Chamber Music Trombone, Piano

SKU: PR.114414450

Man vs. Machine. Composed by Adolphus Hailstork. Sws. Folk. Set of Score and Parts. With Standard notation. Composed 2009. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41445. Published by Theodore Presser Company (PR.114414450).

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’_______________ _________________________ __Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivinâ� �™ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Composed by Robert Schumann. Arranged by Jaime Morales-Matos. German Romantic 19th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2715).

For Piano Accompaniment. Solo Collection. Set of parts. Published by Kendor Music Inc.

By Johann Sebastian Bach. Arranged by Figert. Trombone Solo. Level: Grade 3. Published by Kendor Music Inc.

Composed by Various. Edited by null. Book. Published by Kendor Music Inc (KN.10326).

Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bestseller. Piano score. Galaxy Music Corporation #1.5036. Published by Galaxy Music Corporation

By Johann Sebastian Bach (1685-1750). Arranged by Frank Halferty. For trombone solo with piano accompaniment. Grade 3. Published by Kendor Music Inc

Composed by S. Prokofiev. Arranged by Ralph Sauer. For Trombone and Piano. Russian 20th century. Advanced. Solo part and accompaniment. Published by Cherry Classics

By Vincent d'Indy (1851-1931). Arranged by Ralph Sauer. For Tuba or Bass Trombone and PIano. French Impressionist. Advanced. Solo part and Piano. Published by Cherry Classics

Trombone and Piano - easy

SKU: BT.AMP-304-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 304-400. Published by Anglo Music Press (BT.AMP-304-400).

ISBN 9789043138116. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< I>15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique.

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

By George Gershwin (1898-1937). Arranged by Ralph Sauer. For tuba or bass trombone and piano. Jazzy style. Advanced. Full score and set of parts

Trombone Solo with Piano Accompaniment - 2-3

SKU: KN.12395

Composed by Various. Arranged by Andrew Balent. Solo or Ensemble. Kendor Solo Series. Kendor Music Inc #12395. Published by Kendor Music Inc (KN.12395).

UPC: 822795123951.

These eleven grade 2-3 trombone solos featured in this collection present a variety of styles and tempi. They are enjoyable performance pieces for players at all levels, and the piano part is very accessible.

Conten ts:
Runabout (Balent), Rosemunde (Schubert),aEUR^Easy Does It! (Balent), Autumn Mist (Balent), Spring Dreams (Balent), Summer Nights (Balent), Jasmine (Balent), To A Wild Rose (MacDowell), Whirlwind (Balent), Saturday Morning (Balent), and Polovetzian Dance (Borodin).

Trombone Solo with Piano Accompaniment - Grade 6

SKU: KN.12552

Composed by Johann Friedrich Fasch. Arranged by Gerald Felker. Solo or Ensemble. Kendor Solo Series. Kendor Music Inc #12552. Published by Kendor Music Inc (KN.12552).

UPC: 822795125528.

This Johann Friedrich Fasch piece, originally composed for bassoon, has been performed by instrumentalists other than bassoonists for decades. This edition for tenor trombone requires a skilled trombonist (grade 6) who possesses great dexterity with the slide. The tessitura has been carefully altered so that it falls within a range that is more suitable for the tenor trombone, eliminating notes that were below the staff. Trombonist Gerald Felker has carefully edited this piece so as to not compromise the musical integrity. Total duration 15:45.

By Arthur Frackenpohl. For Trombone Solo. Trombone Solo. Level: Grade 3. Published by Kendor Music Inc.

By Various. Arranged by Ralph Sauer. For Trombone and Piano. Italian vocalise. Intermediate. Solo part and piano score. Published by Cherry Classics

(Cancoes do Sol - Concerto No. 3 for Trombone and Orchestra). By Eric Ewazen. For Trombone, Piano. Contemporary. Solo part with piano reduction. Standard notation. 36 pages. Duration 18 minutes. Published by Theodore Presser Company

Composed by Ole Olsen (1850-1927). Arranged by Christian Eriksen. For Trombone and Piano. Late Romantic Norgegian. Advanced. Solo part and Piano accompaniment. Published by Cherry Classics

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trombone solo and piano accompaniment. Set of parts

Trombone and Piano - advanced

SKU: CY.CC2938

Composed by Giovanni Battista Pergolesi. Arranged by Ralph Sauer. Italian Baroque. Solo part and Piano accompaniment. 24 pages. Cherry Classics #2938. Published by Cherry Classics (CY.CC2938).

ISBN 9790530057575.

Orig inally written for Cello, Ralph Sauer's brilliant arrangement of the Pergolesi Sinfonia (Sonata) for Trombone and Piano (or Harpsichord) has become a standard work in the solo repertoire. This new edition which replaces the previous one comes with some notable changes. Below is Mr. Sauer's description.
This new edition of the Pergolesi Sinfonia in F is an update of the original version which was first published 40 years ago (!) and is now permanently out of print. Movements one, two, and three are essentially the same. I have corrected a few errors in the keyboard part and also revised some of the notation� �notably, grace notes are now placed correctly. (The original publisher insisted that they should be placed after barlines, causing confusion as to whether they were to be played on the beat or before the beat.)
In the last movement, there are now two places where the keyboard takes over the solo line. In addition to providing much needed rest for the trombonist, it gives a change of color and a chance for the keyboard player to be the soloist for a few measures.
The original version of the last movement is also included as an appendix for those who would rather perform the original.
Ralph Sauer
Los Angeles, 2017

Trombone & Piano or CD Play Back / Play Along - Grade 1

SKU: MA.EMR-45022

Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Trombone & CD Playback (Play Along). Score and parts. Duration 16'15. Editions Marc Reift #EMR 45022. Published by Editions Marc Reift (MA.EMR-45022).

Grandfather Clock / Snail, come out to play! / Rain is Falling / Joy To The World / William Tell / Tenderness / Let's Climb the Ladder / Little Ladybird / It's Christmas / Santa Claus's Toy / Pirouette, Cacahuete / Doctor Staccato...

Alto Trombone & Piano or CD Play Back / Play Along - Grade 1

SKU: MA.EMR-45011

Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Alto Trombone & CD Playback (Play Along). Score and parts. Duration 16'15. Editions Marc Reift #EMR 45011. Published by Editions Marc Reift (MA.EMR-45011).

Grandfather Clock / Snail, come out to play! / Rain is Falling / Joy To The World / William Tell / Tenderness / Let's Climb the Ladder / Little Ladybird / It's Christmas / Santa Claus's Toy / Pirouette, Cacahuete / Doctor Staccato...

Composed by Luigi Cherubini (1760-1842). Arranged by Forbes. For trombone solo with piano accompaniment. Grade 6. Score and part. Published by Kendor Music Inc

By Leos Janacek (1854-1928). Arranged by Ralph Sauer. For Trombone and Piano. 20th Century Czech. Intermediate. Solo part and piano score. Published by Cherry Classics

Trombone & Piano or CD Play Back / Play Along - Grade 6

SKU: MA.EMR-56815

Composed by Bertrand Moren. Score and parts. Duration 5'30. Editions Marc Reift #EMR 56815. Published by Editions Marc Reift (MA.EMR-56815).

Possible instrumentations:

Trombone & CD Play Back / Play Along
Trombone & Piano (+ CD Play Back / Play Along optional)
Trombone & Piano or CD Play Back / Play Along.