By Traditional. Arranged by James Markey. For Bass Trombone and Piano. American Folk Song. Advanced. Solo and Piano. Published by Cherry Classics

By Traditional. Arranged by James Markey. For Bass Trombone and Piano. Religious Christian. Advanced. Solo and Piano. Published by Cherry Classics

By Sergei Prokofiev (1891-1953). Arranged by Charles Vernon. For Bass Trombone and Piano. Russian Ballet Suite. Virtuoso. Solo part and piano accompaniment. Published by Cherry Classics

By John Frith. For bass trombone and piano. Contemporary. Very advanced. Solo and piano accompaniment. Published by Cherry Classics

By John Frith. For bass trombone and piano. Contemporary. Advanced. Solo part and piano accompaniment. Published by Cherry Classics

By Vincent d'Indy (1851-1931). Arranged by Ralph Sauer. For Tuba or Bass Trombone and PIano. French Impressionist. Advanced. Solo part and Piano. Published by Cherry Classics

By George Gershwin (1898-1937). Arranged by Ralph Sauer. For tuba or bass trombone and piano. Jazzy style. Advanced. Full score and set of parts

By Maurice Ravel. For bass trombone and piano. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 2029N)

By Jean Baptiste Senaille. For bass trombone and piano (organ). Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 293A)

Composed by Alec Wilder (1907-1980). Arranged by Gunther Schuller. Shawnee Press. Classical. 24 pages. Shawnee Press #MM0008M. Published by Shawnee Pres

By Sergei Prokofiev (1891-1953). Arranged by Charles Vernon. For Tenor Trombone and Piano. Russian Ballet Suite. Virtuoso. Solo part and Piano part. Published by Cherry Classics

Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium, trombone, Eb bass, Bb bass) and piano. Format: set of performance parts (euphonium, trombone, bass Eb and Bb parts included). With solo parts and piano reduction. Classical period. 31 pages. 9x12 inches. Published by C.F. Peters.

For Bass or Tenor Trombone and Piano. By Richard Lieb. For Bass, Tenor, Trombone, Piano. Classical. Set of parts. 14 pages. Published by Carl Fischer.

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

By Various. Arranged by Ralph Sauer. For Trombone and Piano. Italian vocalise. Intermediate. Solo part and piano score. Published by Cherry Classics

Composed by Reinhold Moritzovich Gliere (1874-1956). Arranged by Ralph Sauer. For trombone and piano. Russian 19th Century. Advanced. Solo part and accompaniment. Published by Cherry Classics

By Antonin Dvorak (1841-1904). Arranged by Geoffrey Bergler. For trombone and piano. Romantic Solo. Intermediate. Full score and set of parts

Arranged by Ramskill. For Trombone and Piano. Solo Brass. Easy-medium. Book and CD. Published by Brass Wind Publications

Trombone Essentials (11 Recital and Contest Solos for Tenor and Bass Trombone Trombone and Piano). By Various. Edited by Douglas Yeo. Trombone. Rubank Solo Collection. 44 pages. G. Schirmer #ED4082. Published by G. Schirmer

Arranged by Ramskill. For Trombone and Piano. Solo Brass. Easy-medium. Collection. Published by Brass Wind Publications

By McMillen. For Trombone & Piano. Solo Brass. Medium-slightly difficult. Score and part. Published by Brass Wind Publications

Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass - Trombone and Baritone Method or Collection; Method/Instruction. Faber Edition. Elementary; Intermediate. Published by Faber Music

By Mowat. For Trombone & Piano. Solo Brass. Book. Published by Brass Wind Publications

By George Frideric Handel. For bass trombone and piano (organ). Swiss import. Level: 3+. Score and parts. Published by Editions Marc Reift. (EMR 302N)

By Mitcham. For Trombone and Piano. Solo Brass. Medium-slightly difficult. Book and CD. Published by Brass Wind Publications

By Bill Geldard. Solo. For Trombone and Piano. Dance movements for trombone. Light Concert. Level: Easy. Piano score and parts. Standard Notation. Published by Winwood Music (U.K. Import).

Trombone & Piano

SKU: ST.H470

Composed by Bryan Kelly. Wind & brass music. Standard: Intermediate. Score and part. Stainer & Bell Ltd. #H470. Published by Stainer & Bell Ltd. (ST.H470).

ISBN 9790220222283.

The Partita for trombone and piano is the latest example of Bryan Kelly's genius for writing bright and idiomatic miniatures for a range of instruments. From the stately opening 'Fanfare', melodious 'Song' and sombre 'Chorale Prelude' to the genial 'Burlesque', and soulful 'Envoi', no aspect of this most characterful member of the brass family is neglected. Both treble clef and bass clef parts are included with the score. The five pieces of this new Partita will be attractive to all trombonists, especially to adventurous young players of around Grades 3 to 5 standard who are keen to explore new repertoire.

Ten Short Solos for BC Trombone and Piano. By Bram Wiggins. Fentone Play Along Books. Play Along. Published by Fentone Music.

Composed by Edward Elgar (1857-1934). Arranged by Ralph Sauer. Romantic, British. Solo part and Piano. Published by Cherry Classics (CY.CC2377).