Trombone and Piano - easy

SKU: BT.AMP-304-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 304-400. Published by Anglo Music Press (BT.AMP-304-400).

ISBN 9789043138116. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< I>15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique.

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

Trombone and Piano - advanced

SKU: CY.CC2709

Composed by Zoltan Kodaly. Arranged by Ralph Sauer. Hungarian 20th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2709).

--Four Pieces from Opus 11 arranged for Trombone and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910.

--The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War.

--About 12 minutes in length, these four movements are appropriate for advanced performers.

Trombone and Piano accompaniment - advanced

SKU: CY.CC2958

Composed by Claude Debussy. Arranged by Ralph Sauer. French Impressionist. Solo part and Piano accompaniment. 10 pages. Cherry Classics #2958. Published by Cherry Classics (CY.CC2958).

ISBN 9790530057773.

En Bateau (Sailing) is the first movement from Debussy's four movement Petite Suite written around 1886 for four-hand piano duet. Debussy was inspired to write this movement from the poem Fetes galantes by Paul Verlaine. The Suite has been transcribed for every imaginable instrumentation and is one of the composer's most playable works from a technical standpoint.
This lovely 3-minute arrangement in tenor clef by Ralph Sauer is appropriate for moderately advanced performers.

Tenor trombone & piano - Advanced

SKU: CY.CC2256

Composed by Robert Schumann. Arranged by Ralph Sauer. Romantic. Solo and piano accompaniment. Published by Cherry Classics (CY.CC2256).

Scenes From Childhood (Kinderscenen), Opus 15 is a set of 13 pieces of music that Schumann wrote for Piano in 1838. They are his reminiscences of childhood and have been beautifully scored for Tenor Trombone & Piano by Ralph Sauer. The most well known.

Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium, trombone, Eb bass, Bb bass) and piano. Format: set of performance parts (euphonium, trombone, bass Eb and Bb parts included). With solo parts and piano reduction. Classical period. 31 pages. 9x12 inches. Published by C.F. Peters.

Composed by George Frideric Handel (1685-1759). Arranged by Forbes. Trombone Solo. For Trombone Solo with Piano Accompaniment. Level 3. Published by Kendor Music Inc

Halleluja / Overture from Water Music / Hochzeitsmarsch / Rondeau. Arranged by Jean-Francois Michel. For 4 trombones and piano (organ) ad libitum. Swiss import. Level: 4. Score and parts. Published by Editions Marc Reift. (EMR 533B)

By Jean-Baptiste Loeillet (1680 - 1730). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo. Baroque. Level: Easy-Medium. Duration 00:02:00. Published by Eighth Note Publications.

(from Hansel and Gretel). By Engelbert Humperdinck (1854-1921). Arranged by Richard Fote. Trombone and piano. Grade 4. Score and parts. Published by Kendor Music Inc

Trombone, Piano SKU: HU.F0571510841 For Trombone and Piano. Arranged by Leslie Pearson and Peter Goodwin. Brass, Repertoire, Collections. Softcover Book. 64 pages. Faber Music #F0571510841. Published by Faber Music (

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 5

SKU: FL.FX073048

Composed by Anton Gladkikh. Original Composition. Classical, Educational. Score and Set of Parts. Duration 20 minutes. FLEX Editions #FX073048. Published by FLEX Editions (FL.FX073048).

I remember well when I began to write these pieces: I sat down at the piano in the conservatory, which was almost completely empty at the time... and I improvised the first chords of the first piece. After that I wrote the theme. The music rang loudly in that large auditorium and I could hear how it echoed about the empty corridors of the conservatory... it reminded me of the overture from Charles Gounod's Faust, as my hands still played out the melodies, stretching the limits of the theme which would become, in a sense, the introduction to the whole cycle. I could feel that the story was emerging: a story born from within the music. - Anton GLADKIKH ;

Hoffmanniada is a collection of six short pieces for trombone and piano composed in a style inspired by the great Russian composers of the twentieth century. Sometimes melancholic and romantic, sometimes cheerful and virtuoso, the writing subtlety of Anton Gladkikh perfectly exploits the qualities of power and finesse of both instruments. Fabrice MILLISCHER

This original piece is the first opus of FLEX Editions collection directed by Fabrice MILLISCHER. It is built of 6 movements: 1 - Et finalement ca tourne, 2 - Autonomie de la volonte, 3 - Les lettres, 4 - Lilite, 5 - Quand Dieu crea le temps, 6 - Le jeu des Demiurges ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 5.

