Jonathon Robbins. For Trombone and piano (all bass instruments). Published by Santorella Publications

Chamber Music Trombone, Piano

SKU: PR.114423120

Composed by Adolphus Hailstork. Set of Score and Parts. 28+12 pages. Duration 11 minutes. Theodore Presser Company #114-42312. Published by Theodore Presser Company (PR.114423120).

UPC: 680160689477.

MONUM ENTS was commissioned by the Resonate project, a collaboration of the Detroit Chamber Winds & Strings, Bowling Green State University, the Carr Center, Michigan State University, Oberlin College Conservatory, the University of Michigan, and Western Michigan University.The trombone part was written for David Jackson, professor of trombone at the University of Michigan.The title occurred to me when a friend living in Philadelphia told me she had toured monuments in that city on Memorial Day, 2021. By that time I had already written what I call a “noble, lyrical melody” for trombone to serve as the main theme in the composition.MONUMENTS was finished on September 11, 2021. Other awesome monuments had been created on that date twenty years before.–Adolphus Hailstork.

Composed by Kimberly Archer. Chamber Ensemble. For Trombone and Piano (trombone, piano). Chamber Music. Medium. Score and 1 part. Duration 15:30. Published by C. Alan Publications

Trombone & Piano - Advanced

SKU: CY.CC2404

Composed by Vincent d'Indy. Arranged by Ralph Sauer. French Impressionist. Solo part & Piano. Published by Cherry Classics (CY.CC2404).

Paul Marie Theodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine Francois Marmontel and Louis Diemer. His main influence was Cesar Franck.

These three pieces were some of his many works for Piano.

Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region.

Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit.

Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.

By Vincent d'Indy (1851-1931). Arranged by Ralph Sauer. For Tuba or Bass Trombone and PIano. French Impressionist. Advanced. Solo part and Piano. Published by Cherry Classics

Trombone and Piano - advanced

SKU: CY.CC2543

Composed by Enrique Granados. Arranged by Ralph Sauer. Spanish National. Solo part and piano score. Published by Cherry Classics (CY.CC2543).

Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya.

The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas espanolas, volume I from 1890, for Piano.

Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Trombone and Piano.

Trombonists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire.

The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.

The mp3 sample is an excerpt of the Bass Trombone version taken from a live performance at the 2012 Academy of the West Festival performed by David Hagee and Luis Ortiz, Pianist.

Trombone and Piano - Advanced

SKU: CY.CC3054

Composed by Claude Debussy. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3054. Published by Cherry Classics (CY.CC3054).

ISBN 9790530110294. 8.5 x 11 in inches.

Debussy's original six-movement suite was written and first performed in 1908 on the Piano. It was dedicated to Debussy's daughter, Claude-Emma who was only three at the time. This lovely arrangement by Ralph Sauer of two of the movements: The Little Shepherd and Golliwogg's Cakewalk are suitable for advanced performers and total about 6-minutes in length.

Trombone Solo with Piano accompaniment - Advanced

SKU: CY.CC3150

Composed by Elizabeth Raum. Classical. Score and Parts. Cherry Classics #CC3150. Published by Cherry Classics (CY.CC3150).

ISBN 9790530111185. 8.5 x 11 in inches.

Here is a brief description of this very fine new work The Secret of Ben Sogen for Trombone and Piano by the composer, Elizabeth Raum: I've always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for trombone, I found myself drawn to the Danish mythical character, Ben Sogen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Sogen is that he doesn't exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn't evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Sogen. The Hero Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers.

Trombone and Piano

SKU: IS.TRP4193EM

Composed by Jef Van Hoof. Brass - Trombone. Metropolis Music Publishers #TRP4193EM. Published by Metropolis Music Publishers (IS.TRP4193EM).

ISBN 9790365041930.

Jef Van Hoof (1886 – 1959) composed his Divertimento for trombone and orchestra in 1935. It was dedicated to his friend, trombonist Jules De Haes, who for many years played in the Antwerp Brass Ensemble, originally founded by Van Hoof. This edition of the Divertimento for trombone and piano reduction was first published by Metropolis Music Publishers in 1952. The work is in two parts, the first of which Moderato molto explores the expressive side of the instrument, while the second part, a Scherzo, is bright, rhythmic, and allows for the soloist to show off a bit.

Trombone and Piano

SKU: IS.TRP4208EM

Composed by Jef Schampaert. Brass - Trombone. Metropolis Music Publishers #TRP4208EM. Published by Metropolis Music Publishers (IS.TRP4208EM).

ISBN 9790365042081.

Joze f (Jef) Schampaert's 1952 Dramatische Fantaisie (Fantaisie Dramatique) for trombone and piano, dedicated to trombone professor Peter Roupcinsky, was written as a concours piece for the Royal Conservatoire Antwerp in Belgium. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch.

By K Serocki. Trombone. PWM. 48 pages. Polskie Wydawnictwo Muzyczne #5820999. Published by Polskie Wydawnictwo Muzyczne

Chamber Music Trombone, Piano

SKU: PR.114414450

Man vs. Machine. Composed by Adolphus Hailstork. Sws. Folk. Set of Score and Parts. With Standard notation. Composed 2009. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41445. Published by Theodore Presser Company (PR.114414450).

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’_______________ _________________________ __Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivinâ� �™ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.

By Frank Bridge (1879-1941). Arranged by Ralph Sauer. For trombone and piano. 20th British. Advanced. Solo and piano accompaniment. Published by Cherry Classics

Trombone and piano accompaniment - advanced

SKU: CY.CC2919

Composed by Reinhold Moritzovich Gliere. Arranged by Ralph Sauer. Russian Romantic. Solo part & piano accompaniment. Published by Cherry Classics (CY.CC2919).

