For Trombone. Brass - Trombone and Baritone Method or Collection. Classic Festival Solos. Book. 44 pages. Published by Alfred Publishing.

Trombone and Piano - advanced

SKU: CY.CC2827

Composed by Alexander Glazunov. Arranged by Ralph Sauer. Russian 20th Century. Solo part and accompaniment. Published by Cherry Classics (CY.CC2827).

Young Glazunov had the special opportunity to meet Franz Liszt in 1884 while on a tour of Europe arranged by his publisher. Liszt was very impressed with the young Glazunov and arranged to have his 1st Symphony performed in Weimar. Upon hearing of Liszt's death in 1886, Glazunov wrote this Elegie in his memory with the subtitile Une Pensee a Francois Liszt.
The music embodies emotions of nostalgia, sweet remembrance and grief. This 8-minute jewel, originally for Cello and Piano has been beautifully arranged for Trombone by Ralph Sauer. For advanced performers.

Trombone and piano - advanced

SKU: CY.CC2863

Composed by Franz Liszt. Arranged by Ralph Sauer. Romantic. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2863).

Liszt composed the Romance oubliee around 1844 for Piano. It was forgotten until he heard Violist Hermann Ritter at the first performance of Wagner's Der Ring des Nibelungen at Bayreuth. He fashioned for Ritter a transcription of the work for Viola and Piano as well as ones for the Piano, Violin and Violoncello.
In this short work, the listener hears the agonies of a troubled soul, beginning with a rhapsodic passage, continuing with a cadenza-like section, then a section with arpeggiated figures, finally settling into a peaceful ending.
This 4 minute work is appropriate for advanced performers. With Mr. Sauer's arrangement we now have this lovely version for Trombone and Piano.

Trombone and Piano - advanced

SKU: CY.CC2718

Composed by Georges Bizet. Arranged by Ralph Sauer. 19th Century French. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2718).

The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Mery, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soiree of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohemienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L'aurore serving as an introduction.

In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi's Il trovatore, as well as in Franz Liszt's Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin's Sonata in B minor.