Trombone and Piano - advanced

SKU: CY.CC2543

Composed by Enrique Granados. Arranged by Ralph Sauer. Spanish National. Solo part and piano score. Published by Cherry Classics (CY.CC2543).

Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya.

The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas espanolas, volume I from 1890, for Piano.

Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Trombone and Piano.

Trombonists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire.

The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.

The mp3 sample is an excerpt of the Bass Trombone version taken from a live performance at the 2012 Academy of the West Festival performed by David Hagee and Luis Ortiz, Pianist.

By ABRSM. For trombone, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By ABRSM. For trombone, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Various. Arranged by David Marlatt. Various. For Trombone and Piano. Brass - Trombone and Baritone Method or Collection. Solo Performer Series. Renaissance. Level: Medium-Difficult. Published by Eighth Note Publications.

By Leos Janacek (1854-1928). Arranged by Ralph Sauer. For Trombone and Piano. 20th Century Czech. Intermediate. Solo part and piano score. Published by Cherry Classics

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Trombone and piano - advanced

SKU: CY.CC2566

Composed by Bela Bartok. Arranged by Ralph Sauer. Hungarian National 20th century. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2566).

Bartok's Allegro Barbaro, composed in 1911 is one of his most famous solo piano works, written in his typical style using folk elements based on Hungarian Pentatonic and Romanian chromatic scales. The music has even been used on a composition by the Progressive rock group Emerson, Lake and Palmer from their 1970 debut album.

Ralph Sauer's brilliant arrangement for Trombone and Piano is reminiscent of the famous Trombone passage from the Miraculous Mandarin ballet suite.

This 3 minute work is suitable for advanced performers.

The sound clip is performed by Mr. Sauer with Mac Booke on piano.

Trombone & Piano - Advanced

SKU: CY.CC2404

Composed by Vincent d'Indy. Arranged by Ralph Sauer. French Impressionist. Solo part & Piano. Published by Cherry Classics (CY.CC2404).

Paul Marie Theodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine Francois Marmontel and Louis Diemer. His main influence was Cesar Franck.

These three pieces were some of his many works for Piano.

Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region.

Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit.

Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.

By Vincent d'Indy (1851-1931). Arranged by Ralph Sauer. For Tuba or Bass Trombone and PIano. French Impressionist. Advanced. Solo part and Piano. Published by Cherry Classics

Trombone and Piano - advanced

SKU: CY.CC2534

Composed by Peter Ilyich Tchaikovsky. Arranged by Ralph Sauer. Russian Romantic. Solo part and piano score. Published by Cherry Classics (CY.CC2534).

Ralph Sauer has beautifully arranged four movements from Opus 40 for Trombone and Piano:

1. Chanson Triste
2. Valse
3. Reverie interrompue
4. Danse russe

These four movements totalling 14 minutes of music offer the artist a great deal of musical contrasts, ranging from lyrical, dramatic, dance-like, etc.

An excellent collection of the Russian master's music for the Trombone.

Alto Trombone & Piano (Organ) + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-33865

Jingle Bells / Deep River / Clementine / Minuet For Anna Magdanena / Rio By Night / Liebestraum / Pie Jesu / Chorus From Nabucco / Two Dances From The Fairy Queen / Celtic Lament. Composed by John G. Mortimer. Alto Trombone & CD Playback (Play Along). 10 Titles. Score and parts. Duration 19'51. Editions Marc Reift #EMR 33865. Published by Editions Marc Reift (MA.EMR-33865).

Possible instrumentations:

Alto Trombone & CD Play Back / Play Along
Alto Trombone & Organ (+ Play Back / Play Along CD optional)
Alto Trombone & Piano (+ Play Back / Play Along CD optional).

Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass - Trombone and Baritone Method or Collection; Method/Instruction. Faber Edition. Published by Faber Music

Chamber Music Trombone, Piano

SKU: PR.114414450

Man vs. Machine. Composed by Adolphus Hailstork. Sws. Folk. Set of Score and Parts. With Standard notation. Composed 2009. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41445. Published by Theodore Presser Company (PR.114414450).

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’_______________ _________________________ __Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivinâ� �™ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.