Gliere's beautiful character pieces, Six Album Leaves from Op. 51 are from a larger collection of twelve originally written for Cello and Piano in 1911 while the composer was living in Berlin. The composer most likely was inspired by Schumann's versions which were unknown in Russia.
The pieces are full of eastern sounding melodies and exploit the singing nature of the Trombone. Mr. Sauer has brilliantly arranged six of these for advanced performers.

Trombone and Piano - advanced

SKU: CY.CC2646

Composed by Jean Sibelius. Arranged by Ralph Sauer. Finnish Nationalism Romantic. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2646).

Sibelius wrote the five-minute Romance in 1903 for string orchestra, originally titling it Andante. However he was persuaded to change the name about five years later by a critic's review. In 1903, Sibelius was still composing in a Romantic style, not the austere sounds heard later-on after he composed the 4th Symphony. Romance is made up of three sections; a slow Andante, a faster middle section and a slow third section. Mr. Sauer has distilled the music down to a lovely solo for Trombone and Piano. This crowd-pleaser will work well for advanced performers.

Trombone and Piano - Advanced

SKU: CY.CC3134

Composed by Christal Bochard. Classical. Score and Parts. Cherry Classics #CC3134. Published by Cherry Classics (CY.CC3134).

ISBN 9790530111031. 8.5 x 11 in inches.

Fanfare and Processional for Trombone and Piano was written in 1978 for Trombonist Daniel Bochard. The work was first premiered that year in recital at the University of British Columbia's School of Music. The work has two very distinct themes: the 1st theme, Fanfare which consists of dramatic leaps of 4th's and octaves somewhat reminiscent of Hindemith. The 2nd theme: the stately Processional, is based on the first three notes of a diatonic scale. The scale presents itself in many different guises throughout the 5 1/2 minute work. For advanced performers.

Trombone & Piano - Moderately Advanced

SKU: CY.CC2356

Composed by Charles Ives. Arranged by Ralph Sauer. American 20th Century. Solo part and Piano. Published by Cherry Classics (CY.CC2356).

Charles Ives was one of the first American composers to gain international recognition, although most of his music was unperformed during his lifetime.

Ives wrote 114 songs including these four:
1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2.

The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners.

Mr. Sauer once again has edited a brilliant new transcription, bringing Ive's music to life for the Trombone world. For moderately advanced performers, all in bass clef.

Trombone and piano - advanced

SKU: CY.CC2865

Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2865).

Vocalise-etude (en forme de Habanera) was originally written for voice and is one more example of a French composer's fascination with the music of Spain. Ravel in particular was fond of this Habanera style, having included it in several of his works. This music also may have been composed as a study for students at the Paris Conservatory.
Ravel includes virtuosic runs and portamento effects which Mr. Sauer has effectively used in his fine arrangement for Tenor Trombone.
The work of about 3 minutes in length is appropriate for advanced performers.

Trombone and Piano accompaniment - moderately advanced

SKU: CY.CC2953

Composed by Germaine Tailleferre. Arranged by Ralph Sauer. French 20th Century. Solo part and Piano accompaniment. 10 pages. Cherry Classics #2953. Published by Cherry Classics (CY.CC2953).

ISBN 9790530057728.

Ralp h Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Trombone and Piano. Tailleferre was the only female member of the famous French Les Six.

1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases.

2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.

Togethe r they are total about 5 minutes in length and are appropriate for advanced performers.

Trombone and Piano - advanced

SKU: CY.CC2518

Composed by Alexander Borodin. Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2518).

The Petite Suite, published in 1885, is Borodin's major work for the Piano and originally comprised of seven movements. Mr. Sauer's arrangement incorporates three of them: Intermezzo, Reverie and Serenade. The Petite Suite was dedicated to the Belgian Countess Louise de Mercy-Argenteau, who was a supporter of Borodin and his music. After Borodin's death in 1887, Glazunov orchestrated the Suite.

The music has that Eastern flavor so indicative of Borodin's melodies, mysterious, lyrical and subtle. Advanced performers will enjoy this work which has been so beautifully arranged by Mr. Sauer.

Trombone and Piano

SKU: BT.EMBZ14997

By Rezso Ott. By Miklós Malek. Book Only. Composed 2016. 46 pages. Editio Musica Budapest #EMBZ14997. Published by Editio Musica Budapest (BT.EMBZ14997).

The work was dedicated to Gusztáv H na whose extraordinary performing skills inspired the virtuosity of the trombone solo part. The world premiere was held on 27 January 2002, performed by Gusztáv H na and the Savaria Symphony Orchestra conducted by the composer.

Trombone & Piano - Advanced

SKU: CY.CC2406

Composed by Gabriel Faure. Arranged by Ralph Sauer. French Impressionist. Solo part and Piano. Published by Cherry Classics (CY.CC2406).

Faure is well known for his lyricism and haunting harmonies. In a way, he was the father of French Impressionist music.

The Serenade, Opus 98 was originally written for the great 20th century Cellist, Pablo Casals.

Mr. Ralph Sauer has kept the arrangement in the same key as the Cello. The work is playable by advanced performers and is in tenor clef most of the way through.

This arrangement is another example of Mr. Sauer's excellent feel for the subtleties of the composer's style.

Composed by Robert Schumann. Arranged by Jaime Morales-Matos. German Romantic 19th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2715).